Photographic Technique Collection

Boulevard du Temple, Paris, 3rd arrondissement, 1838 (daguerreotype )
1579325 Boulevard du Temple, Paris, 3rd arrondissement, 1838 (daguerreotype ) by Daguerre, Louis Jacques Mande (1787-1851); (add.info.: Believed to be the earliest photograph showing a living person)

Sossusvlei from the air Sossusvlei from the air

Multiple exposure of Hannah Maynard - two having tea, one holding a skein of cotton
2637619 Multiple exposure of Hannah Maynard - two having tea, one holding a skein of cotton, one taking it up into a ball, c.1895 (b/w photo) by Maynard

Portrait of a woman (daguerreotype)
CHT277028 Portrait of a woman (daguerreotype) by Claudet, Antoine Francois Jean (1797-1867); Bibliotheque Nationale, Paris

Charlotte Asser, 1842-43 (daguerreotype)
1577464 Charlotte Asser, 1842-43 (daguerreotype) by Asser, Eduard Isaac (1809-94); Private Collection; (add.info.: Eduard Isaac Asser, Dutch pioneer of photography)

Hoodoos at night, rock formations in the Lamar River Valley, Yellowstone National Park, Wyoming, USA
Abstract shapes of the Hoodoos at night, rock formations in the Lamar River Valley in Yellowstone National Park; Wyoming, United States of America

Abstract zoom effect of a swirl of gold fall foliage, Tennessee North Carolina, North Carolina, USA
Abstract zoom effect of a swirl of golden, fall foliage in Great Smokies National Park, Tennessee North Carolina; North Carolina, United States of America

Kirlian image of a fingertip
Kirlian photograph of the " corona discharge" from a persons fingertip. Kirlian photography is also known as electrophotography, & high voltage or radiation field photography

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Photographic technique has come a long way since its inception in the 19th century. From the iconic Boulevard du Temple daguerreotype captured in Paris's 3rd arrondissement in 1838, to the composite photo of children known as "Gems of British Columbia" from 1881, these early examples showcase the creativity and innovation that photography brought to the world. One notable pioneer was Hannah Maynard, who pushed boundaries with her composite photos. In one striking image, she poses alongside her grandson Maynard McDonald in various positions within a single frame. Another mesmerizing composition features children superimposed inside an abalone shell, creating a whimsical and ethereal effect. Maynard also experimented with multiple exposures, capturing herself having tea while simultaneously holding a skein of cotton. These captivating images demonstrate her mastery of this technique and highlight her ability to create surrealistic scenes. The power of photography is further exemplified by "Eighteen Hundred Gems of British Columbia Greet You, " an 1884 publication showcasing numerous photographs capturing the beauty and diversity of this Canadian province. Self-portraits were another avenue for artists to explore their craft. In one self-portrait from c. 1893, Hannah Maynard captures herself against a black-and-white backdrop, revealing both vulnerability and strength through her gaze. Other portraits include Charlotte Asser's daguerreotype from 1842-43 depicting an elegant woman exuding grace and poise. These early portraits remind us that even before modern technology allowed for instant selfies or filters, photographers had already mastered capturing moments frozen in time and has evolved immensely over time but remains rooted in its rich history. The works mentioned here serve as reminders that behind every photograph lies not only technical skill but also artistic vision and storytelling prowess – elements that continue to shape our understanding and appreciation of this timeless art form.