Pietro Collection (page 8)

Jacob wrestling the angel, 1730-39. Creator: Pietro Monaco
Jacob wrestling the angel, 1730-39

Platos symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Alcibiades at left, 1648

The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, ca. 1635-37

The Holy Family fed by Angels, ca. 1642-44. Creator: Pietro Testa
The Holy Family fed by Angels, ca. 1642-44

St. Carlo Borromeo surrounded by angels, 1650-70. Creator: Unknown
St. Carlo Borromeo surrounded by angels, 1650-70

The sacrifice of Isaac by his father Abraham, ca. 1640-42. Creator: Pietro Testa
The sacrifice of Isaac by his father Abraham, ca. 1640-42

The prodigal son among the swine, from a series of four prints, ca. 1645

The departure of the prodigal son, shown about to mount a horse, from a series of four prints, ca. 1645

The Holy Family attended by Angels, ca. 1642-44. Creator: Pietro Testa
The Holy Family attended by Angels, ca. 1642-44

The garden of Venus, proof impression of upper left corner, ca. 1631-37

The garden of charity, woman representing Charity at right surrounded by children, ca. 1631-37

Self-Portrait, ca. 1645. Creator: Pietro Testa
Self-Portrait, ca. 1645

The Holy Family with the infant Saint John holding an apple, ca. 1630

The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples. 1648

The Garden of Charity, ca. 1631-37. Creator: Pietro Testa
The Garden of Charity, ca.1631-37

Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning, ca. 1640

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, 1680-1700

The Suicide of Dido, 1650-1700. Creator: Unknown
The Suicide of Dido, 1650-1700

An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, 1650-1700

The Adoration of the Magi, set before and architectural colonnade, ca. 1640

Christ turning turning water into wine at the wedding at Cana, 1743-63

Noli me tangere, 1730-39. Creator: Pietro Monaco
Noli me tangere, 1730-39

Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center, 1675

Daniel argues with the elders while Susanna stands at left, 1732-50

Jephthahs daughter kneeling by the sacrificial altar, with her father standing at right, 1730-50

Joseph and Potiphars wife, within an ornate frame, 1739. Creator: Pietro Monaco
Joseph and Potiphars wife, within an ornate frame, 1739

Job rebuked by his wife, 1730-39. Creator: Pietro Monaco
Job rebuked by his wife, 1730-39

Annibale Carracci Introduces Painting to Apollo and Minerva, 1674. Creator: Pietro Aquila
Annibale Carracci Introduces Painting to Apollo and Minerva, 1674

Portrait of Pope Sixtus V, 1585. Creator: Pietro Facchetti
Portrait of Pope Sixtus V, 1585

Ajax, front view. from "Oeuvre de Canova: Recueil de Statues... ", 1817
Ajax, front view. from " Oeuvre de Canova: Recueil de Statues...", 1817

La Fornarina, 1814. Creators: Raphael Morghen, Pietro Ermini
La Fornarina, 1814

Stanze di M. Pietro Aretino, January 23, 1537. Creator: Giovanni Britto
Stanze di M. Pietro Aretino, January 23, 1537. [Aretino and the Siren]

The Holy Family, with the Christ child asleep in the Virgins lap, ca. 1778-86

The flight into Egypt, with the Holy Family in a boat, 1730-50. Creator: Pietro Monaco
The flight into Egypt, with the Holy Family in a boat, 1730-50

[The calling of Sts Peter and Andrew], 1730-50. Creator: Pietro Monaco
[The calling of Sts Peter and Andrew], 1730-50

The Virgin holding a cloth above the sleeping infant Christ, after Reni, 1700-1800

The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum, ca. 1662

The Holy Family, 1811. Creators: Pietro Bonato, Giovanni Tognolli
The Holy Family, 1811

La Cortigiana de Roma (Courtesan), ca. 1580. Creator: Attributed to Pietro Bertelli
La Cortigiana de Roma (Courtesan), ca. 1580

La Sposa Romana (Bride), ca. 1580. Creator: Attributed to Pietro Bertelli
La Sposa Romana (Bride), ca. 1580

La Citella Romana (Maiden), ca. 1580. Creator: Attributed to Pietro Bertelli
La Citella Romana (Maiden), ca. 1580

La Vedova Romana, ca. 1580. Creator: Attributed to Pietro Bertelli
La Vedova Romana, ca. 1580

La Vedova ala Baronessa, ca. 1580. Creator: Attributed to Pietro Bertelli
La Vedova ala Baronessa, ca. 1580

Faith, Hope, and Charity, 1630?-78. Creator: Dominique Barriere
Faith, Hope, and Charity, 1630?-78

Title page to Galleria Dipinta nel Palazzo del Prencipe Panfilio after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome, ca. 1661

Portrait of Pietro Aretino, ca. 1655-1660. Creator: Cornelis van Dalen II
Portrait of Pietro Aretino, ca. 1655-1660

Historiae Venetae. Libri XII, 1551. Creator: Giulio Bonasone
Historiae Venetae. Libri XII, 1551. [Portrait of Cardinal Pietro Bembo]

The sacrifice of Iphigenia, 1650-1700. Creator: Attributed to Arnold van Westerhout
The sacrifice of Iphigenia, 1650-1700

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"Pietro: A Master of Artistic Majesty and Timeless Beauty" Step into the world of Pietro, an Italian artist whose name echoes through the annals of art history. From his breathtaking portraits to his awe-inspiring frescoes, Pietro's talent knows no bounds. One such masterpiece is "Queen Elizabeth II" by Pietro Annigoni in the ILN. With meticulous brushstrokes, he captures the regal grace and strength that defines Her Majesty, and is a portrait that immortalizes her reign for generations to come. In another stroke of genius, Fra Angelico depicts "The Coronation of the Virgin. " This ethereal painting transports us to a celestial realm where divine beauty unfolds before our eyes. The harmonious colors and delicate details reveal Fra Angelico's reverence for spirituality. Pietro Lorenzetti's "Madonna dei Tramonti" enchants with its serene charm. The Madonna tenderly cradles baby Jesus as golden hues bathe them in heavenly light, and is a testament to Lorenzetti's mastery in capturing emotion and devotion on canvas. Flipping through Tatler Royal Wedding Souvenir Number from 1960, we glimpse at moments frozen in time - joyous celebrations filled with elegance and grandeur fit for royalty. These images remind us of Pietro's ability to capture not just individuals but also their stories within each frame. On a different note, Nearco triumphs after winning Grand Prix de Paris - an exhilarating moment captured by Pietro Annigoni himself. Through bold strokes and vivid colors, he conveys the raw energy pulsating within this victorious steed. As dusk settles over Rome, Ponte Sant Angelo stands tall against the backdrop of St Peter's Basilica on River Tiber - an enchanting scene painted by nature itself. Just like this picturesque view, Pietro Annigoni immortalizes Rome's timeless allure through his art.