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Pike Collection (page 6)

"From Jim Pike to Joan the Maid: A Captivating Journey with Pike" In the world of horse racing

Background imagePike Collection: Gunpowder Plot; The conspirators last stand at Holbeach House, 7 November 1605 (engraving)

Gunpowder Plot; The conspirators last stand at Holbeach House, 7 November 1605 (engraving)
609095 Gunpowder Plot; The conspirators last stand at Holbeach House, 7 November 1605 (engraving) by Crofts, Ernest (1847-1911); Private Collection; (add.info)

Background imagePike Collection: Officer of Musketeers, 1638 (carved wood)

Officer of Musketeers, 1638 (carved wood)
XJF441275 Officer of Musketeers, 1638 (carved wood) by English School, (17th century); Private Collection; (add.info.: The elaborately carved staircase at Cromwell House in Highgate, North London)

Background imagePike Collection: Major General John Sullivan, 1776 (hand-coloured mezzotint)

Major General John Sullivan, 1776 (hand-coloured mezzotint)
479174 Major General John Sullivan, 1776 (hand-coloured mezzotint) by English School, (18th century); 36 x 24 cm; Gilder Lehrman Collection, New York

Background imagePike Collection: The Courtrai Chest depicting two scenes from the Battle of the Golden Spurs fought in

The Courtrai Chest depicting two scenes from the Battle of the Golden Spurs fought in
NCO179788 The Courtrai Chest depicting two scenes from the Battle of the Golden Spurs fought in Courtrai in 1302 (wood) (detail) by Flemish School

Background imagePike Collection: 'Now you slip the net under him as soon as I get him alongside'(engraving)

"Now you slip the net under him as soon as I get him alongside"(engraving)
2792850 " Now you slip the net under him as soon as I get him alongside" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imagePike Collection: The Princess and the Frog, c. 1899 (lithograph)

The Princess and the Frog, c. 1899 (lithograph)
2544377 The Princess and the Frog, c.1899 (lithograph) by Bilibin, Ivan (1876-1942); (add.info.: Literature. Fairy Tales. Ivan Tsarevich looking for his wife Vasilisa (Frog Princess)

Background imagePike Collection: A Cold Day at Virginia Water (engraving)

A Cold Day at Virginia Water (engraving)
1616319 A Cold Day at Virginia Water (engraving) by English School, (19th century); Private Collection; (add.info.: A Cold Day at Virginia Water)

Background imagePike Collection: Instructions and Demonstration of Postures for Musketeers and Pikemen, 1636 (engraving)

Instructions and Demonstration of Postures for Musketeers and Pikemen, 1636 (engraving)
XJF105373 Instructions and Demonstration of Postures for Musketeers and Pikemen, 1636 (engraving) by Cockson, Thomas (fl.1591-1636); Private Collection; English, out of copyright

Background imagePike Collection: A Pikeman Lighting a Cannon (woodcut)

A Pikeman Lighting a Cannon (woodcut)
XJF105372 A Pikeman Lighting a Cannon (woodcut) by English School, (17th century); Private Collection; (add.info.: used on back cover of The Herbalist; ); English, out of copyright

Background imagePike Collection: Hell, illustration from Festkalender published in Leipzig c. 1910 (colour litho)

Hell, illustration from Festkalender published in Leipzig c. 1910 (colour litho)
AFC215874 Hell, illustration from Festkalender published in Leipzig c.1910 (colour litho) by Thoma, Hans (1839-1924); Private Collection; German, out of copyright

Background imagePike Collection: Charles V against the Lutherans (fresco)

Charles V against the Lutherans (fresco)
703117 Charles V against the Lutherans (fresco) by Zuccari, Taddeo (1529-66); Villa Farnese, Caprarola, Voterbo, Lazio, Italy; (add.info)

Background imagePike Collection: John Hayess head exposed in St Margarets church yard (engraving)

John Hayess head exposed in St Margarets church yard (engraving)
608128 John Hayess head exposed in St Margarets church yard (engraving) by English School, (18th century); Private Collection; (add.info)

Background imagePike Collection: A Spahi, plate 34 from Collection of One Hundred Prints Representing the Different

A Spahi, plate 34 from Collection of One Hundred Prints Representing the Different
STC409015 A Spahi, plate 34 from Collection of One Hundred Prints Representing the Different Nations of the Levant by Charles de Ferriol, engraved by Gerard Scotin (1671-1716)

Background imagePike Collection: Spear of the guard of King Louis XIV (1638-1715) of France (steel & gold set in wood)

Spear of the guard of King Louis XIV (1638-1715) of France (steel & gold set in wood)
CZA228788 Spear of the guard of King Louis XIV (1638-1715) of France (steel & gold set in wood) by Polish School, (17th century); Czartoryski Museum, Cracow, Poland; Polish, out of copyright

Background imagePike Collection: French freshwater fish (colour litho)

French freshwater fish (colour litho)
971898 French freshwater fish (colour litho) by French School, (19th century); Private Collection; (add.info.: French freshwater fish)

Background imagePike Collection: Richard assumes the command of the rebels in the Peasants Revolt

Richard assumes the command of the rebels in the Peasants Revolt
984768 Richard assumes the command of the rebels in the Peasants Revolt, from A Chronicle of England BC 55 to AD 1485, pub

Background imagePike Collection: Richard II betrayed at Penmaur Rhos and taken prisoner by the Duke of Northumberland

Richard II betrayed at Penmaur Rhos and taken prisoner by the Duke of Northumberland
1073650 Richard II betrayed at Penmaur Rhos and taken prisoner by the Duke of Northumberland, facsimile copy from Le Prinse et Mort du Roy Richart by Jean Creton

Background imagePike Collection: Seafood and fish dishes (colour litho)

Seafood and fish dishes (colour litho)
960334 Seafood and fish dishes (colour litho) by English School, (19th century); Private Collection; (add.info.: Seafood and fish dishes, Plate IV of Household Management.); © Look and Learn

Background imagePike Collection: Pike fisherman landing a big fish (litho)

Pike fisherman landing a big fish (litho)
6014317 Pike fisherman landing a big fish (litho) by Feller, Frank (1848-1908) (after); Private Collection; (add.info.: Pike fisherman landing a big fish)

Background imagePike Collection: Costume Militaire Du XVe Siecle (coloured engraving)

Costume Militaire Du XVe Siecle (coloured engraving)
6016054 Costume Militaire Du XVe Siecle (coloured engraving) by European School, (19th century); Private Collection; (add.info.: Costume Militaire Du XVe Siecle)

Background imagePike Collection: Soldier with lance, c. 1600 (engraving)

Soldier with lance, c. 1600 (engraving)
5042951 Soldier with lance, c.1600 (engraving) by Gheyn, Jacob II de (1565-1625); Rijksmuseum, Amsterdam, The Netherlands; (add.info.: From Exercise of Armes for calivres)

Background imagePike Collection: Pike on the Feed (engraving)

Pike on the Feed (engraving)
1616329 Pike on the Feed (engraving) by English School, (19th century); Private Collection; (add.info.: Pike on the Feed. Illustration for The Illustrated Sporting and Dramatic News)

Background imagePike Collection: Trimming for Pike (engraving)

Trimming for Pike (engraving)
1586885 Trimming for Pike (engraving) by English School, (19th century); Private Collection; (add.info.: Trimming for Pike. Illustration for The Illustrated London News, 23 July 1842)

Background imagePike Collection: German mercenaries on the march

German mercenaries on the march
3780803 German mercenaries on the march by Ostendorfer, Michael (1490-1559); (add.info.: German mercenaries on the march against the Turks in 1532)

Background imagePike Collection: Death of the King-Maker, 14 April 1471, from A Chronicle of England BC 55 to AD 1485, pub

Death of the King-Maker, 14 April 1471, from A Chronicle of England BC 55 to AD 1485, pub
984786 Death of the King-Maker, 14 April 1471, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho) by Doyle

Background imagePike Collection: The Halberdier, 1895 (oil & graphite on canvas)

The Halberdier, 1895 (oil & graphite on canvas)
1071243 The Halberdier, 1895 (oil & graphite on canvas) by Hodler, Ferdinand (1853-1918); 331.6x125.7 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, Mrs. John B

Background imagePike Collection: Snare and Fang (litho)

Snare and Fang (litho)
979093 Snare and Fang (litho) by Konewka, Paul (1841-71); Private Collection; (add.info.: Snare and Fang. From Henry IV Part II, by William Shakespeare)

Background imagePike Collection: Sport Fishing: Leaping Muskie, 1950 (colour litho)

Sport Fishing: Leaping Muskie, 1950 (colour litho)
3036066 Sport Fishing: Leaping Muskie, 1950 (colour litho) by American School, (20th century); (add.info.: Vintage illustration of a leaping muskellunge (Esox masquinongy) on the line of a fisherman

Background imagePike Collection: London Apprentices repelling an Attack (engraving)

London Apprentices repelling an Attack (engraving)
3634285 London Apprentices repelling an Attack (engraving) by English School, (19th century); Private Collection; (add.info.: London Apprentices repelling an Attack)

Background imagePike Collection: The Battle of Worcester, 3 September 1651 (oil on canvas)

The Battle of Worcester, 3 September 1651 (oil on canvas)
3602045 The Battle of Worcester, 3 September 1651 (oil on canvas) by Woodward, Thomas (1801-52); 150x180.2 cm; Worcester City Art Gallery & Museum, Worcestershire, UK; English, out of copyright

Background imagePike Collection: Pike (engraving)

Pike (engraving)
2807155 Pike (engraving) by English School, (19th century); Private Collection; (add.info.: Pike. Illustration for An Illustrated Vocabulary For The Use Of The Deaf And Dumb (SPCK)

Background imagePike Collection: The extensive view of the place of martyrdom of Bishop Ridley and Latimer (engraving)

The extensive view of the place of martyrdom of Bishop Ridley and Latimer (engraving)
610056 The extensive view of the place of martyrdom of Bishop Ridley and Latimer (engraving) by English School, (17th century); Private Collection; (add.info)

Background imagePike Collection: A priest called John Ball stirs up a great commotion in England (engraving)

A priest called John Ball stirs up a great commotion in England (engraving)
606346 A priest called John Ball stirs up a great commotion in England (engraving) by English School, (19th century); Private Collection; (add.info)

Background imagePike Collection: Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving)

Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving)
606330 Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imagePike Collection: The arrival at the main entrance of the Imperial Institute of the Prince of Wales, the Duke of York

The arrival at the main entrance of the Imperial Institute of the Prince of Wales, the Duke of York
607477 The arrival at the main entrance of the Imperial Institute of the Prince of Wales, the Duke of York, the Duchess of Teck, and Princess May (engraving) by English School

Background imagePike Collection: A Pike, Carp, Tench and Roach with a Sieve and a Brass Bucket on a Ledge

A Pike, Carp, Tench and Roach with a Sieve and a Brass Bucket on a Ledge
659381 A Pike, Carp, Tench and Roach with a Sieve and a Brass Bucket on a Ledge, 1661 (oil on canvas) by Susenier, Abraham (c.1620-68)

Background imagePike Collection: The Kingdom of Fish, illustration from Hortus Sanitatis

The Kingdom of Fish, illustration from Hortus Sanitatis
CHT307453 The Kingdom of Fish, illustration from Hortus Sanitatis, 1491 (coloured woodcut) by German School, (15th century); Bibliotheque de la Faculte de Medecine, Paris

Background imagePike Collection: Don Quixote on horseback (chromolitho)

Don Quixote on horseback (chromolitho)
732845 Don Quixote on horseback (chromolitho) by French School, (19th century); Private Collection; (add.info.: Don Quixote on horseback.); Look and Learn / Barbara Loe Collection

Background imagePike Collection: Bayard defends the bridge, illustration from Bayard

Bayard defends the bridge, illustration from Bayard
STC397024 Bayard defends the bridge, illustration from Bayard: The Good Knight Without Fear and Without Reproach by Christopher Hare, pub

Background imagePike Collection: Studies of military tank-like machines; including one at the top with horses pulling a

Studies of military tank-like machines; including one at the top with horses pulling a
XJF311683 Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper) by Vinci

Background imagePike Collection: Lances, spears, halberds and partisanes, plate from

Lances, spears, halberds and partisanes, plate from
STC147607 Lances, spears, halberds and partisanes, plate from A History of the Development and Customs of Chivalry, by Dr

Background imagePike Collection: The Courtrai Chest depicting two scenes from the Battle of the Golden Spurs fought in

The Courtrai Chest depicting two scenes from the Battle of the Golden Spurs fought in
NCO179785 The Courtrai Chest depicting two scenes from the Battle of the Golden Spurs fought in Courtrai in 1302 (wood) (detail) by Flemish School

Background imagePike Collection: The Turnpike Gate, engraved by William Ward (1766-1826), pub

The Turnpike Gate, engraved by William Ward (1766-1826), pub
NP125522 The Turnpike Gate, engraved by William Ward (1766-1826), pub. by James Linnell, 1806 (mezzotint engraving) by Morland, George (1763-1804) (after); 45.1x59.6 cm; Private Collection; English

Background imagePike Collection: Carp, Pike and Perch (engraving)

Carp, Pike and Perch (engraving)
6002873 Carp, Pike and Perch (engraving) by English School, (19th century); Private Collection; (add.info.: Carp, Pike and Perch)

Background imagePike Collection: The soldier Juan de Urbieta (d. 1553) taking prisoner the King Francis I of France at

The soldier Juan de Urbieta (d. 1553) taking prisoner the King Francis I of France at
CUL4930966 The soldier Juan de Urbieta (d. 1553) taking prisoner the King Francis I of France at the Battle of Pavia from February 24, 1525 (oil on canvas) by Anonymous; Museo del Ejercito de Toledo



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"From Jim Pike to Joan the Maid: A Captivating Journey with Pike" In the world of horse racing, Australian jockey Jim Pike and his legendary horse Phar Lap left an indelible mark on the sport. Their partnership symbolized determination and triumph, captivating audiences worldwide. But let's not forget another kind - a selection of fish that inhabit our waters. With their sleek bodies and sharp teeth, these formidable creatures command attention in their aquatic realm. Whether it's a pike swimming alongside a perch or a Northern pike amidst shining pondweed, they remind us of nature's intricate balance. Moving away from fauna, Rivington Pike in Lancashire stands tall as a historical landmark. Its majestic presence has witnessed centuries unfold, silently observing the passage of time. Speaking of history, Clan Farquharson holds its own tale within Scottish heritage. The clan's rich traditions echo through generations, reminding us of our roots and ancestral connections. Meanwhile, French Religious Wars during 1562-1598 saw intense conflicts like the Siege of Poitiers where Huguenots fought for their beliefs. These turbulent times shaped Europe's religious landscape forever. Artistic expressions also capture the essence in various forms. Anthony Payne immortalized Sir Godfrey Kneller as "The Cornish Giant, " showcasing power and stature akin to these magnificent fish. Even disused quarries hold surprises; Stoney Stanton in Leicestershire reveals an unexpected habitat for pikes thriving amidst forgotten depths. Nature finds its way even in unlikely places. Lastly but certainly not least is Kay Nielsen's portrayal of Joan the Maid - a noble warrior saint who embodies courage and resilience against all odds. Whether we delve into equestrian legends or explore diverse aspects related to pikes - be it fish species or historical events - each element carries its unique significance within this vast world we inhabit.