Peter Behrens Collection

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Martin Fleckenstein

Expressionism
Martin Fleckenstein

Expressive Architecture
Martin Fleckenstein

Chair, Germany, 1902. Creator: Peter Behrens
Chair, Germany, 1902

Country house in the Taunus mountains, 1933
Country house in the Taunus mountains, Germany, 1933. Designed by Peter Behrens: living-room, looking through to the dining-room, walls and ceiling faced with polished rosewood

The German Embassy in Petersburg. Artist: Anonymous
The German Embassy in Petersburg. Private Collection

Public prayer before the beginning of the construction work of the the new German Embassy in St. Pet Artist: Anonymous
Public prayer before the beginning of the construction work of the the new German Embassy in St. Petersburg. Private Collection

AEG Montage Plant by Peter Behrens. Artist: Anonymous
AEG Montage Plant by Peter Behrens. Found in the collection of Deutsches Technik Museum Berlin

Building for the aeronautical section of AEG, Hennigsdorf near Berlin. Artist: Anonymous
Building for the aeronautical section of AEG, Hennigsdorf near Berlin. Found in the collection of State Scientific A. Shchusev Research Museum of Architecture, Moscow

Peter Behrens. Artist: Anonymous
Peter Behrens. Found in the collection of State Scientific A. Shchusev Research Museum of Architecture, Moscow

The newly built of Neolog synagogue in Zilina (Slovakia), designed by Peter Behrens in 1928. Artist: Anonymous
The newly built of Neolog synagogue in Zilina (Slovakia), designed by Peter Behrens in 1928. Found in the collection of Olomouc Museum of Art

Peter Behrens and AEG 1907-1914 (Poster). Artist: Anonymous
Peter Behrens and AEG 1907-1914 (Poster). Private Collection

The Antiqua Type, 1914. Artists: Peter Behrens, Richard Both
The Antiqua Type, 1914. Illustrated page from Neuer Kleiner Reisefohrer durch Pariser und Londoner Galerien und Museen by Richard Both, a guide to the museums and galleries of Paris and London

A Study, 1902. Designed by Peter Behrens (1868-1940), a German architect. Exhibited at The International Exhibition of Modern Decorative Art, Turin. From The Studio Volume 27

Hall in the German Section of the Turin Exhibition, 1902. Designed by Peter Behrens (1868-1940), a German architect. Exhibited at The International Exhibition of Modern Decorative Art, Turin

The floor and staircase of Behrens House, designed by Peter Behrens, 1901. The house designed by German architect Peter Behrens (1868-1940) in the artists` colony in Darmstadt

Behrens House, designed by Peter Behrens, 1901. The house designed by German architect Peter Behrens (1868-1940) in the artists` colony at Darmstadt. From The Studio Volume 24

The Forest, 1901. Artist: Peter Behrens
The Forest, 1901. From The Studio Volume 21 [London Offices of the Studio, London, 1900-1.]

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Peter Behrens was a prominent figure in the world of architecture and design, known for his contributions to Expressionism and expressive architecture. Born in Germany, he made significant contributions to the field during the early 20th century. One of his notable works is the chair he created in 1902, showcasing his innovative approach to design. This piece exemplifies Behrens' ability to blend form and function seamlessly. Behrens also designed a country house in the Taunus mountains in 1933, which showcased his mastery of creating harmonious structures that coexist with their natural surroundings. Another remarkable project attributed to him is The German Embassy in Petersburg. Although artistically anonymous, it reflects Behrens' distinctive style through its grandeur and attention to detail. The AEG Montage Plant by Peter Behrens stands as a testament to his architectural prowess. Its anonymous artist captures the essence of this industrial masterpiece that showcases both functionality and beauty. Similarly, the building for the aeronautical section of AEG near Berlin demonstrates Behrens' ability to create structures that embody both practicality and aesthetic appeal. Throughout his career, Peter Behrens remained an enigmatic figure as seen through various anonymous artworks depicting him at work or capturing moments from important projects like public prayers before construction began on new German Embassy buildings or even posters promoting collaborations between him and AEG from 1907-1914. In addition to these monumental works, Behrens also left behind smaller yet equally impactful designs such as The Antiqua Type created alongside Richard Both in 1914. This typographical innovation showcases their shared artistic vision while pushing boundaries within graphic design. Lastly, we cannot overlook one of his most significant achievements - designing Neolog synagogue in Zilina (Slovakia) back in 1928. Though anonymously depicted by artists who captured its magnificence on canvas or paper; this structure remains an enduring symbol of religious unity brought forth by Behrens' visionary approach.