Pearl Adam Collection

In a melancholy frame of old clipped trees, c1927, (1927). Artist: Henry Franks Waring
In a melancholy frame of old clipped trees, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Luxembourg Paris loves trees and children. c1927, (1927). Artist: Henry Franks Waring
The Luxembourg Paris loves trees and children. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

A diversity of creatures, c1927, (1927). Artist: Henry Franks Waring
A diversity of creatures, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

St. Germain Des Pres In the old quarter. c1927, (1927). Artist: Henry Franks Waring
St. Germain Des Pres In the old quarter. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Daub Fair A monstrous jumble sale, c1927, (1927). Artist: Henry Franks Waring
The Daub Fair A monstrous jumble sale, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

They can really be called village shops, c1927, (1927). Artist: Henry Franks Waring
They can really be called village shops, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

La Place Du Tertre An untouched village square. c1927, (1927). Artist: Henry Franks Waring
La Place Du Tertre An untouched village square. c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

A long way from Mr. Berry Walls flowing cravats, c1927, (1927). Artist: Henry Franks Waring
A long way from Mr. Berry Walls flowing cravats, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Of all the streets of Paris the Seine is the most interesting, c1927, (1927). Artist: Henry Franks Waring
Of all the streets of Paris the Seine is the most interesting, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Canal St. Martin, c1927, (1927). Artist: Henry Franks Waring
The Canal St. Martin, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

These foreign-looking streets, c1927, (1927). Artist: Henry Franks Waring
These foreign-looking streets, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927.]

Val De Grace, c1927, (1927). Artist: Henry Franks Waring
Val De Grace, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

Double-lined with forlorn palaces, c1927, (1927). Artist: Henry Franks Waring
Double-lined with forlorn palaces, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The first Paris road was her river, c1927, (1927). Artist: Henry Franks Waring
The first Paris road was her river, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

The Revolutions own street of Saint-Antoine, c1927, (1927). Artist: Henry Franks Waring
The Revolutions own street of Saint-Antoine, c1927, (1927). From A Book About Paris by George and Pearl Adam. [Jonathan Cape, London, 1927]

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"Pearl Adam: Capturing the Essence of Paris in the 1920s" Step into a melancholy frame of old clipped trees with Pearl Adam, as she explores the enchanting streets of Paris in 1927. Inspired by the works of artist Henry Franks Waring, Pearl embarks on a journey through time and art. In "The Luxembourg Paris loves trees and children, " Pearl finds solace amidst the beauty of nature and witnesses the love that Parisians have for their city's green spaces. The diversity of creatures she encounters in another artwork reminds her of the vibrant life that thrives within this bustling metropolis. As she strolls through St. Germain Des Pres, an old quarter steeped in history, Pearl is transported to a bygone era where cobblestone streets whisper tales from centuries past. At "The Daub Fair, " she immerses herself in a chaotic jumble sale, discovering hidden treasures among discarded items. Pearl marvels at how even humble village shops can hold so much charm and character. In Le Moulin Rouge, once vibrant but now seemingly lifeless like Pierrot's candle, she contemplates the fleeting nature of fame and entertainment. At La Place Du Tertre, an untouched village square frozen in time, Pearl feels like an observer peering into a world untouched by modernity, and is here that she realizes how far removed this place is from Mr. Berry Walls' extravagant lifestyle with his flowing cravats. Of all the streets in Paris, it is along the Seine that Pearl finds herself most captivated. Its banks teem with stories waiting to be discovered; each bridge holds secrets whispered only to those who listen closely enough. And then there is Canal St. Martin—a picturesque waterway reflecting both tradition and modernity—where Pearl ponders over these foreign-looking yet familiar streets.