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Philippe Thomassin Collection

Philippe Thomassin was a prolific artist during the late 16th and early 17th centuries, known for his intricate engravings

Background imagePhilippe Thomassin Collection: Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622

Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. Creator: Unknown

Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. Creator: Unknown
Man Playing Two Flutes and Woman on Lionskin, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Warrior Pulling a Rider from His Horse, from 'Ex Antiquis Camorum et Ge

Warrior Pulling a Rider from His Horse, from "Ex Antiquis Camorum et Ge
Warrior Pulling a Rider from His Horse, from " Ex Antiquis Camorum et Gemmae Delineata", published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Woman with Shield Seated on Seamonster, published ca. 1599-1622. Creator: Unknown

Woman with Shield Seated on Seamonster, published ca. 1599-1622. Creator: Unknown
Woman with Shield Seated on Seamonster, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Three Cupids and Two Dolphins, published ca. 1599-1622. Creator: Unknown

Three Cupids and Two Dolphins, published ca. 1599-1622. Creator: Unknown
Three Cupids and Two Dolphins, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Man with Wing; Man with Vase and Dog, published ca. 1599-1622. Creator: Unknown

Man with Wing; Man with Vase and Dog, published ca. 1599-1622. Creator: Unknown
Man with Wing; Man with Vase and Dog, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622

Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca

A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown

A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown
A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Two Women and Two Cupids, published ca. 1599-1622. Creator: Unknown

Two Women and Two Cupids, published ca. 1599-1622. Creator: Unknown
Two Women and Two Cupids, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599-1622

Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown

A Woman Collecting Blood from a Sheep, published ca. 1599-1622. Creator: Unknown
A Woman Collecting Blood from a Sheep, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Female Nude with Two Seahorses, published ca. 1599-1622. Creator: Unknown

Female Nude with Two Seahorses, published ca. 1599-1622. Creator: Unknown
Female Nude with Two Seahorses, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Man with Torch at Temple Door, published ca. 1599-1622. Creator: Unknown

Man with Torch at Temple Door, published ca. 1599-1622. Creator: Unknown
Man with Torch at Temple Door, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Sacrifice of a Swan, published ca. 1599-1622. Creator: Unknown

Sacrifice of a Swan, published ca. 1599-1622. Creator: Unknown
Sacrifice of a Swan, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Man with Torch between Flaming Altar and Statuette, published ca. 1599-1622

Man with Torch between Flaming Altar and Statuette, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Two Lovers with Pan, published ca. 1599-1622. Creator: Unknown

Two Lovers with Pan, published ca. 1599-1622. Creator: Unknown
Two Lovers with Pan, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Man and Woman Sacrificing a Goat, published ca. 1599-1622. Creator: Unknown

Man and Woman Sacrificing a Goat, published ca. 1599-1622. Creator: Unknown
Man and Woman Sacrificing a Goat, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622

Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Figure with Pig and Serpent, published ca. 1599-1622. Creator: Unknown

Figure with Pig and Serpent, published ca. 1599-1622. Creator: Unknown
Figure with Pig and Serpent, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Man Attended by Three Women, published ca. 1599-1622. Creator: Unknown

Man Attended by Three Women, published ca. 1599-1622. Creator: Unknown
Man Attended by Three Women, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown

Woman on Rearing Horse, published ca. 1599-1622. Creator: Unknown
Woman on Rearing Horse, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Ram, published ca. 1599-1622. Creator: Unknown

Ram, published ca. 1599-1622. Creator: Unknown
Ram, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown

Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. Creator: Unknown
Figure on Seagoat; Man Carving Wing, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown

Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. Creator: Unknown
Satyr Leading Goat on which a Infant Rides, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: The Entombment, 1589. Creator: Philippe Thomassin

The Entombment, 1589. Creator: Philippe Thomassin
The Entombment, 1589

Background imagePhilippe Thomassin Collection: Allegorical thesis print with various figures, set in an architectural structure, 1608

Allegorical thesis print with various figures, set in an architectural structure, 1608

Background imagePhilippe Thomassin Collection: A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599-1622

A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Ex Antiquis Cameorum et Gemmae Delineata / Liber Secundus / et ab Enea Vic... published ca

Ex Antiquis Cameorum et Gemmae Delineata / Liber Secundus / et ab Enea Vic... published ca
Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis. published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Background imagePhilippe Thomassin Collection: Philippe Thomassin, French (1562-1622), The Fall of the Rebellious Angels, 1618

Philippe Thomassin, French (1562-1622), The Fall of the Rebellious Angels, 1618, engraving


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Philippe Thomassin was a prolific artist during the late 16th and early 17th centuries, known for his intricate engravings. His works often depicted mythological scenes and fantastical creatures, showcasing his exceptional skill in capturing detail and movement. In "Two Figures, a Faun, and a Satyr approach a Reclining Woman, " Thomassin brings to life a captivating encounter between mythical beings and an alluring woman. The composition exudes sensuality as the figures converge around her reclined form. Another masterpiece by Thomassin is "Man Grappling with Winged Horse. " This engraving portrays an intense struggle between man and beast, symbolizing the eternal battle of human desires against untamed instincts. Thomassin's talent shines through in "Man Playing Two Flutes and Woman on Lionskin. " The harmonious blend of music and passion is evident as the man serenades the woman seated on a lionskin rug. Their connection transcends words, creating an atmosphere of enchantment. One cannot overlook Thomassin's portrayal of strength in "Warrior Pulling a Rider from His Horse. " The warrior's determination is palpable as he forcefully removes his opponent from their mount. This scene captures the essence of power dynamics within conflicts. In "Woman with Shield Seated on Seamonster, " Thomassin combines elements of femininity with mythical symbolism. The woman confidently sits atop a fearsome creature while holding her shield high—a testament to her resilience amidst adversity. "Three Cupids and Two Dolphins" showcases Thomassin's ability to capture whimsy. These mischievous cherubs frolic alongside playful dolphins, evoking feelings of joyfulness that transcend time. Thomassin also explores duality in "Man with Wing; Man with Vase and Dog. " One figure possesses wings symbolizing freedom while another holds onto tradition represented by the vase. Together they create harmony through their contrasting attributes.