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Pawning Collection

"Pawning: A Historical Perspective on Financial Struggles and Survival" In the bustling streets of London

Background imagePawning Collection: 103-0079520 The Pawn Brokers

103-0079520 The Pawn Brokers
IND58771 103-0079520 The Pawn Brokers by Rusinol i Prats, Santiago (1861-1931); Museo del Cau Ferrat, Sitges, Barcelona, Spain; Index Fototeca

Background imagePawning Collection: The Money Lenders (oil on oak panel)

The Money Lenders (oil on oak panel)
IND54176 The Money Lenders (oil on oak panel) by Massys or Metsys, Quentin (c.1465-1530) (attr. to); 124x95.5 cm; Museo de Bellas Artes, Bilbao

Background imagePawning Collection: Pawn brokers, early 19th century (engraving)

Pawn brokers, early 19th century (engraving)
3245525 Pawn brokers, early 19th century (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Background imagePawning Collection: At the Golden Sign (litho)

At the Golden Sign (litho)
5209530 At the Golden Sign (litho) by Gibson, Charles Dana (1867-1944); Private Collection; (add.info.: At the Golden Sign)

Background imagePawning Collection: At the Pawnbroker s

At the Pawnbroker s
CW13661 At the Pawnbrokers by Lamont, Thomas Reynolds (1826-98); Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imagePawning Collection: Temptation, 1914 (oil on canvas)

Temptation, 1914 (oil on canvas)
AEG122856 Temptation, 1914 (oil on canvas) by Kennington, Thomas Benjamin (1856-1916); 90x105 cm; Alfred East Gallery, Kettering Borough Council; eAlfred East Gallery, Kettering; English

Background imagePawning Collection: When one has to go... caricature of a visit to the Mont de Piete

When one has to go... caricature of a visit to the Mont de Piete
CHT178718 When one has to go... caricature of a visit to the Mont de Piete pawnbrokers, 1822 (colour litho) by Feuchere, (fl.1822) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imagePawning Collection: The Last Resource (oil on canvas)

The Last Resource (oil on canvas)
BON123806 The Last Resource (oil on canvas) by Fluggen, Josef (1842-1906); 119.5x132 cm; Private Collection; Photo eBonhams, London, UK; German, out of copyright

Background imagePawning Collection: London Trade Card - John Flude, Pawnbroker and Silversmith

London Trade Card - John Flude, Pawnbroker and Silversmith, 2 Gracechurch Street. 18th century

Background imagePawning Collection: Miners Strike, Wales

Miners Strike, Wales
South Wales miners families pawning their possessions during lock-out, at Merthyr Tydfil. Date: 1875

Background imagePawning Collection: Pawnbroker and customer on a postcard

Pawnbroker and customer on a postcard -- Trying to pass the time. Date: circa 1900s

Background imagePawning Collection: Spain. 19th century. Pawnshop. Pawn jewelry. Madrid. Colored

Spain. 19th century. Pawnshop. Pawn jewelry. Madrid. Colored
Spain. 19th century. Pawnshop and Savings Bank, an institution created with a social and religious assistance to the most needy. Pawn jewelry. Madrid

Background imagePawning Collection: The last pawning. 18th century. Colored engraving

The last pawning. 18th century. Colored engraving. The Artistic Illustration, 1886

Background imagePawning Collection: At the Pawnshop (oil on canvas)

At the Pawnshop (oil on canvas)
XPH309211 At the Pawnshop (oil on canvas) by Bokelman, Christian Ludwig (1844-94); 103x151 cm; Galerie Paffrath, Dusseldorf, Germany; (add.info.: Im Leihhaus; Mont-de-Piete; Mont de Piete; ); German

Background imagePawning Collection: Egan / Pawning Costumes

Egan / Pawning Costumes
Pawning theatre costumes in a pawn shop

Background imagePawning Collection: Arrested while Pawning

Arrested while Pawning
A man is grabbed by a policeman while pawning


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"Pawning: A Historical Perspective on Financial Struggles and Survival" In the bustling streets of London, John Flude's trade card proudly proclaimed him as a pawnbroker and silversmith. His establishment served as a lifeline for those facing financial hardships, offering them an opportunity to secure much-needed funds against their valuable possessions. Across the pond in Wales, during the tumultuous Miners Strike, pawning became a common practice among miners struggling to make ends meet. Desperate times called for desperate measures, and these proud workers turned to pawnbrokers like never before. The significance of pawnbroking is further highlighted by various artistic representations throughout history. "The Money Lenders, " depicted on an oak panel painting, captures the essence of this age-old profession. The artist skillfully portrays the intricate dynamics between borrower and lender. Similarly, "The Bread Famine and the Pawnbroker" showcases how dire circumstances pushed individuals into seeking assistance from pawnshops during times of scarcity. This gouache on card artwork serves as a poignant reminder of humanity's resilience in times of crisis. Engravings from early 19th-century publications provide us with glimpses into what these establishments looked like back then. These illustrations depict busy scenes at pawnbrokers' shops where people would flock to exchange their belongings for temporary relief from financial burdens. "At the Golden Sign, " captured through lithography, transports us to a time when pawnshops were not only places of necessity but also social hubs where people gathered amidst hopelessness or desperation. Artists have long been fascinated by this unique aspect of society; "Temptation" painted in 1914 explores themes surrounding temptation and moral dilemmas faced by both customers and pawnbrokers alike. A satirical caricature titled "When one has to go. . " humorously depicts a visit to Mont de Piete – highlighting that even comedic relief was sought amidst challenging circumstances.