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Pier Glass Collection

"Reflecting Elegance: The Timeless Beauty of Pier Glasses" Step into the opulent world of Queen Anne with these exquisite pier glasses

Background imagePier Glass Collection: Pier-glass, c. 1936. Creator: Rex Dolmith

Pier-glass, c. 1936. Creator: Rex Dolmith
Pier-glass, c. 1936

Background imagePier Glass Collection: One of a pair of Queen Anne pier glasses, c. 1710 (giltwood & verre eglomise

One of a pair of Queen Anne pier glasses, c. 1710 (giltwood & verre eglomise
909137 One of a pair of Queen Anne pier glasses, c.1710 (giltwood & verre eglomise) (see also 909136) by English School, (18th century); 188.5x103 cm; Private Collection; (add.info.: Attr)

Background imagePier Glass Collection: Commode and chair in the state bedchamber at Nostell Priory

Commode and chair in the state bedchamber at Nostell Priory
BAL2040 Commode and chair in the state bedchamber at Nostell Priory, Yorkshire (green and gold lacquer) by Chippendale, Thomas (1718-79); Nostell Priory, Yorkshire, UK; British, out of copyright

Background imagePier Glass Collection: One of a pair of Queen Anne pier glasses, c. 1710 (giltwood & verre eglomise

One of a pair of Queen Anne pier glasses, c. 1710 (giltwood & verre eglomise
909136 One of a pair of Queen Anne pier glasses, c.1710 (giltwood & verre eglomise) (see also 909137) by English School, (18th century); 188.5x103 cm; Private Collection; (add.info.: Attr)

Background imagePier Glass Collection: Suggestion for the Decoration of Lower Right and Top Right of an Altar Fram

Suggestion for the Decoration of Lower Right and Top Right of an Altar Frame, Plate 2 from an Untitled Series with Rocailles Ornaments for Altar and Door Frames, Printed ca. 1750-56

Background imagePier Glass Collection: Chap. II: Je ne me reconnais plus (I No Longer Recognize Myself), 1824

Chap. II: Je ne me reconnais plus (I No Longer Recognize Myself), 1824

Background imagePier Glass Collection: A General System of Useful and Ornamental Furniture... 1759-1763. Creator: Matthew Darly

A General System of Useful and Ornamental Furniture... 1759-1763. Creator: Matthew Darly
A General System of Useful and Ornamental Furniture... 1759-1763. [Pier glass]

Background imagePier Glass Collection: [Countess de Castiglione as Elvira at the Cheval Glass], 1861-67

[Countess de Castiglione as Elvira at the Cheval Glass], 1861-67

Background imagePier Glass Collection: Pier Glasses, 1850-1904. Creator: Robert William Hume

Pier Glasses, 1850-1904. Creator: Robert William Hume
Pier Glasses, 1850-1904

Background imagePier Glass Collection: Decorative painting in the Louvre, Paris, France, (1928). Creator: Unknown

Decorative painting in the Louvre, Paris, France, (1928). Creator: Unknown
Decorative painting in the Louvre, Paris, France, (1928). About 1665...Decorative painting (Grand trumeau, petits trumeaux) in the Gallery of Apollo [Galerie d Apollon]

Background imagePier Glass Collection: A Very Rare Pier Glass of c1720 in frame decorated with Red Lacquer, c1720, (1936)

A Very Rare Pier Glass of c1720 in frame decorated with Red Lacquer, c1720, (1936). From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

Background imagePier Glass Collection: Design Pier-glass Arched Head Palmette Terminations

Design Pier-glass Arched Head Palmette Terminations
Artokoloro

Background imagePier Glass Collection: Design Pier-glass Adderbury House Oxfordshire

Design Pier-glass Adderbury House Oxfordshire
Artokoloro

Background imagePier Glass Collection: Design Pier-glass Oblong Form Cresting Scroll

Design Pier-glass Oblong Form Cresting Scroll
Artokoloro

Background imagePier Glass Collection: Design Pier-glass Tall Oblong Form Border Palmette Frieze

Design Pier-glass Tall Oblong Form Border Palmette Frieze
Artokoloro


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"Reflecting Elegance: The Timeless Beauty of Pier Glasses" Step into the opulent world of Queen Anne with these exquisite pier glasses, crafted in giltwood and verre eglomise. Dating back to c. 1710, these stunning pieces are a testament to the grandeur and sophistication of the era. Imagine yourself in the state bedchamber at Nostell Priory, surrounded by luxury and grace. These pier glasses adorned the walls, adding an air of refinement to this regal space. With intricate detailing and impeccable craftsmanship, these mirrors were not just functional but also works of art. They were designed to enhance any setting they graced, whether it be a lavish altar frame or a majestic palace interior. In 1824's "Je ne me reconnais plus (I No Longer Recognize Myself), " Chap. II transports us into a world where self-reflection takes on new meaning. Countess de Castiglione captivates as Elvira at the Cheval Glass, her beauty immortalized through time. Throughout history, pier glasses have remained highly sought after for their ability to transform any room into a realm of splendor. From Matthew Darly's "A General System of Useful and Ornamental Furniture" in 1759-1763 to Robert William Hume's "Pier Glasses" from 1850-1904 – each piece tells its own story within the tapestry of design evolution. Even today, their allure continues unabated as seen in decorative painting at Louvre Museum in Paris (1928) or A Very Rare Pier Glass decorated with Red Lacquer from c1720 (1936). These timeless treasures continue to enchant generations with their elegance and charm. So next time you catch your reflection in a mirror reminiscent of those glorious pier glasses from centuries past, take a moment to appreciate their enduring legacy – symbols of style that transcend time and captivate the soul.