Pennell Collection

Some of the Officers of the British Antarctic expedition
Officers on board the Terra Nova on its return to New Zealand in February 1913 after the discovery of the bodies of Captain Scott and his companions. From left to right. Back row, Mr

Corner of Villiers Street, Charing Cross, 1896. Artist: Joseph Pennell
Corner of Villiers Street, Charing Cross, 1896. Street scene near Charing Cross Station in London. From The Magazine of Art. [Cassell & Company, London, Paris & Melbourne, 1896]

PENNELL: PENN STATION, 1919. From the Tracks. Boarding trains at Pennsylvania Station in New York City. Etching by Joseph Pennell, 1919

BROOKLYN: TENEMENTS, c1909. Tenement buildings under the Brooklyn Bridge in Brooklyn, New York. Drawing by Joseph Pennell, c1909

The Officers of the Terra Nova, 1912 Voyage, (1913). Artist: Herbert Ponting
The Officers of the Terra Nova, 1912 Voyage; Left to right - Mr. Dennistoun, Bo sun Cheetham, Lt. Rennick, Paymaster Drake, Engineer Williams, Lt. Pennell, Lt. Bruce, Biologist Lillie, (1913)

PENNELL: MAUCH CHUNK, 1909. The mining village near Mauch Chunk. Etching by Joseph Pennell, 1909

Charleroi, 1911, (1914). Artist: Joseph Pennell
Charleroi, 1911, (1914). From King Alberts Book. [The Daily Telegraph, London, 1914]

Scott's Antarctic Expedition Lt. Pennell on the Terra Nova
Scott's Antarctic Expedition Lieutenant Pennell on the Terra Nova in 1912

Lieut Pennell RN

Somerset House, 1928. Creator: Joseph Pennell
Somerset House, 1928. View of Somerset House and Waterloo Bridge over the River Thames in London. Illustration originally published in " A London Reverie" by Joseph Pennell, [MacMillan]

Boat Building, Venice, 1905, (1925). Creator: Joseph Pennell
Boat Building, Venice, 1905, (1925). Boats being built on a canal in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd

Flower Market, Venice, late 19th-early 20th century, (1925). Creator: Joseph Pennell
Flower Market, Venice, late 19th-early 20th century, (1925). Street scene in Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd

Old Charterhouse: Exterior Facade of Washhouse Court, with the Inner Gateway, 1886
Old Charterhouse: Exterior Fac ade of Washhouse Court, with the Inner Gateway, 1886. The London Charterhouse is a historic complex of buildings in Smithfield, London, dating back to the 14th century

Old Charterhouse: In Washhouse Court, 1886. Artist: Joseph Pennell
Old Charterhouse: In Washhouse Court, 1886. The London Charterhouse is a historic complex of buildings in Smithfield, London, dating back to the 14th century

Urbino, 1886. Artist: Joseph Pennell
Urbino, 1886. The Ducal Palace in the medieval town of Urbino in the Marche, Italy. From The Magazine of Art. [Cassell & Company, London, 1886]

Old Charterhouse: The Masters Court, 1886. Artist: Joseph Pennell
Old Charterhouse: The Masters Court, 1886. The London Charterhouse is a historic complex of buildings in Smithfield, London, dating back to the 14th century

Old Charterhouse: Mantelpiece in the Masters Lodge, 1886. Artist: Joseph Pennell
Old Charterhouse: Mantelpiece in the Masters Lodge, 1886. The London Charterhouse is a historic complex of buildings in Smithfield, London, dating back to the 14th century

Lieut. Pennell with a Prismatic Compass, December 1910, (1913). Artist: Herbert Ponting
Lieut. Pennell with a Prismatic Compass, December 1910, (1913). Lieutenant Harry Pennell (1882-1916) was responsible for the first sighting of Oates Coast, and named it after Captain Lawrence Oates

Steps outside the west front of St Pauls Cathedral, City of London, 1900. Artist
Steps outside the west front of St Pauls Cathedral, City of London, 1900. People on the steps and around the statue of Queen Anne

Munition City, 1916, (1917). Artist: Joseph Pennell
Munition City, 1916, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Acolytes Preparing the Table of the War God, 1916, (1917). Artist: Joseph Pennell
Acolytes Preparing the Table of the War God, 1916, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Steel-Edgar Thomson Works, 1909. Artist: Joseph Pennell
Steel-Edgar Thomson Works, 1908. From The Studio Volume 47. [London Offices of the Studio, London, 1909]

New York From Brooklyn Bridge, c1908. Artist: Joseph Pennell
New York From Brooklyn Bridge, c1908. From The Studio Volume 47. [London Offices of the Studio, London, 1909]

Temple of Theseus from the Acropolis, c1913. Artist: Joseph Pennell
Temple of Theseus from the Acropolis, c1913. From The Studio Volume 60 [The Offices of the Studio, London, 1913-14.]

The Broadway and the Woolworth Building, New York, 1912. Artist: Joseph Pennell
The Broadway and the Woolworth Building, New York, 1912. The Woolworth Building, at 233 Broadway, Manhattan, New York City, designed by architect Cass Gilbert (1859-1934) in the neo-Gothic style

Old Strand Shops, c1900, (1906-7). Artist: Joseph Pennell
Old Strand Shops, c1900. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Whitehall Court, 1903. (1906-7). Artist: Joseph Pennell
Whitehall Court, 1903. Whitehall Court, London, England, is one contiguous building but consists of two separate constructions

The Gates of Pedro Miguel Lock, 1912. Artist: Joseph Pennell
The Gates of Pedro Miguel Lock, 1912. A picture showing the construction of the Pedro Miguel Lock on the Panama Canal. From The Studio Volume 57, [London Offices of the Studio, London, 1912-13]

Laying The Floor of Pedro Miguel Lock, 1912. Artist: Joseph Pennell
Laying The Floor of Pedro Miguel Lock, 1912. A picture showing the construction of the Pedro Miguel Lock on the Panama Canal. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

The End of the Day-Gatun Lock, 1912. Artist: Joseph Pennell
The End of the Day-Gatun Lock, 1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

The Great Stack, Bradford, 1909. Artist: Joseph Pennell
The Great Stack, Bradford, 1909. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

The Great White Cloud, Leeds. c1910. Artist: Joseph Pennell
The Great White Cloud, Leeds. c1910. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

The Great Chimney, Sheffield, 1910. Artist: Joseph Pennell
The Great Chimney, 1910. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Early Evening Effect, Paris Exhibition, 1901. Artist: Joseph Pennell
Early Evening Effect, Paris Exhibition, 1901. From The Studio Volume 21 [London Offices of the Studio, London, 1900-1.]

Auto-Lithograph by J. Pennell, c1877-1898, (1898). Artist: Joseph Pennell
Auto-Lithograph by J. Pennell, 1898. After an Auto-Lithograph by Joseph Pennell (1857-1926). From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]

Charleroi by Joseph Pennell
Charleroi in Belgium in the municipality of Wallonia in the province of Hainault. Renowned for its coal mining and steel industry, the landscape is typically industrial. Date: 1914

PENNELL: LOCOMOTIVE, c1917. The Flying Locomotive. A locomotive suspended over a factory floor, surrounded by other locomotives in various states of assembly. Drawing by Joseph Pennell, c1917

PENNELL: LONDON, c1908. Baker Street in London, England. Drawing by Joseph Pennell, c1908

PENNELL: VENICE, c1901. Venice Quadri. Crowd at an outdoor cafe in St. Marks Square, Venice, Italy. Drawing by Joseph Pennell, c1901

PENNELL: VENICE, C1905. Evening view of a steamship departing Venice, Italy. Drawing by Joseph Pennell, c1905

PENNELL: GATUN LOCK, 1912. Gatun Lock - end of the day. Workers at the end of a day of construction at the Gatun Lock in the Panama Canal. Etching by Joseph Pennell, 1912

PENNELL: HOMESTEAD, 1909. In the works, Homestead. Smoke billowing from steam engines and steel mill smokestacks in Homestead, Pennsylvania. Photograph, 1909

The Terra Nova meets the Fram
Captain Scotts vessel, the Terra Nova, meets the Norwegian Fram" off the Barrier in February 1911 when Roald Amundsen met Lieutenant Pennell and Campbell from the British expeditions ship

Searchlights in London 1914, by Joseph Pennell
The new lights of London, searchlights playing across the sky from Charing Cross and Lambeth Bridge, by Joseph Pennell. Date: 1914

Charles Robson
CHARLES PENNELL ROBSON artist with his autograph Date: 1788 - 1833

Rosamond Lady Pennell
ROSAMOND HESTER ELIZABETH, lady PENNELL wife of sir George B Pennell Date: 1810 - 1906

Drawings Prints, Print, Rouen, Bon Secours, Artist, Joseph Pennell, American, Philadelphia
Drawings and Prints, Print, Rouen, from Bon Secours, Artist, Joseph Pennell, American, Philadelphia, Pennsylvania 1857-1926 New York, Pennell, Joseph, 1857, 1926, 1907

Drawings Prints, Print, Evening, Harbor, Scene, Bridge, Mist Thames, L Estampe originale
Drawings and Prints, Print, Evening Harbor Scene with Bridge (Mist on the Thames), L Estampe originale, Album VIII, Artist, Publisher, Joseph Pennell, Andre Marty, American, Philadelphia

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"Pennell: Capturing the Essence of Time and Place through Art" Step into the corner of Villiers Street, Charing Cross in 1896, as envisioned by artist Joseph Pennell. With meticulous strokes, he brings to life the bustling atmosphere of this London locale. Fast forward to 1919 and find yourself immersed in the grandeur of Penn Station. Through his artwork titled "Pennell: Penn Station, " you can almost hear the echoes of train whistles and feel the energy pulsating from every track. Traveling across continents, we arrive in Brooklyn circa 1909. Tenement buildings stand proudly under the majestic Brooklyn Bridge, a testament to urban life captured by Pennell's keen eye for detail. Intriguingly, Lieutenant Pennell appears among "The Officers of Terra Nova" during their historic voyage in 1912. Herbert Ponting masterfully portrays this momentous expedition that forever etched its mark on Antarctic exploration. Venturing closer to home, we encounter Mauch Chunk's mining village as seen through Joseph Pennell's etching from 1909. The gritty reality and perseverance of these hardworking communities are vividly portrayed on paper. Lieutenant Pennell RN emerges once again within Scott's British Antarctic Expedition team. His presence signifies bravery amidst treacherous icy landscapes—an enduring symbol of human resilience against nature's harshest elements. Charleroi becomes an artistic muse for Joseph Pennell not once but twice—first in 1911 then revisited in 1914. These artworks capture both its industrial might and architectural beauty with equal reverence. Somerset House stands tall before us in a depiction from 1928—a testament to history preserved through artistry. Created by none other than Joseph Pennell himself, it serves as a reminder that even structures can tell stories if observed closely enough. Finally, let us embark on a journey to Venice circa 1905—a city renowned for its enchanting canals and boat-building traditions.