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Pawn Broker Collection

The pawn broker has long been a subject of fascination and intrigue, depicted in various forms of art throughout history

Background imagePawn Broker Collection: Hogarth, Beer Street

Hogarth, Beer Street. A political print supporting a ministerial measure against the unlimited sale of gin. A scene of London life in which happy and healthy tradesmen

Background imagePawn Broker Collection: A Man Loaded with Mischief, or Matrimony, c. 1766 (colour etching)

A Man Loaded with Mischief, or Matrimony, c. 1766 (colour etching)
XCF290992 A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching) by English School, (18th century); Private Collection; (add.info.: subtitled A Monkey, A Magpie and Wife)

Background imagePawn Broker Collection: The pawnshop as a last resource

The pawnshop as a last resource
This illustration shows a poor family, the wife holding a baby, two children and her husband. The pawnbroker examines a ring they have just given him

Background imagePawn Broker Collection: Much Park Street Coventry, 1941 a42_00362

Much Park Street Coventry, 1941 a42_00362
8 - 10 Much Park Street, Coventry. Exterior view showing a policeman walking past the front elevation of 8-10 Much Park Street, premises of C. G. Hewitt

Background imagePawn Broker Collection: The Money Lenders (oil on oak panel)

The Money Lenders (oil on oak panel)
IND54176 The Money Lenders (oil on oak panel) by Massys or Metsys, Quentin (c.1465-1530) (attr. to); 124x95.5 cm; Museo de Bellas Artes, Bilbao

Background imagePawn Broker Collection: Pawn brokers (engraving)

Pawn brokers (engraving)
3245530 Pawn brokers (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Background imagePawn Broker Collection: Pawn brokers, early 19th century (engraving)

Pawn brokers, early 19th century (engraving)
3245525 Pawn brokers, early 19th century (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Background imagePawn Broker Collection: Temptation, 1914 (oil on canvas)

Temptation, 1914 (oil on canvas)
AEG122856 Temptation, 1914 (oil on canvas) by Kennington, Thomas Benjamin (1856-1916); 90x105 cm; Alfred East Gallery, Kettering Borough Council; eAlfred East Gallery, Kettering; English

Background imagePawn Broker Collection: The Times, pub. by H. R. Robertson, New York, 1837 (colour litho)

The Times, pub. by H. R. Robertson, New York, 1837 (colour litho)
MNY90553 The Times, pub. by H.R. Robertson, New York, 1837 (colour litho) by Clay, Edward Williams (1799-1857) (after); 45.9x28.1 cm; Museum of the City of New York, USA; (add.info.: July 4th 1837)

Background imagePawn Broker Collection: Large street clock, (B&W), (High section)

Large street clock, (B&W), (High section)

Background imagePawn Broker Collection: CIVIL WAR: CARTOON, 1861. Emperor Napoleon III of France and John Bull as pawnbrokers receiving

CIVIL WAR: CARTOON, 1861. Emperor Napoleon III of France and John Bull as pawnbrokers receiving Confederate commissioners to France, John Slidell, and to England, James M. Mason

Background imagePawn Broker Collection: PARIS: PAWN SHOP, 1853. Imperial pawnbrokers shop, Paris, France. Wood engraving, 1853

PARIS: PAWN SHOP, 1853. Imperial pawnbrokers shop, Paris, France. Wood engraving, 1853

Background imagePawn Broker Collection: PAWNBROKER: REDEEMING. Redeeming items sold to the pawnbroker. Steel engraving, 19th century

PAWNBROKER: REDEEMING. Redeeming items sold to the pawnbroker. Steel engraving, 19th century

Background imagePawn Broker Collection: PAWNING, 19th CENTURY. Selling the wedding ring or love token. Steel engraving, 19th century

PAWNING, 19th CENTURY. Selling the wedding ring or love token. Steel engraving, 19th century

Background imagePawn Broker Collection: SHANGHAI: PAWN SHOP, 1873. Pawnbrokers shop at Shanghai, China. Wood engraving, 1873

SHANGHAI: PAWN SHOP, 1873. Pawnbrokers shop at Shanghai, China. Wood engraving, 1873

Background imagePawn Broker Collection: PAWNBROKER, 1853. Wood engraving, American, 1853

PAWNBROKER, 1853. Wood engraving, American, 1853

Background imagePawn Broker Collection: PAWN SHOP, 1872. Parting with the wedding ring at the pawnbrokers shop. Wood engraving, 1872

PAWN SHOP, 1872. Parting with the wedding ring at the pawnbrokers shop. Wood engraving, 1872

Background imagePawn Broker Collection: PAWNBROKER, 1845. Wood engraving, American, 1845

PAWNBROKER, 1845. Wood engraving, American, 1845

Background imagePawn Broker Collection: PARIS: PAWNBROKER, 1868. Le Mont de Piete or municipal pawnbroker. Engraving, 1868

PARIS: PAWNBROKER, 1868. Le Mont de Piete or municipal pawnbroker. Engraving, 1868

Background imagePawn Broker Collection: Stock Exchange Notes (4 / 4) - Bond Market

Stock Exchange Notes (4 / 4) - Bond Market
Stock Exchange Notes - Bond Market - A loan on Turkey 1903

Background imagePawn Broker Collection: CHAPLIN: THE PAWNSHOP (1916)

CHAPLIN: THE PAWNSHOP (1916)

Background imagePawn Broker Collection: Pawnbroker Sign / 1940S

Pawnbroker Sign / 1940S
Symbol of the pawn shop, the Three Golden Balls was adapted from the arms of the Medici financiers who came to this country from Italy in 1282 to lend money to English Kings


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The pawn broker has long been a subject of fascination and intrigue, depicted in various forms of art throughout history. From William Hogarth's iconic Beer Street painting to the satirical etching A Man Loaded with Mischief, or Matrimony, the pawnshop is often portrayed as a last resort for those in desperate need. In Much Park Street Coventry, captured in 1941, we see a glimpse into the realities of war as people turn to pawnbrokers for financial assistance during challenging times. The Money Lenders painting on oak panel showcases the power dynamics at play within these establishments, where individuals seek loans against their possessions. Engravings from both the early 19th century and later periods depict scenes inside pawnshops, shedding light on how these businesses operated over time. Temptation painted in 1914 explores the moral dilemmas faced by those who enter such establishments. Even newspapers like The Times have featured illustrations highlighting this trade. In one particular lithograph published in New York in 1837, we witness a bustling street scene complete with a large clock that serves as a reminder of time ticking away for those pawning their belongings. During times of conflict like the Civil War era, cartoons emerged depicting figures such as Emperor Napoleon III and John Bull acting as pawnbrokers receiving Confederate commissioners seeking support from France and England. These political cartoons reflected contemporary events while using symbolism associated with pawnshops. One wood engraving from Paris in 1853 captures an imperial pawnbroker's shop—a testament to how widespread these institutions were across different countries during that period. Through various artistic mediums spanning centuries, we gain insight into society's reliance on pawnbrokers as both an economic necessity and symbol of desperation. These depictions remind us that even amidst changing times and evolving economies, there will always be those who find solace or struggle within these humble establishments.