Ojibbeway Collection
The Ojibbeway tribe, also known as the Chippewa, holds a rich history and cultural heritage that is beautifully depicted in various artworks and engravings
All Professionally Made to Order for Quick Shipping
The Ojibbeway tribe, also known as the Chippewa, holds a rich history and cultural heritage that is beautifully depicted in various artworks and engravings. One such portrayal is of Hole-in-the-Day (Younger), an Indian delegate from the tribe in 1864. The unknown creator captures his dignified presence and represents the strength of indigenous leadership. In another engraving, we see Indians from the Ojibbeway tribe riding on a London bus. This image serves as a reminder of their encounters with European culture during colonial times, highlighting their adaptability and resilience. George Catlin's artwork introduces us to Ud-je-jock, Pelican, a Boy in 1845. Through this painting, we witness the innocence and purity of youth within the Ojibbeway community. Au-nim-muck-kwa-um or Tempest Bird showcases Catlin's talent for capturing nature's beauty while representing an important symbol within Ojibbeway culture. The bird signifies power and freedom that resonates deeply with their way of life. Cah-be-mub-bee or He Who Sits Everywhere portrays bravery through George Catlin's brushstrokes in 1835. This brave warrior exemplifies courage amidst adversity faced by the Ojibbeway people during that time period. Ju-ah-kis-gaw or Woman With Her Child in a Cradle presents maternal love at its finest. Created by George Catlin in 1835, it depicts tenderness and nurturing qualities cherished within Ojibbeway society. The Four Dancers painted between 1843-1844 by George Catlin showcase traditional dances performed by members of this vibrant tribe. These dances hold deep spiritual significance for them, connecting them to their ancestors' wisdom and traditions. Jack-o-pa (The Six) immortalized by Charles Bird King in 1827 pays homage to the Ojibbeway tribe's leaders.