Pieta Collection (page 7)

Pieta, 1563. Creator: Tintoretto, Jacopo (1518-1594)
Pieta, 1563. Found in the Collection of Pinacoteca di Brera, Milan

Pieta with two cherubim, ca 1576. Creator: Santi di Tito (1536-1603)
Pieta with two cherubim, ca 1576. Found in the Collection of Museo Civico, Sansepolcro

Mater Dolorosa. Artist: Bouts, Dirk (1410 / 20-1475)
Mater Dolorosa. Found in the collection of the National Museum of Western Art, Tokyo

The Lamentation over the Dead Christ, c1490. Found in the Collection of Pinacoteca di Brera, Milan

Lamentation (oil on canvas)
BAL167006 Lamentation (oil on canvas) by David, Gerard (c.1460-1523); 36x44.5 cm; State Hermitage Museum, St. Petersburg, Russia; Netherlandish, out of copyright

Pieta with Saints (Pieta di Luco), 1523-1524. Found in the Collection of Galleria Palatina, Florence

The Lamentation over Christ, before 1586. Found in the Collection of Pinacoteca e Museo Civico, Volterra

Pieta, ca 1619. Found in the Collection of Galerie Giovanni Sarti, Paris

The Lamentation over Christ, c. 1635. Found in the Collection of Royal Museum of Fine Arts, Antwerp

Roma - Basilica of St. Peter. Pieta by Michelangelo, 1910. Artist: Michelangelo Buonarroti
Roma - Basilica of St. Peter. Pieta by Michelangelo, 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Pieta, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Pieta by Michelangelo, St Peters Basilica, Rome, Italy. Artist: Underwood & Underwood
Pieta by Michelangelo, St Peters Basilica, Rome, Italy. The pieta is a portrayal of the Virgin Mary cradling the body of Christ

Pieta, 1498-1500. Artist: Michelangelo Buonarroti
Pieta, 1498-1500. The Virgin Mary holding the body of Jesus Christ after it has been taken down from the cross (Deposition). From St Peter s, Rome

The Palestrina Pieta, 16th century
The Palestrina Pieta, from the Barbarine Chapel of San Rosalia in Palestrina, Florence. Now in the Galleria dell Academica in Florence, 16th century

The Palestrina Pieta by Michelangelo, 15th century. Artist: Michelangelo Buonarroti
The Palestrina Pieta, one of Michelangelos best works. From the Accademia Gallery in Florence, 15th century

Pieta, early 16th century. Artist: Lodovico Mazzolini
Pieta, early 16th century. The Virgin Mary laments over the body of the crucified Christ. From the Loredan Palace, Venice, Italy

Pieta, 16th century. Artist: Michelangelo Buonarroti
Pieta in the Duomo of Florence, 16th century

PietA 1783 oil canvas 50. 5 x 39 cm Tiberius Dominikus Wocher
Pieta, 1783, oil on canvas, 50.5 x 39 cm, Tiberius Dominikus Wocher, Mimmenhausen bei Salem 1728-1799 Reute (heute Ortsteil von Bad Waldsee, Landkreis Ravensburg)

Annibale Carracci PietA painting oil canvas
Annibale Carracci, Pieta, painting, oil on canvas, Height, 86 cm (33.8 inches), Width, 75 cm (29.5 inches)

Master Stockholm pietan PietA painting religious art
Master of Stockholm pietan, Pieta, painting, religious art, oil on panel, Height, 83 cm (32.6 inches), Width, 60 cm (23.6 inches)

Annibale Carracci PietA painting 18th century
After Annibale Carracci, Pieta, painting, 18th century, oil on canvas, Height, 86 cm (33.8 inches), Width, 75 cm (29.5 inches)

Pietas box 43 drawings PietA Ripa Louis Fabritius Dubourg
Pietas (in box with 43 drawings), Pietas, Pieta (Ripa), Louis Fabritius Dubourg, 1738, paper, ink, pencil, pen, h 88 mm × w 112 mm

PietA Maria dead Christ arms weeping sitting
Pieta, Maria with the dead Christ in his arms, weeping for him, sitting on a stone. Pieta Vesperbild Marienklage (no others present): Christ, either with or without a crown of thorns

Pieta Mary weeping dead Christ lying lap addition
Pieta, Mary weeping over the dead Christ lying on her lap. In addition to her two grieving angels, the dead Christ in Marys lap, Jan van Somer, Amsterdam, 1676, paper, h 213 mm × w 261 mm

Marches Macerata Tolentino S. Catervo Duomo Italy
Marches Macerata Tolentino S. Catervo, Duomo, this is my Italy, the italian country of visual history, This church, erected in the 13th century

Marches Macerata Mevale Pieve Italy italian country
Marches Macerata Mevale Pieve, this is my Italy, the italian country of visual history, Parish church dating from the 13th century with interior decoration dating until the 16th century

Marches Macerata San Severino Marche S. Agostino, Cathedral, this is my Italy, the italian country of visual history, Exterior views of the 15th-century facade with its gothic portal

Marches Macerata San Severino Marche Pinacoteca Civica, this is my Italy, the italian country of visual history, The collections include a silver reliquary 1326, a relic of Pope Peter Celestini V

Umbria Terni Terni S. Maria Assunta Duomo Italy
Umbria Terni Terni S. Maria Assunta, Duomo, this is my Italy, the italian country of visual history, Exterior views baroque facade, bell tower, portico

Umbria Perugia Spoleto S. Maria Assunta Cathedral
Umbria Perugia Spoleto S. Maria Assunta, Cathedral, this is my Italy, the italian country of visual history, Exterior views facade 12th century with details of the rose window, blind gallery

Pieta Collection Mexican religious engravings
Pieta, Collection of Mexican religious engravings, Oracion a los Santos y Piadosos Varones

Initial O Pieta Master Lee Hours Flemish active
Initial O: The Pieta; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Single Leaf Book Hours Pieta 1475-1485 Attributed
Single Leaf from a Book of Hours: Pieta, c. 1475-1485. Attributed to Francesco dai Libri (Italian, c. 1506), after Andrea Mantegna (Italian, 1431-1506)

Vesperbild Pieta 1515-1520 Master Rabenden
Vesperbild (Pieta), c. 1515-1520. Master of Rabenden (German). Lindenwood, polychromed and gilded; overall: 89.1 x 78.7 x 32.4 cm (35 1/16 x 31 x 12 3/4 in.)

Pieta 1596 Hendrick Goltzius Dutch 1558–1617
Pieta, 1596. Hendrick Goltzius (Dutch, 1558-1617). Engraving

Pieta Jean Louis Forain French 1852-1931 Etching
Pieta. Jean Louis Forain (French, 1852-1931). Etching

Printed Book Hours Rome fol 53r Pieta 1510 Guillaume Le Rouge
Printed Book of Hours (Use of Rome): fol. 53r, Pieta, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Pieta 1460 Southern Germany Swabia 15th century
Pieta, c. 1460. Southern Germany, Swabia, 15th century. Woodcut, hand colored with watercolor; sheet: 38.7 x 28.8 cm (15 1/4 x 11 5/16 in.)

Leaf Book Hours Presentation Temple Roundels
Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pieta (None, Office of the Virgin), c. 1460-70

Vesperbild Pieta 1420 Master Grosslobming
Vesperbild (Pieta), c. 1420. Master of Grosslobming (Austrian). Painted cast stone; overall: 94 x 92.7 x 39.4 cm (37 x 36 1/2 x 15 1/2 in.)

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"Pieta: A Timeless Masterpiece of Renaissance Art" One cannot discuss the beauty and significance of the Pieta without mentioning Michelangelo Buonarroti. Created between 1498-1499, this marble sculpture is a true testament to his genius. Located in Rome, Italy, it remains one of Michelangelo's most renowned works. Giovanni Bellini, an Italian Renaissance painter, also depicted the Pieta in oil on panel. His interpretation showcases his mastery of color and composition. Luis de Morales, a Spanish artist from the 16th century, created a stunning rendition of the Pieta with intricate details that capture both sorrow and serenity. The Church of St. Panteleimon in Gorno Nerezi, Republic of Macedonia houses another remarkable example of a Pieta sculpture. Its presence within this sacred space adds to its spiritual impact. Gregorio Fernandez's sculpture at the National Sculpture Museum in Spain evokes deep emotions through its realistic portrayal of grief and compassion. In Limpias, Spain, the Church of Saint Peter features an exquisite main altarpiece with a detailed depiction of Christ's deposition by Sir Anthony Van Dyck. The inclusion of the Pieta scene adds depth to this Flemish masterpiece. A tapestry antependium from Strasbourg dating back to c. 1450-60 showcases yet another representation of Lamentation over Dead Christ Pieta using wool silk and possibly linen threads - highlighting how diverse materials were used to bring this powerful image to life. Lastly, an anonymous artist from the 1590s captured the essence of piety through their oil on canvas rendition - reminding us that even centuries later artists continue to be inspired by Michelangelo's iconic work. From Italy to Spain and beyond, these various interpretations demonstrate how deeply ingrained piety was during Europe's Renaissance period while paying homage to Michelangelo's original masterpiece – forever etching "Pieta" into the annals of art history.