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Parting Collection (page 2)

"Parting: A Reflection of Farewells Through Time" In the midst of war, a poignant scene unfolds

Background imageParting Collection: 'Madame Leroux';By Francis Eleanor Trollope. 'Good-bye Aunt Charlotte, 'said Mildred, 1890

"Madame Leroux";By Francis Eleanor Trollope. "Good-bye Aunt Charlotte, "said Mildred, 1890
" Madame Leroux" ; By Francis Eleanor Trollope. " Good-bye Aunt Charlotte, " said Mildred, 1890

Background imageParting Collection: Have no fear, little one! 1922 (pochoir print)

Have no fear, little one! 1922 (pochoir print)
STC226940 Have no fear, little one! 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageParting Collection: Departure of the Chevalier du Hohbarr for the Crusades (colour litho)

Departure of the Chevalier du Hohbarr for the Crusades (colour litho)
5208359 Departure of the Chevalier du Hohbarr for the Crusades (colour litho) by Waltz, Jean-Jacques (Hansi) (1873-1951); Private Collection; (add.info)

Background imageParting Collection: The Parting of Telephassa and Phoenix (litho)

The Parting of Telephassa and Phoenix (litho)
3651994 The Parting of Telephassa and Phoenix (litho) by Edwards, George Wharton (1859-1950); Private Collection; (add.info.: The Parting of Telephassa and Phoenix)

Background imageParting Collection: The parting with our sons (colour litho)

The parting with our sons (colour litho)
2794892 The parting with our sons (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: The parting with our sons)

Background imageParting Collection: Grandfathers Blessing, 1875 (oil on board)

Grandfathers Blessing, 1875 (oil on board)
OVR395285 Grandfathers Blessing, 1875 (oil on board) by Tidemand, Adolph (1814-76); 120x102 cm; Bergen Art Museum, Norway; Photo © O. Vaering

Background imageParting Collection: The youngest sons farewell, 1867 (oil on canvas)

The youngest sons farewell, 1867 (oil on canvas)
OVR390588 The youngest sons farewell, 1867 (oil on canvas) by Tidemand, Adolph (1814-76); 82x70.6 cm; Bergen Art Museum, Norway; Photo © O. Vaering

Background imageParting Collection: Farewell - one kiss, and I ll descend (oil on canvas)

Farewell - one kiss, and I ll descend (oil on canvas)
Ma199029 Farewell - one kiss, and I ll descend (oil on canvas) by Fortescue-Brickdale, Eleanor (1871-1945); 81.5x112 cm; Private Collection; (add.info)

Background imageParting Collection: Lovers Parting at Dawn, c. 1767 / 68. Creator: Suzuki Harunobu

Lovers Parting at Dawn, c. 1767 / 68. Creator: Suzuki Harunobu
Lovers Parting at Dawn, c. 1767/68

Background imageParting Collection: Lovers Parting in the Morning, c. 1765 / 70. Creator: Suzuki Harunobu

Lovers Parting in the Morning, c. 1765 / 70. Creator: Suzuki Harunobu
Lovers Parting in the Morning, c. 1765/70

Background imageParting Collection: Parting at the Eastern Capital, Ming dynasty (1369-1644), 15th century. Creator: Yao Shou

Parting at the Eastern Capital, Ming dynasty (1369-1644), 15th century. Creator: Yao Shou
Parting at the Eastern Capital, Ming dynasty (1369-1644), 15th century

Background imageParting Collection: Parting, c. 1772. Creator: Isoda Koryusai

Parting, c. 1772. Creator: Isoda Koryusai
Parting, c. 1772

Background imageParting Collection: The Parting of Lord William and Lady Rachel Russell in 1683

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

Background imageParting Collection: A Parting Kiss, (oil on panel)

A Parting Kiss, (oil on panel)
651323 A Parting Kiss, (oil on panel) by Caraud, Joseph (1821-1905); 36x51 cm; Private Collection; (add.info.: A Parting Kiss. Joseph Caraud (1821-1905). Oil on panel

Background imageParting Collection: The parting of the Red Sea (colour litho)

The parting of the Red Sea (colour litho)
5226700 The parting of the Red Sea (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: The parting of the Red Sea)

Background imageParting Collection: Orpah parting from Ruth and Naomi (coloured engraving)

Orpah parting from Ruth and Naomi (coloured engraving)
3626604 Orpah parting from Ruth and Naomi (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Orpah parting from Ruth and Naomi)

Background imageParting Collection: Martin Luthers farewell to his family as he undertakes his final journey to Mansfeld

Martin Luthers farewell to his family as he undertakes his final journey to Mansfeld
3647743 Martin Luthers farewell to his family as he undertakes his final journey to Mansfeld, his life on the road and his reception from the Counts of Mansfeld (engraving) by Konig

Background imageParting Collection: Margaret of Sicily, daughter of the Holy Roman Emperor Frederick II

Margaret of Sicily, daughter of the Holy Roman Emperor Frederick II, leaving her sons after discovering the adultery of
3647314 Margaret of Sicily, daughter of the Holy Roman Emperor Frederick II, leaving her sons after discovering the adultery of her husband, Albert the Degenerate, Margrave of Meissen

Background imageParting Collection: The Farewell of Telemachus and Eucharis, 1818 (oil on canvas)

The Farewell of Telemachus and Eucharis, 1818 (oil on canvas)
3545833 The Farewell of Telemachus and Eucharis, 1818 (oil on canvas) by David, Jacques Louis (1748-1825); 88.3x103.2 cm; J

Background imageParting Collection: The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho)

The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho)
3641284 The Cornish knight of the Round Table, Sir Tristram, departs from Iseult of Ireland (litho) by English School, (20th century); Private Collection; (add.info)

Background imageParting Collection: Charles I parting with his family (litho)

Charles I parting with his family (litho)
3630866 Charles I parting with his family (litho) by English School, (19th century); Private Collection; (add.info.: Charles I parting with his family)

Background imageParting Collection: There was a young Lady of Lartington (engraving)

There was a young Lady of Lartington (engraving)
3622893 There was a young Lady of Lartington (engraving) by English School, (19th century); Private Collection; (add.info.: There was a young Lady of Lartington)

Background imageParting Collection: Rounding A Bend On The Mississippi, Steamboat Queen of the West, pub

Rounding A Bend On The Mississippi, Steamboat Queen of the West, pub
3471074 Rounding A Bend On The Mississippi, Steamboat Queen of the West, pub. 1866, Currier & Ives (colour litho) by American School

Background imageParting Collection: Rococo in miniature (engraving)

Rococo in miniature (engraving)
6001372 Rococo in miniature (engraving) by European School, (19th century); Private Collection; (add.info.: Rococo in miniature)

Background imageParting Collection: Coriolanus Parting from his Wife and Family (engraving)

Coriolanus Parting from his Wife and Family (engraving)
669589 Coriolanus Parting from his Wife and Family (engraving) by Leech, John (1817-64); Private Collection; (add.info.: Coriolanus Parting from his Wife and Family)

Background imageParting Collection: Bust of a Man, c. 1934 (glazed ceramic)

Bust of a Man, c. 1934 (glazed ceramic)
700221 Bust of a Man, c.1934 (glazed ceramic) by Hastings, Donald (1900-38); 25.4x18x24.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; British

Background imageParting Collection: King Charles I parting from his children (litho)

King Charles I parting from his children (litho)
972435 King Charles I parting from his children (litho) by Nash, Joseph (1809-78) (after); Private Collection; (add.info.: King Charles I parting from his children)

Background imageParting Collection: The parting of Louis XVI and Marie Antoinette, 1792 (chromolitho)

The parting of Louis XVI and Marie Antoinette, 1792 (chromolitho)
972401 The parting of Louis XVI and Marie Antoinette, 1792 (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: The parting of Louis XVI and Marie Antoinette, 1792)

Background imageParting Collection: Every Sweet Must Have Its Bitter, 1911 (woodcut)

Every Sweet Must Have Its Bitter, 1911 (woodcut)
BSA408891 Every Sweet Must Have Its Bitter, 1911 (woodcut) by Fothergill, George Algernon (1868-1945); 16.5x30.5 cm; Private Collection; eThe British Sporting Art Trust; English, out of copyright

Background imageParting Collection: Stirrup cup, c. 1832 (mixed media)

Stirrup cup, c. 1832 (mixed media)
711146 Stirrup cup, c.1832 (mixed media) by English School, (19th century); Courtesy of the Warden and Scholars of New College

Background imageParting Collection: Evangeline, 1858 (oil on canvas)

Evangeline, 1858 (oil on canvas)
TW426909 Evangeline, 1858 (oil on canvas) by Emmerson, Henry Hetherington (1831-95); 106.7x158 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageParting Collection: Hooper parting from Mr Bullinger (engraving)

Hooper parting from Mr Bullinger (engraving)
2780820 Hooper parting from Mr Bullinger (engraving) by English School, (19th century); Private Collection; (add.info.: Hooper parting from Mr Bullinger)

Background imageParting Collection: Our amateur politicians by Edmund Blampied. Men chatting at a pub bar: Me? Vote for him

Our amateur politicians by Edmund Blampied. Men chatting at a pub bar: Me? Vote for him? Oh dear, no! Besides, his Astrakhan hair and his cross-eyed views carry no blinkin conviction

Background imageParting Collection: Hector and Andromache saying their farewells (chromolitho)

Hector and Andromache saying their farewells (chromolitho)
2782774 Hector and Andromache saying their farewells (chromolitho) by European School, (19th century); Private Collection; (add.info.: Hector and Andromache saying their farewells)

Background imageParting Collection: Black Monday, or The Departure for School, engraved by John Jones (c. 1745-97), pub. by W

Black Monday, or The Departure for School, engraved by John Jones (c. 1745-97), pub. by W
NP125510 Black Monday, or The Departure for School, engraved by John Jones (c.1745-97), pub. by W. Bigg, 1790 (mezzotint engraving) (see also CHT 184962) by Bigg

Background imageParting Collection: Allegory of the 1830 Revolution and the Marseillaise, engraved by the Gihaut brothers

Allegory of the 1830 Revolution and the Marseillaise, engraved by the Gihaut brothers
CHT173536 Allegory of the 1830 Revolution and the Marseillaise, engraved by the Gihaut brothers, 1830 (colour litho) by Scheffer, Ary (1795-1858) (after); Musee de la Ville de Paris

Background imageParting Collection: Scene from the Book of Moses: The parting of the Red Sea (mosaic)

Scene from the Book of Moses: The parting of the Red Sea (mosaic)
LRI4001685 Scene from the Book of Moses: The parting of the Red Sea (mosaic) by Italian School, (5th century); Santa Maria Maggiore, Rome, Italy; Luisa Ricciarini; Italian, out of copyright

Background imageParting Collection: The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas)

The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas)
825997 The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas) by Rohlfs, Christian (1849-1938); 124.5x118 cm; Private Collection; (add.info.: The Parting of the Ways; Am Scheideweg)

Background imageParting Collection: The Departure, 1850 (oil on canvas)

The Departure, 1850 (oil on canvas)
SRM40924 The Departure, 1850 (oil on canvas) by Chernyshev, Aleksei Filippovich (1824-63); State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright

Background imageParting Collection: Uriah the Hittite Sent to His Death, Tapestry of David and Bathsheba, c

Uriah the Hittite Sent to His Death, Tapestry of David and Bathsheba, c
PWI110167 Uriah the Hittite Sent to His Death, Tapestry of David and Bathsheba, c.1510-15 (tapestry) by Flemish School, (16th century); Musee National de la Renaissance, Ecouen

Background imageParting Collection: Vale or Farewell, 1913 (oil on canvas)

Vale or Farewell, 1913 (oil on canvas)
PNH353238 Vale or Farewell, 1913 (oil on canvas) by Hacker, Arthur (1858-1919); 152x122 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageParting Collection: Farewell, 1855 (oil on canvas)

Farewell, 1855 (oil on canvas)
AKV406780 Farewell, 1855 (oil on canvas) by Spitzweg, Carl (1808-85); Schack Galerie, Munich, Germany; (add.info.: Der Abschied; ); eAckermann Kunstverlag; German, out of copyright

Background imageParting Collection: The Parting (pen & ink on paper)

The Parting (pen & ink on paper)
405232 The Parting (pen & ink on paper) by Gaudier-Brzeska, Henri (1891-1915); Private Collection; French, out of copyright

Background imageParting Collection: Parting vows (engraving)

Parting vows (engraving)
819513 Parting vows (engraving) by Corbould, Edward Henry (1815-1905) (after); Private Collection; (add.info.: Parting vows. Drawn by Edward Henry Corbould, engraved by W H Mote)

Background imageParting Collection: Young man conversing with young girl (coloured engraving)

Young man conversing with young girl (coloured engraving)
609787 Young man conversing with young girl (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageParting Collection: The Delivery of Israel Out of Egypt, 1840 (oil on canvas)

The Delivery of Israel Out of Egypt, 1840 (oil on canvas)
BIR102307 The Delivery of Israel Out of Egypt, 1840 (oil on canvas) by Colman, Samuel (1780-1845); 135.6x199.1 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageParting Collection: The French Conscripts, engraved by Matthew Dubourg (fl. 1813-20

The French Conscripts, engraved by Matthew Dubourg (fl. 1813-20
STC88707 The French Conscripts, engraved by Matthew Dubourg (fl.1813-20) and John Heaviside Clark (c.1771-1863) from Historic, Military and Naval Anecdotes, pub



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"Parting: A Reflection of Farewells Through Time" In the midst of war, a poignant scene unfolds. "Goodbye Old Man, " they whisper, as a solder bids farewell to his trusted horse during World War I. The weight of duty tugs at his heartstrings, caught twixt love and duty in the year 1914. Across time and space, we encounter a Victorian woman from the esteemed Polhill-Turner family. Herodotus and Freeman's busts stand witness as she contemplates parting ways with societal norms, seeking her own path amidst expectations. In another realm entirely, Ludwig II stands before Grendamour Castle bidding adieu to his fantastical dreams. Eliz Gaskell's words echo through Richmond's halls as she parts with her beloved characters who have become intertwined with her soul. Art captures emotions that transcend time itself. In Edmund Blair Leighton's masterpiece "God Speed" from 1900, we witness a tender goodbye between lovers on the cusp of separation. Their embrace holds both longing and hope for what lies ahead. Royalty too experiences bittersweet farewells; King Manuel II of Portugal bids adeus par nunca mais to his country, knowing he may never return to its shores again. Science knows no bounds when it comes to partings either. Faraday, the professor of chemistry himself, leaves behind an indelible legacy while Ibant qui poterant reminds us that those who could not bear parting often succumbed under its weight. Even great minds like AJ Balfour and Roffe are not immune to goodbyes. English scientist Michael Faraday stares back at us from portraits past - a testament to his contributions but also a reminder that even geniuses must eventually bid farewell. Partings weave themselves into our lives like delicate threads connecting moments in history. They evoke emotions that span centuries and cultures alike.