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Pearls Collection (page 8)

"Pearls: Timeless Elegance and Royal Splendor" Pearls, the epitome of timeless elegance, have adorned the necks and wrists of queens throughout history

Background imagePearls Collection: Velvet

Velvet
Ifat rozenberg sherez

Background imagePearls Collection: Fashion in White

Fashion in White
Pauline Pentony MA ARPS DPAGB

Background imagePearls Collection: CRYING ANGEL

CRYING ANGEL
PARTHA BHATTACHARYYA

Background imagePearls Collection: The Womens Jubilee offering to the Queen, Pearl and Diamond Necklace and Earrings, 1888

The Womens Jubilee offering to the Queen, Pearl and Diamond Necklace and Earrings, 1888. Creator: Unknown
The Womens Jubilee offering to the Queen, Pearl and Diamond Necklace and Earrings, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

Background imagePearls Collection: Portrait of Caroline Duprez, 19th century (engraving)

Portrait of Caroline Duprez, 19th century (engraving)
ELD4835940 Portrait of Caroline Duprez, 19th century (engraving) by Fagnion, Jules Louis (1813-66); Private Collection; (add.info)

Background imagePearls Collection: Sophie Arnould, French soprano in the opera Pyramus and Thisbe, 1771

Sophie Arnould, French soprano in the opera Pyramus and Thisbe, 1771. She is depicted in the famous costume from Act V
FLO4657619 Sophie Arnould, French soprano in the opera Pyramus and Thisbe, 1771. She is depicted in the famous costume from Act V

Background imagePearls Collection: Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610

Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610
FLO4657310 Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610. She wears her hair tied back under a velvet cap with feather

Background imagePearls Collection: Anne Genevieve de Bourbon, Duchess of Longueville, 1619-1679

Anne Genevieve de Bourbon, Duchess of Longueville, 1619-1679. Her hair is tied in a bun with two locks tied in ribbons
FLO4657500 Anne Genevieve de Bourbon, Duchess of Longueville, 1619-1679. Her hair is tied in a bun with two locks tied in ribbons, blue satin dress with lace collar and sleeves

Background imagePearls Collection: Margarita of Navarre, sister of King Francis I, 1492-1549. (Titled Margurite de Valois in error)

Margarita of Navarre, sister of King Francis I, 1492-1549. (Titled Margurite de Valois in error)
FLO4657258 Margarita of Navarre, sister of King Francis I, 1492-1549. (Titled Margurite de Valois in error.) She wears a cap of ribbons decorated with jewels and pearls

Background imagePearls Collection: Lady in mask at a ball, reign of King Henry III of France, 1573-1575

Lady in mask at a ball, reign of King Henry III of France, 1573-1575. She wears a hat decorated with pearls
FLO4657423 Lady in mask at a ball, reign of King Henry III of France, 1573-1575. She wears a hat decorated with pearls, a full-face black mask

Background imagePearls Collection: Louise of Lorraine, wife of King Henry III of France, 1534-1601

Louise of Lorraine, wife of King Henry III of France, 1534-1601. She wears a small cap headdress, upright lace collar
FLO4657398 Louise of Lorraine, wife of King Henry III of France, 1534-1601. She wears a small cap headdress, upright lace collar, especially decorated with pearls and jewels, fur sleeves

Background imagePearls Collection: Francoise-Marguerite de Sevigne, Comtesse de Grignan, 1648Ð1705

Francoise-Marguerite de Sevigne, Comtesse de Grignan, 1648Ð1705. She wears her hair in ringlets adorned with pearls
FLO4657537 Francoise-Marguerite de Sevigne, Comtesse de Grignan, 1648Ð1705. She wears her hair in ringlets adorned with pearls, a green silk mantua dress with train decorated with gold bows

Background imagePearls Collection: Catherine-Henriette de Balzac d Etragues, Marquise de Verneuil

Catherine-Henriette de Balzac d Etragues, Marquise de Verneuil, mistress of King Henry IV of France, 1579-1633
FLO4657463 Catherine-Henriette de Balzac d Etragues, Marquise de Verneuil, mistress of King Henry IV of France, 1579-1633

Background imagePearls Collection: Portrait of Queen Elizabeth I of England, Elizabeth the First, born 1533

Portrait of Queen Elizabeth I of England, Elizabeth the First, born 1533, began reign 1558 and died 1603
6338615 Portrait of Queen Elizabeth I of England, Elizabeth the First, born 1533, began reign 1558 and died 1603 by Armstrong

Background imagePearls Collection: Portrait of Elizabeth, Lady Bridgeman, afterwards Lady Bradford (1735-1806), c

Portrait of Elizabeth, Lady Bridgeman, afterwards Lady Bradford (1735-1806), c. 1755-93 (oil on canvas)
7240838 Portrait of Elizabeth, Lady Bridgeman, afterwards Lady Bradford (1735-1806), c.1755-93 (oil on canvas) by Roslin, Alexander (1718-93) (attr)

Background imagePearls Collection: Portrait of Marie Antoinette, 1777 (etching)

Portrait of Marie Antoinette, 1777 (etching)
6620752 Portrait of Marie Antoinette, 1777 (etching) by Gautier Dagoty, Jean-Baptiste Andre (1740-86) (after); 40.7--31.7 cm; Rijksmuseum, Amsterdam, The Netherlands

Background imagePearls Collection: Woman in velvet cape, damask dress and pink slippers

Woman in velvet cape, damask dress and pink slippers
5893056 Woman in velvet cape, damask dress and pink slippers. by Barbier, Georges (1882-1932); (add.info.: Woman in white velvet cape embroidered with pearls)

Background imagePearls Collection: Portrait of a Polish Lady [Baroness Posznanska], 1945 (oil on canvas)

Portrait of a Polish Lady [Baroness Posznanska], 1945 (oil on canvas)
6200275 Portrait of a Polish Lady [Baroness Posznanska], 1945 (oil on canvas) by Stuart-Hill, Alexander (1888-1948); 61.6x51.5 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imagePearls Collection: Catherine of Branganza, queen consort of England, wife to King Charles II, 1638-1705

Catherine of Branganza, queen consort of England, wife to King Charles II, 1638-1705
6340190 Catherine of Branganza, queen consort of England, wife to King Charles II, 1638-1705 by Holl, B. (18th-19th century); (add.info.: Catherine of Branganza, queen consort of England)

Background imagePearls Collection: Evening Dress, Plate 84, from Costumes Parisiens, pub. 1913 (pochoir print)

Evening Dress, Plate 84, from Costumes Parisiens, pub. 1913 (pochoir print)
3239911 Evening Dress, Plate 84, from Costumes Parisiens, pub. 1913 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imagePearls Collection: Chanson, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)

Chanson, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035615 Chanson, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imagePearls Collection: Portrait of Young Woman

Portrait of Young Woman
1152380 Portrait of Young Woman, by Venetian School; 27.2x23.8 cm; Bristol Museum and Art Gallery, UK; © Bristol Museums, Galleries & Archives

Background imagePearls Collection: Mystical Marriage of Saint Catherine

Mystical Marriage of Saint Catherine
2384636 Mystical Marriage of Saint Catherine by Guercino (Giovanni Francesco Barbieri) (1591-1666); Galleria e Museo Estense, Modena, Italy; (add.info.: Modena)

Background imagePearls Collection: The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des

The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho)
STC82084 The Madness of the Day, engraved by H. Reidel for the Friends of the Journal des Dames et des Modes, 1913 (litho) by Barbier

Background imagePearls Collection: Cleopatra, circa 1722-1724 (oil on canvas)

Cleopatra, circa 1722-1724 (oil on canvas)
7082087 Cleopatra, circa 1722-1724 (oil on canvas) by Moyne, Francois Le (18th century); 100x81.6 cm; North Carolina Museum of Art, Raleigh, USA; North Carolina Museum of Art

Background imagePearls Collection: Portrait of Varvara Alexeevna Morozova, (detail) 1884, (Oil on canvas)

Portrait of Varvara Alexeevna Morozova, (detail) 1884, (Oil on canvas)
7215239 Portrait of Varvara Alexeevna Morozova, (detail) 1884, (Oil on canvas) by Makovskij, Konstantin E (1839-1915); Tretyakov Gallery, Moscow

Background imagePearls Collection: Exotic Beauty in a Golden Veil, 1926 (screen print)

Exotic Beauty in a Golden Veil, 1926 (screen print)
2622342 Exotic Beauty in a Golden Veil, 1926 (screen print) by Benda, Wladislaw Theodore (1873-1948); Private Collection; (add.info.: Vintage illustration of an exotic beauty in a golden veil by W.T)

Background imagePearls Collection: The Right Honourable Mabell Ogilvy Dowager Countess of Airlie (1866-1956), 1933 (oil on canvas)

The Right Honourable Mabell Ogilvy Dowager Countess of Airlie (1866-1956), 1933 (oil on canvas)
6198640 The Right Honourable Mabell Ogilvy Dowager Countess of Airlie (1866-1956), 1933 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 104.2x72.4 cm; The McManus, Dundee

Background imagePearls Collection: The Judgement of Paris, 1920-30 (pochoir print)

The Judgement of Paris, 1920-30 (pochoir print)
STC226926 The Judgement of Paris, 1920-30 (pochoir print) by Barbier, Georges (1882-1932) (after); Private Collection; The Stapleton Collection

Background imagePearls Collection: Jane Seymour (1508 / 9-1537) c. 1536 (oil on panel)

Jane Seymour (1508 / 9-1537) c. 1536 (oil on panel)
SOA235443 Jane Seymour (1508/9-1537) c.1536 (oil on panel) by English School, (16th century); 41.5x36 cm; Society of Antiquaries of London, UK

Background imagePearls Collection: Sceptre and coins of Emperor Charlemagne, 748-814

Sceptre and coins of Emperor Charlemagne, 748-814
6338903 Sceptre and coins of Emperor Charlemagne, 748-814 by Villain (19th century); (add.info.: Sceptre and coins of Emperor Charlemagne, 748-814)

Background imagePearls Collection: Mystical Marriage of Saint Catherine, detail of 2384636

Mystical Marriage of Saint Catherine, detail of 2384636
2384638 Mystical Marriage of Saint Catherine, detail of 2384636 by Guercino (Giovanni Francesco Barbieri) (1591-1666); Galleria e Museo Estense, Modena, Italy; (add.info.: Modena)

Background imagePearls Collection: Portrait of Selina Weld Forester, Countess of Bradford (1819-1894), c. 1839-94 (oil on canvas)

Portrait of Selina Weld Forester, Countess of Bradford (1819-1894), c. 1839-94 (oil on canvas)
7240970 Portrait of Selina Weld Forester, Countess of Bradford (1819-1894), c.1839-94 (oil on canvas) by Thorburn, Robert (1816-76) (after); 124.5x99 cm; The Weston Park Foundation, Shropshire

Background imagePearls Collection: Portrait of an unknown Lady, c. 1500-53 (oil on panel)

Portrait of an unknown Lady, c. 1500-53 (oil on panel)
7240842 Portrait of an unknown Lady, c.1500-53 (oil on panel) by Faber von Creuznach, Conrad (c.1500-53) (attr. to); 45.7x33 cm; The Weston Park Foundation, Shropshire

Background imagePearls Collection: Portrait of Saint Anthony, Antony the Great, with Bible and human skull in a decorative border of

Portrait of Saint Anthony, Antony the Great, with Bible and human skull in a decorative border of foliage and pearls
6339023 Portrait of Saint Anthony, Antony the Great, with Bible and human skull in a decorative border of foliage and pearls by Jacquet (18th-19th century); (add.info.: Portrait of Saint Anthony)

Background imagePearls Collection: Johanna Visscher, 1628 (oil on wood)

Johanna Visscher, 1628 (oil on wood)
5917374 Johanna Visscher, 1628 (oil on wood) by Bailly, David (1584-1657); 66.6x51 cm; Slovenska Narodna Galeria, Bratislava, Slovakia; (add.info.: Johanna Visscher (1604-76)

Background imagePearls Collection: Woman in an old-taffeta cape with a parrot, 1913

Woman in an old-taffeta cape with a parrot, 1913
5893060 Woman in an old-taffeta cape with a parrot, 1913. by Barbier, Georges (1882-1932); (add.info.: Woman in cape of old taffeta decorated with caterpillar green and muff embroidered with pearls)

Background imagePearls Collection: Woman in crepe-de-chine gown with belt and bag embroidered with pearls

Woman in crepe-de-chine gown with belt and bag embroidered with pearls. A cupid aims a love dart at her head
5893023 Woman in crepe-de-chine gown with belt and bag embroidered with pearls. A cupid aims a love dart at her head. Robe de crepe de chine, sac et ceinture brodes de perles

Background imagePearls Collection: Patrick put the pearls in his pocket

Patrick put the pearls in his pocket
908989 Patrick put the pearls in his pocket by Appleton, Honor Charlotte (1879-1951); Private Collection; (add.info.: Josephines Pantomime published by Blackie circa 1940)

Background imagePearls Collection: Portrait of a Lady in Red, 1460-70 (oil & tempera on panel)

Portrait of a Lady in Red, 1460-70 (oil & tempera on panel)
XIR196205 Portrait of a Lady in Red, 1460-70 (oil & tempera on panel) by Italian School, (15th century); 42x29 cm; National Gallery, London

Background imagePearls Collection: Ceres, Bacchus and Venus, c. 1550-1610 (oil on canvas)

Ceres, Bacchus and Venus, c. 1550-1610 (oil on canvas)
7240784 Ceres, Bacchus and Venus, c.1550-1610 (oil on canvas) by Venetian School, (16th century); 109.2x85 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Ceres and Venus seated)

Background imagePearls Collection: Portrait of Lady Robert Russell, c. 1666-1723 (oil on canvas)

Portrait of Lady Robert Russell, c. 1666-1723 (oil on canvas)
7240665 Portrait of Lady Robert Russell, c.1666-1723 (oil on canvas) by Kneller, Godfrey (1646-1723); 71.1x63.5 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: half length)

Background imagePearls Collection: Portrait of Princess Charlotte of Wales (1796-1817), c. 1812-17 (oil on paper)

Portrait of Princess Charlotte of Wales (1796-1817), c. 1812-17 (oil on paper)
7240956 Portrait of Princess Charlotte of Wales (1796-1817), c.1812-17 (oil on paper) by Stewart, Anthony (1773-1846) (after); 7.5x5.6 cm; The Weston Park Foundation, Shropshire

Background imagePearls Collection: Portrait of Ursula Matthews, Lady Bridgeman (1673-1719), c. 1693-99 (oil on canvas)

Portrait of Ursula Matthews, Lady Bridgeman (1673-1719), c. 1693-99 (oil on canvas)
7240688 Portrait of Ursula Matthews, Lady Bridgeman (1673-1719), c.1693-99 (oil on canvas) by Beale, Mary (1632-99) (attr)

Background imagePearls Collection: Portrait of Margaret Howard, Countess of Carlisle (1618-1664) and Lady Diana Russell

Portrait of Margaret Howard, Countess of Carlisle (1618-1664) and Lady Diana Russell
7240685 Portrait of Margaret Howard, Countess of Carlisle (1618-1664) and Lady Diana Russell, who became Lady Allington (1652-1701), c.1654-53 (oil on canvas) by Dyck

Background imagePearls Collection: Portrait of Queen Mary II of Modena (1662-1694), c. 1682-91 (oil on canvas)

Portrait of Queen Mary II of Modena (1662-1694), c. 1682-91 (oil on canvas)
7240877 Portrait of Queen Mary II of Modena (1662-1694), c.1682-91 (oil on canvas) by Riley, John (1646-91); 124.5x100.4 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Seated)

Background imagePearls Collection: An Allegorical Painting of Peace, c. 1630-1700 (oil on copper)

An Allegorical Painting of Peace, c. 1630-1700 (oil on copper)
7240813 An Allegorical Painting of Peace, c.1630-1700 (oil on copper) by Flemish School, (17th century); 45x30 cm; The Weston Park Foundation, Shropshire

Background imagePearls Collection: Danae and the Shower of Gold, c. 1584-1625 (oil on canvas)

Danae and the Shower of Gold, c. 1584-1625 (oil on canvas)
7240805 Danae and the Shower of Gold, c.1584-1625 (oil on canvas) by Rottenhammer, Hans I or Johann (1564-1625); 11x13.5 cm; The Weston Park Foundation, Shropshire



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"Pearls: Timeless Elegance and Royal Splendor" Pearls, the epitome of timeless elegance, have adorned the necks and wrists of queens throughout history. From Elizabeth I to Queen Elizabeth II, these lustrous gems have been a symbol of power, beauty, and regal grace. In portraits like "The Armada Portrait" and "Elizabeth I, " we see the majestic Queen Elizabeth I bedecked in pearls. These precious jewels were not only a fashion statement but also a representation of her wealth and authority. The intricate details captured by artists like George Gower showcase the opulence associated with pearls during that era. Centuries later, another queen would continue this tradition. Queen Elizabeth II has often been seen wearing pearl jewelry on various occasions. In photographs such as "Queen Elizabeth II at Balmoral, " we witness her effortless style combined with the understated sophistication that pearls bring. But it's not just royalty who appreciate these treasures from the sea; they captivate artists too. Johannes Vermeer immortalized them in his masterpiece "Girl with a Pearl Earring. " The enigmatic gaze of this young girl adorned with a single pearl earring continues to mesmerize art enthusiasts worldwide. Beyond their association with monarchs and masterpieces, pearls hold sentimental value for many individuals. Whether it be an oyster shell housing an artificial pearl or cherished heirlooms passed down through generations like those worn by HM Queen Mary or Princess Elizabeth (later Queen), each pearl carries its own story. As we admire these gleaming orbs delicately strung together into necklaces or adorning royal crowns and scepters, let us remember that beyond their aesthetic appeal lies symbolism - purity, wisdom, femininity - qualities that transcend time itself. So next time you catch sight of a luminous pearl glistening under soft light or feel its smooth surface against your skin, remember its connection to powerful women who have left an indelible mark on history.