Orientalism Collection (page 8)

Lalila, To the Ferengi Lover
3780075 Lalila, To the Ferengi Lover by Shaw, Byam (1872-1919); (add.info.: Lalila, To the Ferengi Lover, poem from The Garden of Kama and other love lyrics from India)

His Rubies: Told by Valgovind
3780072 His Rubies: Told by Valgovind by Shaw, Byam (1872-1919); (add.info.: His Rubies: Told by Valgovind, poem from The Garden of Kama and other love lyrics from India)

The Story of Lilavanti, from The Garden of Kama
3780066 The Story of Lilavanti, from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: The Story of Lilavanti, poem from The Garden of Kama and other love lyrics from India)

Wrestlers with weapons, 1827-35 (colour litho)
478558 Wrestlers with weapons, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Djitty, illustration from L Inde Francaise, Paris: Chabrelle)

Three Songs of Zahir-U-Din
3780071 Three Songs of Zahir-U-Din by Shaw, Byam (1872-1919); (add.info.: Three Songs of Zahir-U-Din, poem from The Garden of Kama and other love lyrics from India)

Song by Gulbaz, poem from The Garden of Kama
3780068 Song by Gulbaz, poem from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: Song by Gulbaz, poem from The Garden of Kama and other love lyrics from India)

Fancy
3780078 Fancy by Shaw, Byam (1872-1919); (add.info.: Fancy, poem from The Garden of Kama and other love lyrics from India, by Laurence Hope (pseudonym for Adela Florence Nicolson, b April 9)

The Garden by the Bridge
3780067 The Garden by the Bridge by Shaw, Byam (1872-1919); (add.info.: The Garden by the Bridge, poem from The Garden of Kama and other love lyrics from India)

The Regret of the Ranee, from The Garden of Kama
3780074 The Regret of the Ranee, from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: The Regret of the Ranee in the Hall of Peacocks)

Reverie of Ormuz the Persian
3780069 Reverie of Ormuz the Persian by Shaw, Byam (1872-1919); (add.info.: Reverie of Ormuz the Persian, poem from The Garden of Kama and other love lyrics from India)

There is no breeze to cool the heat of love
3780076 There is no breeze to cool the heat of love by Shaw, Byam (1872-1919); (add.info.: There is no breeze to cool the heat of love, poem from The Garden of Kama and other love lyrics from India)

Reverie: Zahir-U-Din, from The Garden of Kama
3780073 Reverie: Zahir-U-Din, from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: Reverie: Zahir-U-Din, poem from The Garden of Kama and other love lyrics from India)

Valgovinds Song in the Spring
3780062 Valgovinds Song in the Spring by Shaw, Byam (1872-1919); (add.info.: Valgovinds Song in the Spring, poem from The Garden of Kama and other love lyrics from India)

Sampan Song
3780079 Sampan Song by Shaw, Byam (1872-1919); (add.info.: Sampan Song, poem from The Garden of Kama and other love lyrics from India, by Laurence Hope (pseudonym for Adela Florence Nicolson)

Reminiscence of Mahomed Akram
3780064 Reminiscence of Mahomed Akram by Shaw, Byam (1872-1919); (add.info.: Reminiscence of Mahomed Akram, poem from The Garden of Kama and other love lyrics from India)

Deserted Gipsys Song, from The Garden of Kama
3780065 Deserted Gipsys Song, from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: Deserted Gipsys Song: Hillside camp, poem from The Garden of Kama and other love lyrics from India)

To the Unattainable, from The Garden of Kama
3780061 To the Unattainable, from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: To the Unattainable: Lament of Mahomed Akram)

The Garden of Kama
3780000 The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: The Garden of Kama and other love lyrics from India by Laurence Hope)

Zira: in Captivity, poem from The Garden of Kama
3780001 Zira: in Captivity, poem from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Zira: in captivity, poem from The Garden of Kama and other love lyrics from India)

Less than the Dust, poem from The Garden of Kama
3779997 Less than the Dust, poem from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Less than the Dust, poem from The Garden of Kama and other love lyrics from India)

Ojira, To Her Lover, from The Garden of Kama
3780063 Ojira, To Her Lover, from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Ojira, To Her Lover, poem from The Garden of Kama and other love lyrics from India)

The Combat of the Giaour and Hassan, 1826 (oil on canvas)
2968525 The Combat of the Giaour and Hassan, 1826 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 59.6x73.4 cm; The Art Institute of Chicago, IL, USA; Gift of Bertha Palmer Thorne

Maud Allan as Salome, in the play by Oscar Wilde (1854-1900) (b / w photo)
STC135736 Maud Allan as Salome, in the play by Oscar Wilde (1854-1900) (b/w photo) by English Photographer, (20th century); Private Collection; The Stapleton Collection

Portrait of Eugene Delacroix, 1889. Creator: Marcellin-Gilbert Desboutin
Portrait of Eugene Delacroix, 1889

Figures in Oriental Costume in a Landscape, n. d. Creator: Tiberius Dominikus Wocher
Figures in Oriental Costume in a Landscape, n.d

Moroccan scene, Oil painting on wood by Rudolph (or Rudolphe) Ernst (1854-1932), scene of daily life around a fountain
YOU4419372 Moroccan scene, Oil painting on wood by Rudolph (or Rudolphe) Ernst (1854-1932), scene of daily life around a fountain. Photography, KIM Youngtae, Nantes, Musee des Beaux Art de Nantes

The Camp, Oil Painting on Canvas by Eugene Girardet (1853-1907), encampment of a group of Arab travelers (Bedouins)
YOU4419376 The Camp, Oil Painting on Canvas by Eugene Girardet (1853-1907), encampment of a group of Arab travelers (Bedouins) in a landscape of dunes. Dim. 50x60 cm

The antique dealer. Painting by Gyula Tornai (1861-1928). foundation looks of Porovence, Marseille
JEB4893782 The antique dealer. Painting by Gyula Tornai (1861-1928). foundation looks of Porovence, Marseille by Tornai, Gyula (1861-1928); (add.info.: The antique dealer)

Carpet dealer in the streets of Istanbuls Stamboul district. Turkey. Painting by Herman David Salomon Corrodi
JEB4893861 Carpet dealer in the streets of Istanbuls Stamboul district. Turkey. Painting by Herman David Salomon Corrodi (1844-1905) cm 110x81 Oil on canvas Mandatory mention

Statue of Eugene Fromentin, Orientalist painter (1820-1876), place des petits benches Rochelais sculptor Ernest Dubois
JEB4942495 Statue of Eugene Fromentin, Orientalist painter (1820-1876), place des petits benches Rochelais sculptor Ernest Dubois (1863-1930) Inauguree in 1905 La Rochelle (17000)

Young oriental lavender. Painting by Gustave Guillaumet (1840-1887). cm 75x49 Mandatory mention
JEB4887037 Young oriental lavender. Painting by Gustave Guillaumet (1840-1887). cm 75x49 Mandatory mention: Collection foundation regards of Provence, marseille by Guillaumet

Listen, remember Timecen (oil on canvas)
JEB4853556 Listen, remember Timecen (oil on canvas) by Saintpierre, Gaston (1833-1916); 186x103 cm; Palais de Longchamp, Marseille, France; (add.info.: Listen, remember Timecen)

Battle of Arab Horsemen Painting by Theodore Chasseriau (1819-1856) 1856 Sun. 0, 65x0, 54 m
JLJ4591034 Battle of Arab Horsemen Painting by Theodore Chasseriau (1819-1856) 1856 Sun. 0, 65x0, 54 m by Chasseriau, Theodore (1819-56); Louvre, Paris

Caravan in the desert Painting by Pierre Victor Huguet (1835-1902) Mandatory mention
JEB4893729 Caravan in the desert Painting by Pierre Victor Huguet (1835-1902) Mandatory mention: Collection fondation regards de Provence, Marseille by Huguet

Kiosk in Stamboul in Istanbul (Constantinople) in Turkey Painting by Edouard Jacques Dufeu (1840-1900)
JEB4892397 Kiosk in Stamboul in Istanbul (Constantinople) in Turkey Painting by Edouard Jacques Dufeu (1840-1900) Mandatory mention: Collection fondation regards de Provence, Marseille by Dufeu

Orientalism: "Horseman pulling a horse"Painting by Georges Washington (1827-1910) Mandatory mention
JEB4894604 Orientalism: " Horseman pulling a horse" Painting by Georges Washington (1827-1910) Mandatory mention: Collection fondation regards de Provence, Marseille by Washington

Orientalism: dervish convent and fountain. Drawing by Pascal Coste (1787-1879), 1822
JEB4858658 Orientalism: dervish convent and fountain. Drawing by Pascal Coste (1787-1879), 1822. Mediterranean Archeology Museum, Marseille by Coste

Untitled The break has the source of an oasis in the desert. Painting by Georges Washington (1827-1910)
JEB4909391 Untitled The break has the source of an oasis in the desert. Painting by Georges Washington (1827-1910) Mandatory mention: Collection foundation regards de Provence

Maling pottery plate, Pattern No. 5978, 1934 (earthenware)
7145565 Maling pottery plate, Pattern No. 5978, 1934 (earthenware) by C.T. Maling & Sons, Ltd. (19th-20th century); diameter: 28.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Constantinople Fountain (pencil and w / c)
7085273 The Constantinople Fountain (pencil and w/c) by Opiz, Georg Emanuel (1775-1841); Private Collection

Model of torchere sculpted in the shape of a woman clothed in the east (sculpture)
JEB4870561 Model of torchere sculpted in the shape of a woman clothed in the east (sculpture) by Turcan, Jean (1846-1895); Palais de Longchamp, Marseille, France; © Jean Bernard

"L escalier du jardin. Algerie"Peinture de Pavel Alexandrovich Brioullov (Briullov) (1840-1914) 1883
FIA5335624 " L escalier du jardin. Algerie" Peinture de Pavel Alexandrovich Brioullov (Briullov) (1840-1914) 1883

Powder Play, (oil on canvas)
989715 Powder Play, (oil on canvas) by Armour, George Denholm (1864-1949); 97.2x141 cm; Private Collection; (add.info.: Powder Play. George Denholm Armour (1864-1949). Oil on canvas

Woman in straw hat and dress of printed taffeta
5893125 Woman in straw hat and dress of printed taffeta. by Barbier, Georges (1882-1932); (add.info.: Woman with basket of autumn fruit in straw hat and dress of printed taffeta)

Cacatoes Montreker (oil on canvas)
JEB4913904 Cacatoes Montreker (oil on canvas) by Silbert, Jose (1862-1939); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Chameaux pres des pyramides de Guizeh (Guiseh, Gizeh, Giza) (Le Caire, Egypte). (Camels Near The Pyramids)
FIA5347365 Chameaux pres des pyramides de Guizeh (Guiseh, Gizeh, Giza) (Le Caire, Egypte). (Camels Near The Pyramids). Peinture de Nikolai Yegorovich Makovsky (1842-1886), huile sur toile, 1881

Oriental Landscape Painting by Jean Baptiste Hilaire (1753-1822 approx. ) 19th century Sun. 0, 65x0, 85 m
JLJ4689609 Oriental Landscape Painting by Jean Baptiste Hilaire (1753-1822 approx.) 19th century Sun. 0, 65x0, 85 m by Hilaire, Jean-Baptiste (1753- c.1822); Louvre, Paris

La source des Eaux Douces pres de Constantinople (Empire ottoman, actuelle Istanbul, Turquie)
FIA5381116 La source des Eaux Douces pres de Constantinople (Empire ottoman, actuelle Istanbul, Turquie). (Sweet Water Springs near Constantinople)

All Professionally Made to Order for Quick Shipping

"Exploring Orientalism: A Journey through Art and Perception" Step into the enchanting world of Orientalism, where cultures collide and fantasies come to life. From the mesmerizing Fisherman and Mermaids in the blue Grotto on Capri to Pierre Auguste Renoir's captivating Odalisque, this collection of artworks takes us on a visual voyage. Intriguingly, we find ourselves transported to India with "A Peep at the Train, " a delicate pencil and watercolor depiction that captures the essence of its vibrant landscapes. Meanwhile, a Western Gentleman dons an exotic costume, revealing how British painters sought inspiration from Eastern aesthetics during the mid-19th century. The allure continues as we encounter a woman in her bathing costume by George Barbier. With pochoir etching techniques adding vibrancy to her image while she holds a crab by the sea, it exemplifies how art can blend reality with imagination. Diving deeper into diversity within Orientalist art, we discover "BLACK WOMAN, " an oil painting that challenges traditional representations by portraying black women with dignity and grace. Similarly, "The Odalisque" invites contemplation about power dynamics within harem settings. Moving forward in time brings us to 1914 when fashionable couples energetically danced at balls—a testament to how Orientalist influences permeated even social gatherings. In contrast, "Odalisque" from 1920 showcases an artist's interpretation of sensuality through bold brushstrokes on canvas. "The Chess Game" intrigues us further as it explores intellectual pursuits amidst opulent surroundings—an emblematic scene often associated with Orientalism. And then there is Rudolf Ernst's portrayal of tea-time in the Harem—inviting us into intimate moments behind closed doors. Finally, Jean-Baptiste Vanmour's exquisite artwork presents us with a noble lady wearing Hammam shoes—a glimpse into Constantinople's aristocratic society.