Olden Time Collection (page 5)

985682

To-kat-con, after 1875 (hand-finished coloured lithoraph)
985681 To-kat-con, after 1875 (hand-finished coloured lithoraph) by King, Charles Bird (1785-1862) (after); 53.1x37.5 (folio) cm; Private Collection; (add.info.: To-kat-con; A Sioux Chief)

A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)
985677 A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite) by Gardner, Alexander (1821-82); 9.4x6.2 cm; Private Collection; (add.info)

Lifes Guardian (Mural Project), (coloured crayons on paper)
985529 Lifes Guardian (Mural Project), (coloured crayons on paper) by Toorop, Jan Theodore (1858-1928); 140x216 cm; Private Collection; (add.info)

The Chief, (oil on canvas)
984834 The Chief, (oil on canvas) by Couse, Eanger Irving (1866-1936); 76.2x90.8 cm; Private Collection; (add.info.: The Chief. Eanger Irving Couse (1866-1936). Oil on canvas

Portrait of Baron Adolph de Meyer, 1903 (platinum print)
991521 Portrait of Baron Adolph de Meyer, 1903 (platinum print) by KAasebier, Gertrude (1852-1934); 21.5x16.5 cm; Private Collection; (add.info.: Portrait of Baron Adolph de Meyer)

Abraham Lincoln posing before his Springfield, Massachusetts Home, c
991516 Abraham Lincoln posing before his Springfield, Massachusetts Home, c.1860s-1870s (albumen print) by Whipple, John Adams (1823-91); Private Collection; (add.info)

Portolan chart of the Mediterranean and Northern Europe, c
991250 Portolan chart of the Mediterranean and Northern Europe, c.1575-1600 (Illuminated manuscript on vellum) by Italian School

Adonis, King George IIIs Favourite Charger, (oil on panel)
990569 Adonis, King George IIIs Favourite Charger, (oil on panel) by Ward, James (1769-1859); 62.2x71.1 cm; Private Collection; (add.info.: Adonis, King George IIIs Favourite Charger)

Portrait of Dona Maria de los Dolores Gomez de las Casas e Ibarrondo
990404 Portrait of Dona Maria de los Dolores Gomez de las Casas e Ibarrondo, the First Marquise of Ulagares, standing three-quarter length, (oil on unlined canvas) by Camaron

A Young Sultan reading a Letter, (oil on canvas)
990325 A Young Sultan reading a Letter, (oil on canvas) by Loo, Louis Michel van (1707-71); 112x137 cm; Private Collection; (add.info.: A Young Sultan reading a Letter)

The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)
659851 The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x132 cm; Private Collection; (add.info)

Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas)
659915 Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas) by Hicks, George Elgar (1824-1914); 208.3x120 cm; Private Collection; (add.info.: Lady Edith Amelia Ward)

Portrait of the Earl of Lonsdale, K, 1931 (oil on panel)
657031 Portrait of the Earl of Lonsdale, K, 1931 (oil on panel) by Lavery, John (1856-1941); Private Collection; (add.info.: Portrait of the Earl of Lonsdale, K.G)

Portrait of a Lady Said to be Princess Sybille of Cleve, Half Length
659277 Portrait of a Lady Said to be Princess Sybille of Cleve, Half Length, Wearing a Black Costume, Gold Chain, and an Elaborate Headdress, Holding a Book and a Rose Bud, (oil on panel) by Bruyn

Differents Vases, Furniture, Altars and Tripods Discovered at Herculaneum
659225 Differents Vases, Furniture, Altars and Tripods Discovered at Herculaneum (pen & ink and w/c on paper) by Paris, Pierre-Adrien (1745-1819); 22.7x37 cm; Private Collection; (add.info)

The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink
659189 The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink, brown wash) by Guardi, Francesco (1712-93); 44x59.3 cm; Private Collection; (add.info)

Chester Cathedral, 1853 (oil on canvas)
658325 Chester Cathedral, 1853 (oil on canvas) by Niemann, Edmund John (1813-76); 137.1x106.7 cm; Private Collection; (add.info.: Chester Cathedral. Edmund John Niemann (1813-1876). Oil on canvas

Scene in the Tent of Edward The Black Prince after the Battle of Poitiers
658318 Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare

Castello Sant Angelo, Rome, 1896 (oil on canvas)
658749 Castello Sant Angelo, Rome, 1896 (oil on canvas) by Peterssen, Hjalmer Eilif Emanuel (1852-1928); 62x74.3 cm; Private Collection; (add.info.: Castello Sant Angelo, Rome)

The Labour of the Danaids, 1878 (oil on canvas)
658685 The Labour of the Danaids, 1878 (oil on canvas) by Weguelin, John Reinhard (1849-1927); 114x92 cm; Private Collection; (add.info.: The Labour of the Danaids)

Talking Politics, (oil on panel)
658639 Talking Politics, (oil on panel) by Friedlander, Friedrich (1825-1901); 39.5x31.6 cm; Private Collection; (add.info.: Talking Politics. Friedlich Friedlander (1825-1901). Oil on panel

A Courtyard in the Olden Time, (oil on panel)
658582 A Courtyard in the Olden Time, (oil on panel) by Landseer, Edwin (1802-73); 43.8x59 cm; Private Collection; (add.info.: A Courtyard in the Olden Time. Sir Edwin Henry Landseer (1802-1873)

Portrait of the Artist, 1881 (watercolour heightened with white and gum arabic)
658578 Portrait of the Artist, 1881 (watercolour heightened with white and gum arabic) by Zorn, Anders Leonard (1860-1920); 48.2x30.5 cm; Private Collection; (add.info.: Portrait of the Artist)

The End of the 45, 1878
658258 The End of the 45, 1878 () by Hole, William Brassey (1846-1917); 86.3x125.1 cm; Private Collection; (add.info.: The End of the 45. William Brassey Hole (1846-1917). Oil on canvas

Napoleon at the Head of a Troop of Cavalry, (oil on canvas)
651327 Napoleon at the Head of a Troop of Cavalry, (oil on canvas) by Chelminski, Jan van (1851-1925); 62.2x101.7 cm; Private Collection; (add.info.: Napoleon at the Head of a Troop of Cavalry)

Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a
824243 Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a White Collar and Red Sash, 1647 (oil on canvas) by English School

King Charles Taking Leave of his Children, c. 1721 (oil on canvas)
824239 King Charles Taking Leave of his Children, c.1721 (oil on canvas) by Raoux, Jean (1677-1734); 63.5x76.2 cm; Private Collection; (add.info.: King Charles Taking Leave of his Children)

Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket
824220 Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas) by Watts

Portrait of John, Lord Henry (1696-1743), three-quarter-length
824190 Portrait of John, Lord Henry (1696-1743), three-quarter-length, seated in a Brown Ermine Lined Coat, with the Purse of Lord Privy Seal, 1741 (oil on canvas) by Loo

Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York
822694 Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York, (oil on canvas) by Weir, Robert Walter (1803-89); 84x122 cm; Private Collection; (add.info)

Palace Corridor Scene; Scene de Couloir au Palais, c. 1905 (oil on canvas)
652866 Palace Corridor Scene; Scene de Couloir au Palais, c.1905 (oil on canvas) by Forain, Jean Louis (1852-1931); 60x73 cm; Private Collection; (add.info)

Saint Georges, c. 1905 (pastel on paper mounted on board)
652729 Saint Georges, c. 1905 (pastel on paper mounted on board) by Redon, Odilon (1840-1916); 53.6x37.5 cm; Private Collection; (add.info.: Saint Georges. Odilon Redon (1840-1916)

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Portrait of William Perry, Aged 21, Standing, Full Length
652174 Portrait of William Perry, Aged 21, Standing, Full Length, in a Gold Embroidered Brown Coat, by a Balustrade, with the Colosseum Beyond, (oil on canvas) by David

Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length
652151 Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length, Wearing Armour, c.1650 (oil on canvas laid down on board) by Lely

Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length
652138 Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas) by Jervas

Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress
652121 Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress, and Lace-Trimmed Shawl, Holding a Fan, in a Landscape, (oil on canvas) by Reynolds

Old Northumberland House, Charing Cross, (oil on canvas)
652116 Old Northumberland House, Charing Cross, (oil on canvas) by Paul, John Dean (1775-1852); 123.2x187 cm; Private Collection; Photo eChristies Images; English, out of copyright

Pharaohs Horses, 1848 (oil on canvas)
652114 Pharaohs Horses, 1848 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 78.8 diam cm; Private Collection; (add.info.: Pharaohs Horses. John Frederick Herring, Sr. (1795-1865)

View of Prince Alberts Swiss Cottage, 1847 (pencil
652000 View of Prince Alberts Swiss Cottage, 1847 (pencil and watercolour with touches of white heightening) by Swarbreck

View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour)
651986 View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: View from the Round Tower)

Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)
651982 Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white) by Hine, Henry George (1811-95); 72.4x124.5 cm; Private Collection; (add.info.: Thirlwall Castle)

Portrait of King George III, Small Half Length, Wearing Windsor Uniform and Ribbon
651843 Portrait of King George III, Small Half Length, Wearing Windsor Uniform and Ribbon and Star of the Garter, 1787 (pencil, watercolour and stump with touches of white heightening) by Dowman

A Bedouin Chieftain, 1846 (oil on canvas)
outdoor, nineteenth century, headscarf, pistol, time of day, suspicious, godfried guffens, oil on canvas, oil painting, brown hair, looking away, brunette, one man only, man, men, aversion

Hyde Park Corner with the Duke of Wellingtons Residence, (oil on panel)
828420 Hyde Park Corner with the Duke of Wellingtons Residence, (oil on panel) by Cranmer, Charles (1780-1841); 70x92 cm; Private Collection; (add.info)

Portrait of Sir Francis Drake, (copper-engraving)
828370 Portrait of Sir Francis Drake, (copper-engraving) by Hondius, Jodocus (1567-1611); 38.7x30.5 cm; Private Collection; (add.info.: Portrait of Sir Francis Drake. Jodocus Hondius (1567-1611)

King Ferdinand IV and Queen Caroline of Naples attending a Game of Palla a Bracciale
827912 King Ferdinand IV and Queen Caroline of Naples attending a Game of Palla a Bracciale, (oil on canvas) by Joli, Antonio (1700-77); 75.5x128.2 cm; Private Collection; (add.info)

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"Journeying through Time: A Glimpse into the Olden Era" Step back in time and immerse yourself in the enchanting world of yesteryears. Delve into history with a signed carte-de-visite capturing Abraham Lincoln, an iconic figure who shaped nations, his dignified presence emanating from the vignette framed by a mount adorned with a gold-ruled border. The ink strokes on this remarkable portrait whisper tales of resilience and leadership. Venturing further, encounter Oliver Cromwell donned in armor, exuding strength amidst a tumultuous seascape and distant battles that echo through time. His visage reflects determination as he navigates treacherous waters both literal and metaphorical. In contrast to these powerful portrayals stands Andromeda, her delicate beauty immortalized on canvas in 1869. This oil painting transports us to ethereal realms where myth intertwines with reality, inviting contemplation upon love's triumph over adversity. Witness Her Majesty Queen Victoria's grand entrance into Brighton during her early reign; an event etched forever within historical memory. The vibrant colors of celebration paint this momentous occasion while honoring the monarch who steered Britain through transformative times. Gaze upon William Henry Paget Marquess of Anglesey's half-length portrait painted meticulously on canvas; his noble countenance revealing stories untold yet preserved for eternity. Travel even further back to St Valentine's Day in the olden time depicted through intricate engravings that capture romantic traditions long cherished by generations past. Love blossoms amidst ornate scenes evoking nostalgia for simpler expressions of affection. Behold the view at St Rollox looking southeast as Glasgow and Garnkirk Railway opens its doors to progress and innovation. Witness how industrialization reshapes landscapes while propelling societies forward towards new horizons. William Pitt emerges before our eyes standing tall in three-quarter length attire - his dark jacket contrasting against the backdrop of a changing world.