Palladian Collection (page 2)

San Giorgio Maggiore at dusk, 1908-12 (oil on canvas)
NGW186850 San Giorgio Maggiore at dusk, 1908-12 (oil on canvas) by Monet, Claude (1840-1926); 65.2x92.4 cm; National Museum Wales; National Museums & Galleries of Wales

Rosemary Gillett, National Trust Director, at Ormesby Hall. 25th March 1992

Ormesby Hall, Middlesbrough, has just spent £3, 500 on the new north-west bedroom
Ormesby Hall, Middlesbrough, has just spent £ 3, 500 on the new north-west bedroom thanks to Cleveland Association. In the picture Anna Marie Mawcton and Andrew Knight of St Bernadettes School

Ormesby Hall. 26th April 1970

Ormesby Hall. 14th June 1981

I quattro libri dell architettura di Andrea Palladio. Ne quale dopo un breue trattato de cinque ordini, 1581. [Plan and elevation of a building, from The Four Books of Architecture by Andrea Palladio]

Ireland, County Kildare, Celbridge, Castletown House, Palladian country house built in 1722 for William Conolly, the Speaker of the Irish House of Commons

The Conservative Club, St. Jamess Street, London, c1840, (1947). Creator: Woods
The Conservative Club, St. Jamess Street, London, c1840, (1947). View of the Conservative Club, a gentlemens club which occupied premises in St Jamess Street until 1959

Aerial view of Villa Almerico Capra Valmarana (known also as La Rotonda) designed by Andrea Palladio, Vicenza, Veneto, Italy

Piazza dei Signori with Basilica Palladiana, Vicenza, Veneto, Italy

Aerial view of Villa Almerico Capra Valmarana (known also as La Rotonda) designed by Andrea Palladio, Vicenza, Veneto, Italy

Villa Almerico Capra Valmarana (known also as La Rotonda) designed by Andrea Palladio, Vicenza, Veneto, Italy

Piazza dei Signori with Palladian Basilica. Vicenza, Veneto, Italy

Houghton Hall, Norfolk, England, UK

Italy, Italia. Veneto. Vicenza. Palladian Basilica

Italy, Italia. Veneto. Vicenza. Staircase of Palladian Basilica

San Giorgio Monastery, Venice, Veneto, Italy. The garden and the Palladian cloister

The Palladian cloister in San Giorgio Monastery, Venice, Veneto, Italy

San Giorgio Maggiore cloister, Giorgio Cini Foundation. Venice, Veneto, Italy, Europe

The north front, Houghton Hall, from The English Country House (b/w photo)
CLF306308 The north front, Houghton Hall, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

The entrance front at Nostell Priory, from The Country Houses of Robert Adam, by Eileen Harris
CLF285583 The entrance front at Nostell Priory, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Chiswick House, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311734 Chiswick House, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: built 1726-29 by Richard Boyle)

View of Wanstead House, the seat of the Earl of Tilney (Tylney), engraved for Harrison's History of London in 1775. The house was designed by the Scottish architect, Colen Campbell

East front of the central block, Houghton Hall, from The English Country House (b/w photo)
CLF306306 East front of the central block, Houghton Hall, from The English Country House (b/w photo) by English Photographer

The west front, Houghton Hall, from The English Country House (b/w photo)
CLF306303 The west front, Houghton Hall, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

The west wing, Castle Howard, from The English Country House (b/w photo)
CLF306295 The west wing, Castle Howard, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

The entrance front, Kings Weston House, Bristol, from The Country Houses of Sir John Vanbrugh by Jeremy Musson
CLF327774 The entrance front, Kings Weston House, Bristol, from The Country Houses of Sir John Vanbrugh by Jeremy Musson, published 2008 (b/w photo) by English Photographer

Looking through the colonnade to the entrance facade, Burley-on-the-Hill, Rutland
CLF327721 Looking through the colonnade to the entrance facade, Burley-on-the-Hill, Rutland, from The Country Houses of Sir John Vanbrugh by Jeremy Musson

The Saint Charles Hotel on St. Charles Street, New Orleans in the 1880s (litho)
KW353691 The Saint Charles Hotel on St. Charles Street, New Orleans in the 1880s (litho) by English School, (20th century); Private Collection; (add.info.: from a 19th century illustration;)

View of San Giorgio Maggiore, c. 1760 (oil on canvas)
5853937 View of San Giorgio Maggiore, c.1760 (oil on canvas) by Guardi, Francesco (1712-93); 72x120.6 cm; Glasgow Museums, UK; (add.info.: In foreground, the Laguna)

Chiswick House (oil on canvas)
MAN277433 Chiswick House (oil on canvas) by Fry, Roger Eliot (1866-1934); 46.2x62.5 cm; Manchester Art Gallery, UK; (add.info)

Teatro alla Scala, Milan, Italy (photo)
VLS93245 Teatro alla Scala, Milan, Italy (photo) by Piermarini, Giuseppe (1734-1808); Teatro alla Scala, Milan, Italy; (add.info.: View of the facade)

Beckenham Place in the County of Kent, 1778. Creator: John Bayly
Beckenham Place in the County of Kent, from Edward Hasted s, The History and Topographical Survey of the County of Kent, vols. 1-3, 1778

Wilton House from the South-east, c. 1758-60 (oil on canvas)
XYC136262 Wilton House from the South-east, c.1758-60 (oil on canvas) by Wilson, Richard (1713/14-82); 99x144 cm; Yale Center for British Art, Paul Mellon Collection

A View of Venice (oil on canvas)
BAL211606 A View of Venice (oil on canvas) by Pritchett, Edward (fl.1828-79); 28x45.7 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington

Regency-era library window curtains, 1815
6339812 Regency-era library window curtains, 1815 by British School, (18th-19th century); (add.info.: Regency-era library window curtains, 1815)

Powerscourt House, Dublin, published July 1795. Creator: James Malton
Powerscourt House, Dublin, published July 1795

Provosts House, Dublin, published February 1794. Creator: James Malton
Provosts House, Dublin, published February 1794

Santa Maria della Salute, Venice (w / c on paper)
CH443639 Santa Maria della Salute, Venice (w/c on paper) by Guiaud, Jacques (1811-76); 44.4x31.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Cambridge House in Piccadilly in 1860, home of PM lord Palmerston, 19th century
3697382 Cambridge House in Piccadilly in 1860, home of PM lord Palmerston, 19th century by Unknown Artist, (19th century); Private Collection; (add.info)

Birdhouse at Chiswick; pool with a couple in a boat, the woman fishing
5196978 Birdhouse at Chiswick; pool with a couple in a boat, the woman fishing (pen & brown wash over pencil on paper) by Kent, William (1684-1748); 27.6x22.7 cm; eThe Devonshire Collections

Mereworth Castle, Kent (b / w photo)
5996815 Mereworth Castle, Kent (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Mereworth Castle, Kent. Postcard, early 20th century.); © Look and Learn

Pulteney Bridge, Bath, Somerset (coloured photo)
5999035 Pulteney Bridge, Bath, Somerset (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: Pulteney Bridge, Bath, Somerset)

Chiswick, first design for the Exedra (pen & ink and wash on paper)
5926017 Chiswick, first design for the Exedra (pen & ink and wash on paper) by Kent, William (1684-1748); 32.9x51.5 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Not carried out)

Chiswick, design for a rustic cascade and bridge set against the terrace
5925998 Chiswick, design for a rustic cascade and bridge set against the terrace (pen & ink and wash over pencil on paper) by Kent, William (1684-1748); 33.2x48.5 cm; eThe Devonshire Collections

Chiswick, a view from an elevated point above the Orange Tree Garden Temple
5926026 Chiswick, a view from an elevated point above the Orange Tree Garden Temple (pencil & wash on paper) by Kent, William (1684-1748); 31.7x48.9 cm; eThe Devonshire Collections

Chiswick, the Burlington Lane Gate and the Obelisk in the moonlight with Kent sitting by
5926001 Chiswick, the Burlington Lane Gate and the Obelisk in the moonlight with Kent sitting by the Obelisk dreaming, and with rabbits at play, c.1732 (pen & ink and wash on paper) by Kent

Orangery and ha-ha, Lord Burlingtons Villa (pen & ink with wash on paper)
449329 Orangery and ha-ha, Lord Burlingtons Villa (pen & ink with wash on paper) by Rigaud, Jacques (1681-1754); 29.7x50.8 cm; eThe Devonshire Collections

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"Palladian: A Glimpse into Architectural Elegance and Timeless Beauty" Step into the enchanting world architecture, where grandeur meets sophistication. From the majestic Came House xa00271 to the picturesque Pulteney Bridge reflected in the tranquil waters of River Avon, Bath, this UNESCO World Heritage Site in Somerset is a true testament to architectural brilliance. Travel further down to Carclew House in Cornwall, where on that fateful day of 15th March 1912, history was captured through its walls. The stunning Holkham Hall in Norfolk stands tall as a symbol of opulence and grace. Immerse yourself in the drawing room at Carclew House, adorned with timeless elegance on that same date - an oasis of refinement amidst Cornwall's natural beauty. As you step foot into its entrance hall, be prepared to be transported back in time to an era filled with splendor and charm. The Bath Weir and Pulteney Bridge continue their reign as iconic landmarks within this UNESCO World Heritage Site. Their architectural prowess leaves visitors awe-inspired by their magnificence. Venturing beyond Cornwall's borders brings us to Claverton Street Chapel nestled within London's vibrant neighborhood of Pimlico. This hidden gem showcases Palladian influence even amidst bustling city life. Lastly, we witness history unfold at Carclew House once again on Friday 2nd July 1915 during the DCLI recruiting march. These hallowed grounds witnessed moments that shaped nations and lives forever. Palladian architecture continues to captivate hearts worldwide with its harmonious blend of classical elements and timeless design principles. Each structure mentioned here serves as a reminder that beauty transcends time – leaving us breathless with every glance.