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Palladian Collection (page 5)

"Palladian: A Glimpse into Architectural Elegance and Timeless Beauty" Step into the enchanting world architecture, where grandeur meets sophistication

Background imagePalladian Collection: The Town Hall, Bath, engraved by T. Bonnor (engraving)

The Town Hall, Bath, engraved by T. Bonnor (engraving)
CWA124867 The Town Hall, Bath, engraved by T. Bonnor (engraving) by Baldwin, Thomas (1750-1820) (after); City of Westminster Archive Centre, London

Background imagePalladian Collection: Remaining wing of a monastery, now the Academy of Fine Arts, built 1552 (photo)

Remaining wing of a monastery, now the Academy of Fine Arts, built 1552 (photo)
FTB165475 Remaining wing of a monastery, now the Academy of Fine Arts, built 1552 (photo) by Palladio, Andrea (1508-80); Venice

Background imagePalladian Collection: View of the facade, c. 1566-67 (photo)

View of the facade, c. 1566-67 (photo)
XIR184017 View of the facade, c.1566-67 (photo) by Palladio, Andrea (1508-80) & Scamozzi, Vincenzo (1552-1616); Villa Rotonda, Vicenza, Italy; Italian, out of copyright

Background imagePalladian Collection: Stourhead, c. 1780s (pen and ink on paper)

Stourhead, c. 1780s (pen and ink on paper)
STC171677 Stourhead, c.1780s (pen and ink on paper) by Bamfylde, Copplestone Warre (1720-91); Private Collection; (add.info.: Temple of Apollo built 1765; ); The Stapleton Collection; British

Background imagePalladian Collection: Floral temple and round pool, 1730-33 (pen & brown wash over pencil on paper)

Floral temple and round pool, 1730-33 (pen & brown wash over pencil on paper)
5196977 Floral temple and round pool, 1730-33 (pen & brown wash over pencil on paper) by Kent, William (1684-1748); 25x35.5 cm; eThe Devonshire Collections

Background imagePalladian Collection: Monticello: 2nd version (plan and west elevation), 1803 (pen & ink and w / c on paper)

Monticello: 2nd version (plan and west elevation), 1803 (pen & ink and w / c on paper)
5951145 Monticello: 2nd version (plan and west elevation), 1803 (pen & ink and w/c on paper) by Mills, Robert (1781-1855); 51.6x41 cm; Massachusetts Historical Society, Boston, MA

Background imagePalladian Collection: Chiswick, view of the side of the Deer House taken from the inner embankment of the ha-ha

Chiswick, view of the side of the Deer House taken from the inner embankment of the ha-ha
5926012 Chiswick, view of the side of the Deer House taken from the inner embankment of the ha-ha of the deer enclosure and with a glimpse of the Doric Column (pen & wash on paper) by Kent

Background imagePalladian Collection: Nuneham Courtenay, Oxfordshire, seat of the Earl of Harcourt (engraving)

Nuneham Courtenay, Oxfordshire, seat of the Earl of Harcourt (engraving)
5233618 Nuneham Courtenay, Oxfordshire, seat of the Earl of Harcourt (engraving) by English School, (19th century); Private Collection; (add.info.: Nuneham Courtenay, Oxfordshire)

Background imagePalladian Collection: Holkham II. 23, folio from Album Ashby II (w / c on paper)

Holkham II. 23, folio from Album Ashby II (w / c on paper)
5673788 Holkham II. 23, folio from Album Ashby II (w/c on paper) by Bartoli, Francesco (1675-1730); 34.4x34 cm; By kind permission of the Earl of Leicester

Background imagePalladian Collection: The South West Prospect of the Church of St Leonard, Shoreditch (engraving)

The South West Prospect of the Church of St Leonard, Shoreditch (engraving)
983889 The South West Prospect of the Church of St Leonard, Shoreditch (engraving) by English School, (18th century); Private Collection; (add.info)

Background imagePalladian Collection: North-West view of St Giless church in the Fields, 1753 (etching)

North-West view of St Giless church in the Fields, 1753 (etching)
3038202 North-West view of St Giless church in the Fields, 1753 (etching) by Donowell, John (fl.1753-86); Private Collection; (add.info.: Built in 1753 after a competition won by Henry Flitcroft)

Background imagePalladian Collection: Claremont House, Esher, Surrey (engraving)

Claremont House, Esher, Surrey (engraving)
3103694 Claremont House, Esher, Surrey (engraving) by English School, (19th century); Private Collection; (add.info.: Claremont House, Esher, Surrey)

Background imagePalladian Collection: The [Old] Council House, 1822 (w / c wash over pencil on paper)

The [Old] Council House, 1822 (w / c wash over pencil on paper)
2831801 The [Old] Council House, 1822 (w/c wash over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imagePalladian Collection: The Gallery, Chiswick House (w / c on paper)

The Gallery, Chiswick House (w / c on paper)
621523 The Gallery, Chiswick House (w/c on paper) by Hunt, William Henry (1790-1864); 31.7x24.8 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Chiswick House)

Background imagePalladian Collection: View in Venice, with San Giorgio Maggiore, 1826 (oil on canvas)

View in Venice, with San Giorgio Maggiore, 1826 (oil on canvas)
HEH416451 View in Venice, with San Giorgio Maggiore, 1826 (oil on canvas) by Bonington, Richard Parkes (1802-28); 30.5x40.6 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imagePalladian Collection: East Front of Monticello, home of Thomas Jefferson (1743-1826), built 1772 (photo)

East Front of Monticello, home of Thomas Jefferson (1743-1826), built 1772 (photo)
BAL12243 East Front of Monticello, home of Thomas Jefferson (1743-1826), built 1772 (photo) by American School, (18th century); Charlottesville, Virginia

Background imagePalladian Collection: Palazzo Ducale, Venice (pen & ink on paper)

Palazzo Ducale, Venice (pen & ink on paper)
CTS366765 Palazzo Ducale, Venice (pen & ink on paper) by Palladio, Andrea (1508-80); 47.6x106.7 cm; eThe Devonshire Collections

Background imagePalladian Collection: Elevation of Villa Chiericati, Vicenza, illustration from a facsimile copy of

Elevation of Villa Chiericati, Vicenza, illustration from a facsimile copy of
AFC206105 Elevation of Villa Chiericati, Vicenza, illustration from a facsimile copy of I Quattro Libri dell Architettura written by Palladio, originally published 1570 by Palladio

Background imagePalladian Collection: Elevation detail of the basilica in Vicenza, illustration from a facsimile copy of

Elevation detail of the basilica in Vicenza, illustration from a facsimile copy of
AFC206110 Elevation detail of the basilica in Vicenza, illustration from a facsimile copy of I Quattro Libri dell Architettura written by Palladio, originally published 1570 by Palladio

Background imagePalladian Collection: Plan and cross section of Villa Rotunda, illustration from a facsimile copy of

Plan and cross section of Villa Rotunda, illustration from a facsimile copy of
AFC206106 Plan and cross section of Villa Rotunda, illustration from a facsimile copy of I Quattro Libri dell Architettura written by Palladio, originally published 1570 by Palladio

Background imagePalladian Collection: Plan and elevation of Villa Barbaro, Maser, illustration from a facsimile copy of

Plan and elevation of Villa Barbaro, Maser, illustration from a facsimile copy of
AFC313690 Plan and elevation of Villa Barbaro, Maser, illustration from a facsimile copy of I Quattro Libri dell Architettura written by Palladio, originally published 1570 (litho) by Palladio

Background imagePalladian Collection: Interior of the Theatre, built 1580-85 (b / w photo)

Interior of the Theatre, built 1580-85 (b / w photo)
ALI252722 Interior of the Theatre, built 1580-85 (b/w photo) by Palladio, Andrea (1508-80) & Scamozzi, Vincenzo (1552-1616); Teatro Olimpico, Vicenza

Background imagePalladian Collection: Main facade of the Villa Chiericati, built c. 1550 (b / w photo)

Main facade of the Villa Chiericati, built c. 1550 (b / w photo)
ALI252720 Main facade of the Villa Chiericati, built c.1550 (b/w photo) by Palladio, Andrea (1508-80); Vancimuglio, Vicenza, Italy; (add.info.: today Museo Civico; ); Alinari

Background imagePalladian Collection: Section and elevation of a composite column designed by Andrea Palladio (1508-80

Section and elevation of a composite column designed by Andrea Palladio (1508-80
XIR252712 Section and elevation of a composite column designed by Andrea Palladio (1508-80) engraved by de La Boissiere, illustration from Traite d architecture (engraving) (b/w photo) by Blondel

Background imagePalladian Collection: A View of the Orangery, Lord Burlingtons Garden at Chiswick (engraving)

A View of the Orangery, Lord Burlingtons Garden at Chiswick (engraving)
STC153002 A View of the Orangery, Lord Burlingtons Garden at Chiswick (engraving) by Rysbrack, Pieter Andreas (c.1684-1748); Private Collection; The Stapleton Collection; Flemish, out of copyright

Background imagePalladian Collection: Interior staircase, 1560-61 (photo)

Interior staircase, 1560-61 (photo)
XIR184018 Interior staircase, 1560-61 (photo) by Palladio, Andrea (1508-80); Convent of Santa Maria della Carita, Venice, Italy; (add.info)

Background imagePalladian Collection: Plan of the Olympic Theatre, Vicenza, designed by Andrea Palladio (1508-80

Plan of the Olympic Theatre, Vicenza, designed by Andrea Palladio (1508-80
XIR175110 Plan of the Olympic Theatre, Vicenza, designed by Andrea Palladio (1508-80) built in 1580-85 (engraving) (b/w photo) by Italian School; Bibliotheque de L Arsenal, Paris, France; Italian

Background imagePalladian Collection: Villa Barbaro, Maser, 1557-58 (photo)

Villa Barbaro, Maser, 1557-58 (photo)
LEE56531 Villa Barbaro, Maser, 1557-58 (photo) by Palladio, Andrea (1508-80); Treviso, Veneto, Italy; eDavid Lees Photography Archive; Italian, out of copyright

Background imagePalladian Collection: Basilica Palladiana, Vicenza, Italy (litho)

Basilica Palladiana, Vicenza, Italy (litho)
5996438 Basilica Palladiana, Vicenza, Italy (litho) by European School, (19th century); Private Collection; (add.info.: Basilica Palladiana, Vicenza, Italy.); © Look and Learn

Background imagePalladian Collection: Perspective design for a new Orangery (pen & ink and wash over pencil on paper)

Perspective design for a new Orangery (pen & ink and wash over pencil on paper)
5926029 Perspective design for a new Orangery (pen & ink and wash over pencil on paper) by Kent, William (1684-1748); 27.4x47.2 cm; eThe Devonshire Collections

Background imagePalladian Collection: Chiswick, design for the making of a water woodland garden

Chiswick, design for the making of a water woodland garden
5926034 Chiswick, design for the making of a water woodland garden (pen & ink and wash over pencil) by Kent, William (1684-1748); 30.5x41.3 cm; eThe Devonshire Collections

Background imagePalladian Collection: Design for the woodland water garden, seen in the moonlight

Design for the woodland water garden, seen in the moonlight
5926010 Design for the woodland water garden, seen in the moonlight (pen & ink and wash over pencil on paper) by Kent, William (1684-1748); 23x37 cm; eThe Devonshire Collections

Background imagePalladian Collection: Chiswick, design for the cascade as built (pen and ink over pencil on paper)

Chiswick, design for the cascade as built (pen and ink over pencil on paper)
5926003 Chiswick, design for the cascade as built (pen and ink over pencil on paper) by Kent, William (1684-1748); 18.6x23.7 cm; eThe Devonshire Collections

Background imagePalladian Collection: The new Bagnio in the Gardens at Chiswick House

The new Bagnio in the Gardens at Chiswick House
1280622 The new Bagnio in the Gardens at Chiswick House, from Vitruvius Britannicus or The British Architect by Colen Campbell (engraving) by English School

Background imagePalladian Collection: Banqueting House, Whitehall (b / w photo)

Banqueting House, Whitehall (b / w photo)
3095063 Banqueting House, Whitehall (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Banqueting House, Whitehall)

Background imagePalladian Collection: Mereworth Park, Kent (oil on canvas)

Mereworth Park, Kent (oil on canvas)
MAL121411 Mereworth Park, Kent (oil on canvas) by Tennant, John F. (1796-1872); Private Collection; (add.info.: not actually a castle but interpretation of Palladios Villa Capra (Villa Rotunda);

Background imagePalladian Collection: The Mansion House, City of London (engraving)

The Mansion House, City of London (engraving)
983858 The Mansion House, City of London (engraving) by English School, (18th century); Private Collection; (add.info.: The Mansion House, City of London.); Look and Learn / Peter Jackson Collection

Background imagePalladian Collection: North-west view of the Church of St Giles in the Fields, London (engraving)

North-west view of the Church of St Giles in the Fields, London (engraving)
983851 North-west view of the Church of St Giles in the Fields, London (engraving) by English School, (18th century); Private Collection; (add.info)

Background imagePalladian Collection: Moor Park House 28th December 1934

Moor Park House 28th December 1934

Background imagePalladian Collection: Ormesby Hall, North Yorkshire. 20th June 1949

Ormesby Hall, North Yorkshire. 20th June 1949

Background imagePalladian Collection: It ll all come out in the wash. Youngsters from St Marys School, Grangetown

It ll all come out in the wash. Youngsters from St Marys School, Grangetown, take part in a Victorian day at Ormesby Hall

Background imagePalladian Collection: Clock tower entrance to the stables at Ormesby Hall. 17th February 1962

Clock tower entrance to the stables at Ormesby Hall. 17th February 1962

Background imagePalladian Collection: Youngsters got digging when they turned out to Ormesby Hall to plant trees in a bid to

Youngsters got digging when they turned out to Ormesby Hall to plant trees in a bid to restore the grounds. About 30 pupils from Henry Taylor primary school at Ormesby turned up to pant holly

Background imagePalladian Collection: The National Trusts Ormesby Hall saw its first ever wedding - Melanie Westcough

The National Trusts Ormesby Hall saw its first ever wedding - Melanie Westcough and Stuart Fox outside the hall after their wedding. 6th June 1998

Background imagePalladian Collection: Ormesby Hall. 25th March 1992

Ormesby Hall. 25th March 1992

Background imagePalladian Collection: Ormesby Hall. 2nd April 1991

Ormesby Hall. 2nd April 1991

Background imagePalladian Collection: Nostell Priory, Yorkshire, a mansion originally built by James Paine for Sir Rowland

Nostell Priory, Yorkshire, a mansion originally built by James Paine for Sir Rowland Winn, on the site of a 12th century priory dedicated to Saint Oswald. Date: mid 18th century

Background imagePalladian Collection: An Architectural Fantasy, c. 1670. Creator: Jan van der Heyden

An Architectural Fantasy, c. 1670. Creator: Jan van der Heyden
An Architectural Fantasy, c. 1670



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"Palladian: A Glimpse into Architectural Elegance and Timeless Beauty" Step into the enchanting world architecture, where grandeur meets sophistication. From the majestic Came House xa00271 to the picturesque Pulteney Bridge reflected in the tranquil waters of River Avon, Bath, this UNESCO World Heritage Site in Somerset is a true testament to architectural brilliance. Travel further down to Carclew House in Cornwall, where on that fateful day of 15th March 1912, history was captured through its walls. The stunning Holkham Hall in Norfolk stands tall as a symbol of opulence and grace. Immerse yourself in the drawing room at Carclew House, adorned with timeless elegance on that same date - an oasis of refinement amidst Cornwall's natural beauty. As you step foot into its entrance hall, be prepared to be transported back in time to an era filled with splendor and charm. The Bath Weir and Pulteney Bridge continue their reign as iconic landmarks within this UNESCO World Heritage Site. Their architectural prowess leaves visitors awe-inspired by their magnificence. Venturing beyond Cornwall's borders brings us to Claverton Street Chapel nestled within London's vibrant neighborhood of Pimlico. This hidden gem showcases Palladian influence even amidst bustling city life. Lastly, we witness history unfold at Carclew House once again on Friday 2nd July 1915 during the DCLI recruiting march. These hallowed grounds witnessed moments that shaped nations and lives forever. Palladian architecture continues to captivate hearts worldwide with its harmonious blend of classical elements and timeless design principles. Each structure mentioned here serves as a reminder that beauty transcends time – leaving us breathless with every glance.