Peace Pipe Collection (page 2)

An Old Nayas Indian, His Granddaughter, and a Boy, 1855 / 1869. Creator: George Catlin
An Old Nayas Indian, His Granddaughter, and a Boy, 1855/1869. Eeh-zep-ta-say-a (said to be chief) with Wy-en-wy-en-ne (his granddaughter)

An Aged Minatarree Chief and His Family, 1861 / 1869. Creator: George Catlin
An Aged Minatarree Chief and His Family, 1861/1869. Eehk-tohk-pa-she-pee-shaw (The Black Moccasin- chief) on the Knife River 1832

Mandan Civil Chief, His Wife, and Child, 1861 / 1869. Creator: George Catlin
Mandan Civil Chief, His Wife, and Child, 1861/1869. Ha-na-tah-nu-mauk (chief) with his wife Ho-ra-ho-na on the Western shore of the Missouri, 1832

Three Blackfoot Men, 1855 / 1869. Creator: George Catlin
Three Blackfoot Men, 1855/1869. Stats-oo-ven (chief smoking pipe) with Bee-o-nas-as-sa (a hunter) and warrior seated

A Dog Feast - Sioux, 1861 / 1869. Creator: George Catlin
A Dog Feast - Sioux, 1861/1869. Feast given by Sioux chiefs in respect and honour of their guests

Menomonie Chief, His Wife, and Son, 1861 / 1869. Creator: George Catlin
Menomonie Chief, His Wife, and Son, 1861/1869. Mah-kee-me-teuv (chief with club and pipe), Chee-me-nah-na-quet (his son) and Me-cheet-e-neuh (his wife) in 1835

Camanchee Chief with Three Warriors, 1861 / 1869. Creator: George Catlin
Camanchee Chief with Three Warriors, 1861/1869. Ee-sha-ko-nee (chief) with Ha-nee, Is-sa-wa-tam-ma and Ish-a-ro-ye, 1836

Assinneboine Chief before and after Civilization, 1861 / 1869. Creator: George Catlin
Assinneboine Chief before and after Civilization, 1861/1869. Wi-jun-jon (chief) on his way to Washington, invited by President Jackson, in 1832 and on his return in 1833

Pawneepict Chief, Two Daughters, and a Warrior, 1861 / 1869. Creator: George Catlin
Pawneepict Chief, Two Daughters, and a Warrior, 1861/1869. Wee-tar-ra-sha-ro (head chief) with Sky-se-ro-ka (a warrior) and daughters Shee-de-a (Wild Sage) and Kah-keet-se (The Thighs)

Catlin Feasted by the Mandan Chief, 1861 / 1869. Creator: George Catlin
Catlin Feasted by the Mandan Chief, 1861/1869. The chief, by custom does not eats with his guest, but sits, waiting upon him

Mohave Chief, a Warrior, and His Wife, 1855 / 1869. Creator: George Catlin
Mohave Chief, a Warrior, and His Wife, 1855/1869. Dunt-se-o-ho (chief) with a warrior and Mingst (his wife) in Mexico, south of the Rio Ghila

The Sioux Chief with Several Indians, 1861 / 1869. Creator: George Catlin
The Sioux Chief with Several Indians, 1861/1869. Ha-won-je-ta (head chief) with Tchon-dee (second chief), Toh-ky-e-to (counsellor and medicine man) and Tchon-su-mons-ka (wife of head chief)

Two Ojibbeway Warriors and a Woman, 1861 / 1869. Creator: George Catlin
Two Ojibbeway Warriors and a Woman, 1861/1869. Ka-bes-kunk and O-ta-wa (warriors in war dess with pipes) and Ju-a-kiss-gaw (wife of Ka-bes-kunk) at the fall of St. Anthony. 1834

Three Young Chinook Men, 1855 / 1869. Creator: George Catlin
Three Young Chinook Men, 1855/1869. a band of the Flatheads, at the mouth of the Columbia River. O-sil-le

A Blackfoot Chief, His Wife, and a Medicine Man, 1861 / 1869. Creator: George Catlin
A Blackfoot Chief, His Wife, and a Medicine Man, 1861/1869. Stu-mik-o-suks (chief with pipe), Eeh-nis-kim (his wife) and Wun-nes-tow

Indian Utensils and Arms, 1843. Artist: Du Casse
Indian Utensils and Arms, 1843. Plate 48 from Volume 2 of Travels in the Interior of North America, 1843

Indian Utensils and Arms, 1843. Artist: A Zschokke
Indian Utensils and Arms, 1843. Plate 21 from Volume 2 of Travels in the Interior of North America, 1843

Native Americans And Their Weapons
Illustration of various dresses of the Indians of North America and their weapons of war from A New and Complete Collection of Voyages and Travels by John Hamilton Moore in 1778

Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776. Artist: Benjamin West
Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776. Guy Johnson (1740-1788), Irish-born military officer. The painting is part of the Mellon Collection, National Gallery of Art

Wi-Jun-Jon in native costume and in regimental uniform, 1841. Artist: Myers and Co
Wi-Jun-Jon in native costume and in regimental uniform, 1841. Wi-Jun-Jon was an Assiniboine brave. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians

Sioux, 1841. Artist: Myers and Co
Sioux, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Native American pipe dance, 1841. Artist: Myers and Co
Native American pipe dance, 1841. A print from North American Indians, Wiley and Putnam, 1841

Chief of the Blackfoot nation, 1841. Artist: Myers and Co
Chief of the Blackfoot nation, 1841. A print from North American Indians, Wiley and Putnam, 1841

Omahas, Fort Leavenworth, Lower Missouri, 1841. Artist: Myers and Co
Omahas, Fort Leavenworth, Lower Missouri, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Otoes, Fort Leavenworth, Lower Missouri, 1841. Artist: Myers and Co
Otoes, Fort Leavenworth, Lower Missouri, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Iowas, Fort Leavenworth, Lower Missouri, 1841. Artist: Myers and Co
Iowas, Fort Leavenworth, Lower Missouri, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Men Omini War-Pipe, North American Indian. Smoked during ceremonial preparation for war and as part of peace-making ceremony

William Penn, English Quaker colonist, treating with Native North Americans, 1682 (1771-1772). Artist: Benjamin West
William Penn, English Quaker colonist, treating with Native North Americans on the site of the city of Philadelphia, 1682 (1771-1772)

EXPL2A-00194
Father Jacques Marquette holding a peace pipe to greet Native Americans during his journey to the upper Mississippi River, 1673. Hand-colored woodcut of a 19th-century illustration

CATLIN: CHEROKEE, 1836. Black Coat, a Cherokee chief. Oil on canvas, 1836, by George Catlin

CANADA: IROQUOIS, c1700. An Iroquois Native American (possibly a Mohawk). Drawing, c1700, by a French official while stationed in Canada

EXPL2A-00127
Father Marquette and Louis Joliet, the first white men on the upper Mississippi River, 1673. Hand-colored woodcut of a 19th-century illustration

EXPL2A-00113
Marquette and Joliet meeting Native Americans in Illinois during their exploration of the upper Mississippi River region, 1670s. Hand-colored woodcut of a 19th-century illustration

SIOUX PIPE BAGS, c1908. Photographed by Edward S. Curtis, c1908

1765346; out of copyright

Iroquois family, arms and ornaments, from Tableaux cosmographiques de l Amerique
XIR164767 Iroquois family, arms and ornaments, from Tableaux cosmographiques de l Amerique, engraved by Claude Louis Desrais (1746-1816), 1787 (engraving) (b/w photo) by Grasset de Saint-Sauveur

Winding River in an exotic landscape, Caspar Luyken, Willem Broedelet, 1697

Wa-Em-Boesh-Kaa, a Chippeway Chief from Sandy Lake, 1826, illustration from The
BAL122952 Wa-Em-Boesh-Kaa, a Chippeway Chief from Sandy Lake, 1826, illustration from The Indian Tribes of North America, Vol.1, by Thomas L. McKenney and James Hall, pub

Ki-On-Twog-Ky or Complanter, a Seneca Chief, 1796, illustration from The
BAL122947 Ki-On-Twog-Ky or Complanter, a Seneca Chief, 1796, illustration from The Indian Tribes of North America. Vol.1, by Thomas L. McKenney and James Hall, pub

Naw-Kaw or Wood, a Winnebago Chief, illustration from The Indian Tribes
BAL122944 Naw-Kaw or Wood, a Winnebago Chief, illustration from The Indian Tribes of North America, Vol.1, by Thomas L. McKenney and James Hall, pub

North American Indians, pub. by Richard Phillips, 1806 (engraving) (b&w photo)
XJF105334 North American Indians, pub. by Richard Phillips, 1806 (engraving) (b&w photo) by American School, (19th century); Private Collection; American, out of copyright

Naw-kaw, a Winnebago chief / drawn, printed & coloured at I.T. Bowens Lithographic Establishment, no. 94 Walnut St.; Philadelphia : F. W

CHEYENNE CHIEFS, 1873. Northern Cheyenne chiefs Little Wolf (left) and Dull Knife (also known as Morning Star). Photographed by William Henry Jackson while members of a Cheyenne delegation to

FIRST IROQUOIS CHIEF. Atotarho (or Tadodaho), the first ruler of the Onondaga Iroquois nation. Atotarho receiving two Mohawk chieftains

SIOUX ENCAMPMENT, c1882. White American visitors at a Sioux Native American encampment at Fort Randall in the Dakota Territories, whose commanding officer, Captain Charles Bentzoni (on horseback)

SIOUX AND TIPI, c1907. Slow Bull, a Sioux Native American medicine man, standing outside a tipi on the Great Plains. Photographed by Edward S. Curtis, c1907

CATLIN: O-JIB-BE-WAYS, 1844. Tinted Lithograph, 1844, by George Catlin

CATLIN: SIOUX CHIEF, 1835. Wa-nah-de-tuncka, Big Eagle commonly called Black Dog, Eastern Sioux. Canvas, 1835, by George Catlin

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"Embracing Unity and Harmony: The Significance of the Peace Pipe in Native American Culture" The peace pipe, a symbol of unity and diplomacy, holds deep cultural significance among Native American tribes. Dating back centuries, this sacred tradition has been passed down through generations as a way to forge alliances and maintain harmony within communities. One notable figure associated with the peace pipe is Petalesharo II, also known as Man Chief or Grand Pawnee. As a Chaui Native American chief, he understood the power of peaceful negotiations and utilized the peace pipe ceremony to establish diplomatic relations between tribes. Another historical moment captured in time is the Peace Pipe Ceremony of 1718 involving Chitimacha Native Americans from Louisiana. This copper engraving by Antoine Simon Le Page du Pratz depicts their journey towards reconciliation with the French after years of conflict. The calumet ceremony marked an end to hostilities and paved the way for mutual understanding. Pehriska-Ruhpa (Two Ravens), a Hidatsa Native American portrayed by Bodmer, exemplifies how individuals played crucial roles during peace pipe ceremonies. These gatherings were not only about smoking tobacco but also about fostering connections between different tribes and promoting peaceful coexistence. The encounter between Wampanoag chief Massasoit and John Carver, governor of Plymouth colony in 1620, showcases how early settlers sought alliances through these ceremonial rituals. Their meeting laid the foundation for future cooperation amidst challenging times. Even renowned explorers like Lewis and Clark recognized the importance of engaging with native cultures at Council Bluffs. Their interaction with Native Americans further emphasized that sharing a smoke from the peace pipe was more than just symbolic; it represented mutual respect and understanding across cultural boundaries. Native American chiefs such as Keokuk demonstrated leadership skills by utilizing diplomacy as they navigated complex relationships during turbulent times. His influence extended beyond his own tribe, showcasing how influential figures used this powerful tool to maintain peace.