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Palladian Collection (page 3)

"Palladian: A Glimpse into Architectural Elegance and Timeless Beauty" Step into the enchanting world architecture, where grandeur meets sophistication

Background imagePalladian Collection: Orangery and ha-ha, Lord Burlingtons Villa (pen & ink with wash on paper)

Orangery and ha-ha, Lord Burlingtons Villa (pen & ink with wash on paper)
449329 Orangery and ha-ha, Lord Burlingtons Villa (pen & ink with wash on paper) by Rigaud, Jacques (1681-1754); 29.7x50.8 cm; eThe Devonshire Collections

Background imagePalladian Collection: Design for the Royal Palace of Caserta, 1756 (engraving)

Design for the Royal Palace of Caserta, 1756 (engraving)
746817 Design for the Royal Palace of Caserta, 1756 (engraving) by Vanvitelli, Luigi (1700-73) (after); Private Collection; (add.info.: Designed for Charles III of Naples, built 1754-74)

Background imagePalladian Collection: Palazzo Barbarano da Porto, 1570-75 (photo)

Palazzo Barbarano da Porto, 1570-75 (photo)
XIR415784 Palazzo Barbarano da Porto, 1570-75 (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; (add.info.: courtyard with loggia of Palladios only completely finished city palace;)

Background imagePalladian Collection: View of the facade of the church, 1566-80

View of the facade of the church, 1566-80
ALI414901 View of the facade of the church, 1566-80 by Palladio, Andrea (1508-80); San Giorgio Maggiore, Venice, Italy; (add.info)

Background imagePalladian Collection: Houghton Hall, Norfolk (colour photo)

Houghton Hall, Norfolk (colour photo)
3094995 Houghton Hall, Norfolk (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Houghton Hall, Norfolk)

Background imagePalladian Collection: Edinburgh from the castle (colour photo)

Edinburgh from the castle (colour photo)
3094916 Edinburgh from the castle (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Edinburgh from the castle)

Background imagePalladian Collection: Temple of the Sun, Kew Gardens (b / w photo)

Temple of the Sun, Kew Gardens (b / w photo)
3094846 Temple of the Sun, Kew Gardens (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Temple of the Sun, Kew Gardens)

Background imagePalladian Collection: St Andrews Halls, Glasgow (colour photo)

St Andrews Halls, Glasgow (colour photo)
3095407 St Andrews Halls, Glasgow (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: St Andrews Halls, Glasgow)

Background imagePalladian Collection: Chesterfield House

Chesterfield House
View of the grand staircase at Chesterfield House, a London townhouse built between 1747 and 1752 by Philip Stanhope, 4th Earl of Chesterfield, statesman and man of letters

Background imagePalladian Collection: Burlington House

Burlington House
A view of Burlington House in 1875. It was originally a private Palladian mansion owned by the Earls of Burlington and was expanded in the mid-19th century after being purchased by the British

Background imagePalladian Collection: Woman in the sculpture gallery in the Louvre Museum, 1806

Woman in the sculpture gallery in the Louvre Museum, 1806
Fashionable woman in the sculpture gallery in the Louvre Museum, 1806. She wears a straw bonnet with feathers, shawl over a high-waisted dress

Background imagePalladian Collection: Stoke House, Windsor

Stoke House, Windsor, seat of Egyptologist Richard William Howard Vyse, built by architect James Wyatt with gardens landscaped by Capability Brown

Background imagePalladian Collection: The New Street (Regent Street) looking toward

The New Street (Regent Street) looking toward the Quadrant, designed by John Nash, London. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1822

Background imagePalladian Collection: The Hermitage, Frogmore, Windsor

The Hermitage, Frogmore, Windsor. Thatched cottage folly designed by Princess Elizabeth. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns Repository of

Background imagePalladian Collection: Designs for garden seats in parks or landscaped gardens

Designs for garden seats in parks or landscaped gardens. Indian umbrella-style seat at top and fabric marquee over a folding iron frame below

Background imagePalladian Collection: Belvoir Castle, seat of John Manners, 5th Duke of

Belvoir Castle, seat of John Manners, 5th Duke of
Belvoir Castle, Leicestershire, seat of John Manners, 5th Duke of Rutland. Built in the romantic Gothic Revival style to designs by the architect James Wyatt and restored by Sir James Thornton

Background imagePalladian Collection: A view of Stour Head in Wiltshire (engraving)

A view of Stour Head in Wiltshire (engraving)
STC153078 A view of Stour Head in Wiltshire (engraving) by Vivares, Francois (1709-80); Private Collection; (add.info.: The seat of Henry Hoare Esq)

Background imagePalladian Collection: The Mikhailovsky Palace, St. Petersburg, 1832 (w / c on paper)

The Mikhailovsky Palace, St. Petersburg, 1832 (w / c on paper)
SRM92438 The Mikhailovsky Palace, St. Petersburg, 1832 (w/c on paper) by Beggrov, Karl Pavlovich (1799-1875); 60.6x90.5 cm; State Russian Museum, St

Background imagePalladian Collection: View of the garden facade, built 1559-60 (photo)

View of the garden facade, built 1559-60 (photo)
XIR211704 View of the garden facade, built 1559-60 (photo) by Palladio, Andrea (1508-80); Villa Foscari, Malcontenta, Veneto, Italy; Italian, out of copyright

Background imagePalladian Collection: Detail of the gallery of the main facade, c. 1550 (photo)

Detail of the gallery of the main facade, c. 1550 (photo)
XIR184016 Detail of the gallery of the main facade, c.1550 (photo) by Palladio, Andrea (1508-80); Vancimuglio, Vicenza, Italy; Italian, out of copyright

Background imagePalladian Collection: Plan of the Presidents House, Washington, 1792 (ink wash and pencil on paper)

Plan of the Presidents House, Washington, 1792 (ink wash and pencil on paper)
MHS175758 Plan of the Presidents House, Washington, 1792 (ink wash and pencil on paper) by Hoban, James (1762-1831); Massachusetts Historical Society, Boston, MA

Background imagePalladian Collection: Villa Rotunda, 1550-54 (photo)

Villa Rotunda, 1550-54 (photo)
LEE56530 Villa Rotunda, 1550-54 (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; eDavid Lees Photography Archive; Italian, out of copyright

Background imagePalladian Collection: CH620089

CH620089
Venice; Venetian; Italy; Italian; San Giorgio Maggiore; Dogana; architecture; church; Palladio; Palladian; boats; traffic; canal; Bacino; aerial view; gondola; gondolas; polygonal; picturesque;

Background imagePalladian Collection: The Island of San Giorgio Maggiore, Venice, with the Punta della Dogana

The Island of San Giorgio Maggiore, Venice, with the Punta della Dogana
CH345595 The Island of San Giorgio Maggiore, Venice, with the Punta della Dogana and numerous vessels (oil on canvas) by Canaletto

Background imagePalladian Collection: Auditorium and stage of the Teatro Olimpico, Piacenza, Italy

Auditorium and stage of the Teatro Olimpico, Piacenza, Italy, designed by Andrea Palladio (engraving)
5999615 Auditorium and stage of the Teatro Olimpico, Piacenza, Italy, designed by Andrea Palladio (engraving) by German School

Background imagePalladian Collection: Mansion House, City of London (photo)

Mansion House, City of London (photo)
5996730 Mansion House, City of London (photo) by English Photographer, (20th century); Private Collection; (add.info.: Mansion House, City of London)

Background imagePalladian Collection: Holkham II. 13, folio from Album Ashby II (w / c on paper)

Holkham II. 13, folio from Album Ashby II (w / c on paper)
5673787 Holkham II. 13, folio from Album Ashby II (w/c on paper) by Bartoli, Francesco (1675-1730); 26.3x17.2 cm; By kind permission of the Earl of Leicester

Background imagePalladian Collection: Chiswick, view of the Burlington Lane Gate, the Obelisk in the foreground

Chiswick, view of the Burlington Lane Gate, the Obelisk in the foreground
5926008 Chiswick, view of the Burlington Lane Gate, the Obelisk in the foreground, and Kent with dog (pen & ink and wash on paper) by Kent

Background imagePalladian Collection: Lady Burlington sitting in her Garden Room admiring an Old Master (

Lady Burlington sitting in her Garden Room admiring an Old Master (
5926041 Lady Burlington sitting in her Garden Room admiring an Old Master (?) drawing (pen & ink on paper) by Kent, William (1684-1748); 22.8x18.7 cm; eThe Devonshire Collections

Background imagePalladian Collection: Chiswick, view of the Exedra showing placement of sculpture (pencil on paper)

Chiswick, view of the Exedra showing placement of sculpture (pencil on paper)
5926024 Chiswick, view of the Exedra showing placement of sculpture (pencil on paper) by Kent, William (1684-1748); 42.8x60.6 cm; eThe Devonshire Collections

Background imagePalladian Collection: Chiswick, view of the Doric Column with Venus de Medici statue

Chiswick, view of the Doric Column with Venus de Medici statue
5926014 Chiswick, view of the Doric Column with Venus de Medici statue, and a glimpse of the side of the deer house (pen & ink on paper) by Kent

Background imagePalladian Collection: Wentworth Castle, design for the south front, c. 1760 (pen & ink and w / c on paper)

Wentworth Castle, design for the south front, c. 1760 (pen & ink and w / c on paper)
LMG208974 Wentworth Castle, design for the south front, c.1760 (pen & ink and w/c on paper) by Platt, John (1728-1810); 27x49.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

Background imagePalladian Collection: View of Heveningham Hall in Suffolk, the Seat of Sir Gerrard Vanneck

View of Heveningham Hall in Suffolk, the Seat of Sir Gerrard Vanneck
AMO112266 View of Heveningham Hall in Suffolk, the Seat of Sir Gerrard Vanneck, 18th century (pen & ink and w/c on paper) by Wilt, Thomas van der (1659-1733); 35.4x50.6 cm; Ashmolean Museum

Background imagePalladian Collection: Ground Plan of the Lower Assembly Rooms, Bath, engraved by Charles Hullmandel (1789-1850

Ground Plan of the Lower Assembly Rooms, Bath, engraved by Charles Hullmandel (1789-1850
CWA124868 Ground Plan of the Lower Assembly Rooms, Bath, engraved by Charles Hullmandel (1789-1850) (litho) by English School, (19th century); City of Westminster Archive Centre, London

Background imagePalladian Collection: Elevation of Mereworth Castle, engraved by H. Hulsbergh, c. 1722-24 (engraving)

Elevation of Mereworth Castle, engraved by H. Hulsbergh, c. 1722-24 (engraving)
XJF465138 Elevation of Mereworth Castle, engraved by H. Hulsbergh, c.1722-24 (engraving) by Campbell, Colen (1676-1729) (after); Private Collection; (add.info.: Mereworth Castle)

Background imagePalladian Collection: Cupidss Palace, c. 1619-23 (pen & ink on paper)

Cupidss Palace, c. 1619-23 (pen & ink on paper)
CTS407548 Cupidss Palace, c.1619-23 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Background imagePalladian Collection: Betty Martin, a terrier, and Idol, a mongrel

Betty Martin, a terrier, and Idol, a mongrel
CTS407264 Betty Martin, a terrier, and Idol, a mongrel, pet dogs of the 6th Duke in the garden at Chiswick (oil on canvas) by Chalon

Background imagePalladian Collection: The Palladian facade and entrance portico of the Pantheon in 1814 (coloured engraving)

The Palladian facade and entrance portico of the Pantheon in 1814 (coloured engraving)
611036 The Palladian facade and entrance portico of the Pantheon in 1814 (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imagePalladian Collection: Design for an arcade with balustrade top from The Gardens of Wilton, c

Design for an arcade with balustrade top from The Gardens of Wilton, c
STC153069 Design for an arcade with balustrade top from The Gardens of Wilton, c.1645 (engraving) by Caus, Isaac de (c.1600-48); Private Collection; (add.info)

Background imagePalladian Collection: View of the house and part of the garden at West Wycombe, Buckinghamshire

View of the house and part of the garden at West Wycombe, Buckinghamshire
STC190645 View of the house and part of the garden at West Wycombe, Buckinghamshire, engraved by William Woollett (1735-85) (engraving) by Hannan

Background imagePalladian Collection: The Grand Salon, 1656-1661 (photo)

The Grand Salon, 1656-1661 (photo)
PWI91081 The Grand Salon, 1656-1661 (photo) by Le Vau, Louis (1612-70); Chateau de Vaux-le-Vicomte, France; (add.info.: built for Nicolas Fouquet)

Background imagePalladian Collection: County Courts, Cambridge

County Courts, Cambridge, recently built in Palladian style at the time of this illustration. Date: circa 1842

Background imagePalladian Collection: View of the mansion at Moor Park, Hertfordshire

View of the mansion at Moor Park, Hertfordshire
View of the Palladian mansion at Moor Park, Hertfordshire, dating back to the 17th century. By the time of this illustration, it was possible to travel by train to Rickmansworth

Background imagePalladian Collection: View of the facade, c. 1566-67 (b / w photo)

View of the facade, c. 1566-67 (b / w photo)
ALI252742 View of the facade, c.1566-67 (b/w photo) by Palladio, Andrea (1508-80) & Scamozzi, Vincenzo (1552-1616); Villa Rotonda, Vicenza

Background imagePalladian Collection: View of the principal facade, built in 1559-60 (photo)

View of the principal facade, built in 1559-60 (photo)
XIR211705 View of the principal facade, built in 1559-60 (photo) by Palladio, Andrea (1508-80); Villa Foscari, Malcontenta, Veneto, Italy; Italian, out of copyright

Background imagePalladian Collection: Villa Palmieri, Fiesole, from Vedute delle ville et d

Villa Palmieri, Fiesole, from Vedute delle ville et d
STC170860 Villa Palmieri, Fiesole, from Vedute delle ville et d altri luoghi della Toscana, engraved by Gioseffo Filosi (fl.1732-44), published c.1847-57 (engraving) by Zocchi

Background imagePalladian Collection: Malvern Hall, 1821 (oil on canvas)

Malvern Hall, 1821 (oil on canvas)
CLK339917 Malvern Hall, 1821 (oil on canvas) by Constable, John (1776-1837); 54.1x78.3 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; English, out of copyright

Background imagePalladian Collection: Burlington House in Piccadilly, 18th century (engraving)

Burlington House in Piccadilly, 18th century (engraving)
GHL17285 Burlington House in Piccadilly, 18th century (engraving) by English School, (18th century); London Metropolitan Archives



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"Palladian: A Glimpse into Architectural Elegance and Timeless Beauty" Step into the enchanting world architecture, where grandeur meets sophistication. From the majestic Came House xa00271 to the picturesque Pulteney Bridge reflected in the tranquil waters of River Avon, Bath, this UNESCO World Heritage Site in Somerset is a true testament to architectural brilliance. Travel further down to Carclew House in Cornwall, where on that fateful day of 15th March 1912, history was captured through its walls. The stunning Holkham Hall in Norfolk stands tall as a symbol of opulence and grace. Immerse yourself in the drawing room at Carclew House, adorned with timeless elegance on that same date - an oasis of refinement amidst Cornwall's natural beauty. As you step foot into its entrance hall, be prepared to be transported back in time to an era filled with splendor and charm. The Bath Weir and Pulteney Bridge continue their reign as iconic landmarks within this UNESCO World Heritage Site. Their architectural prowess leaves visitors awe-inspired by their magnificence. Venturing beyond Cornwall's borders brings us to Claverton Street Chapel nestled within London's vibrant neighborhood of Pimlico. This hidden gem showcases Palladian influence even amidst bustling city life. Lastly, we witness history unfold at Carclew House once again on Friday 2nd July 1915 during the DCLI recruiting march. These hallowed grounds witnessed moments that shaped nations and lives forever. Palladian architecture continues to captivate hearts worldwide with its harmonious blend of classical elements and timeless design principles. Each structure mentioned here serves as a reminder that beauty transcends time – leaving us breathless with every glance.