Oil On Canvas Collection (page 7)

Portrait of a Man, Probably a Self-Portrait, Hugh Barron, ca. 1747-1791, British

Charles Collyer as a Boy, with a Cricket Bat Signed and dated, lower left: [monogram]FCotes
Charles Collyer as a Boy, with a Cricket Bat Signed and dated, lower left: " [monogram]FCotes px.t 1766", Francis Cotes, 1726-1770, British

George Robertson, Portrait by John Francis Rigaud, 1742-1810, French

Mrs. Robert Hyde Signed and dated, upper left: J. S. Copley Pinx | 1778"
Mrs. Robert Hyde Signed and dated, upper left: " J.S. Copley Pinx | 1778", John Singleton Copley, 1738-1815, American

Study for The Red Cross Knight, John Singleton Copley, 1738-1815, American

An Unknown Man, Michael Dahl, 1656-1743, Swedish

Negation Signed and dated in brown paint, lower left: Rd Dadd. 1860. "
Negation Signed and dated in brown paint, lower left: " Rd Dadd. 1860.", Richard Dadd, 1817-1886, British

Canal under construction, possibly the Bude Canal The Building of a Canal (The Bude Canal?), unknown artist, 19th century, British

Wooded Landscape with a Boy and his Dog, George Barret, ca. 1728 / 32-1784, British
Wooded Landscape with a Boy and his Dog, George Barret, ca. 1728/32-1784, British

Landscape with Cottagers, George Barret, ca. 1728 / 32-1784, British
Landscape with Cottagers, George Barret, ca. 1728/32-1784, British

An Autumnal Landscape at East Bergholt, John Constable, 1776-1837, British

Harwich: The Low Lighthouse and Beacon Hill Harwich Lighthouse Harwich: Sea and Lighthouse, John Constable, 1776-1837, British

View Towards the Rectory, East Bergholt View at East Bergholt Dated, lower left: " 19 Aug" 1813", John Constable, 1776-1837, British

Sketch for The Haywain, John Constable, 1776-1837, British
Sketch for " The Haywain", John Constable, 1776-1837, British

Hampstead Heath, John Constable, 1776-1837, British

Cloud Study, John Constable, 1776-1837, British

Dedham Vale, John Constable, 1776-1837, British

Lane near Dedham Road near Dedham, John Constable, 1776-1837, British

Mary Freer Inscribed in yellow paint, upper right: Miss Mary Freer Dated
Mary Freer Inscribed in yellow paint, upper right: " Miss Mary Freer" Dated in yellow paint, upper right: " 1809", John Constable, 1776-1837, British

Harnham Gate, Salisbury, John Constable, 1776-1837, British

Bardon Hill, Coleorton Hall, John Constable, 1776-1837, British

The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Robert Smirke, 1752-1845, British

Study of an Ash Tree, John Constable, 1776-1837, British

A View on Hampstead Heath, Early Morning A View on Hampstead Heath, Early Morning (?), Attributed to John Constable, 1776-1837, British

Landscape Landscape near Dedham Summer Landscape near Dedham, Lionel Constable, 1828-1887, British

John Flaxman Modeling the Bust of William Hayley John Flaxman Modelling his Bust of William Hayley, George Romney, 1734-1802, British

For Only One Short Hour The Song of the Shirt Signed and dated, lower left: 1854
For Only One Short Hour The Song of the Shirt Signed and dated, lower left: " 1854 | Anna Blunden", Anna Blunden, 1829-1915, British

Frost Scene, William Collins, 1788-1847, British

Portrait of Major John Norton as Mohawk Chief Teyoninhokarawen, Mather Brown, 1761-1831, American

Kinchinjunga, Edward Lear, 1812-1888, British

Warren Hastings, Johan Joseph Zoffany, 1733-1810, German

Hare Hunting A Rabbit with Hunter and Dog in the Background, Philip Reinagle, 1749-1833, British

Launching at Deptford, John Cleveley the elder, ca. 1712-1777, British

Scene in a London Street The Bath Fly Signed and dated in black paint, lower right: " J. Collet pinx | 1770", John Collet, ca. 1725-1780, British

May Day, William Collins, 1788-1847, British

The English Merchant Ship Malabar Signed and dated in red paint, lower left: " W. Clark | 1836", William Clark, 1803-1883, British

The Black Ball Line Packet Ship New York off Ailsa Craig Signed and dated, lower right: " W. Clark 1836", William Clark, 1803-1883, British

The English Brig Norval before the Wind Signed and dated, lower left: W
The English Brig Norval before the Wind Signed and dated, lower left: " W. Clark 1833", William Clark, 1803-1883, British

Florence Inscribed, lower left: Florence Signed, lower right: HBB"
Florence Inscribed, lower left: " Florence" Signed, lower right: " HBB", Hercules Brabazon Brabazon, 1821-1906, British

The Battle of La Hogue Signed and dated in black paint, lower left: B. West
The Battle of La Hogue Signed and dated in black paint, lower left: " B. West. 1778, retouched 1806.", Benjamin West, 1738-1820, American

Self-Portrait, George Chinnery, 1774-1852, British

An Unknown Man, George Chinnery, 1774-1852, British

Coolies Round the Food Vendors Stall, George Chinnery, 1774-1852, British

An English Family in Macao, George Chinnery, 1774-1852, British

The Death of Chatham The Death of the Earl of Chatham, Benjamin West, 1738-1820, American

An English Royal Yacht Standing Offshore in a Calm Signed, brown paint, lower left: " P Monamy", Peter Monamy, 1681-1749, British

English Royal Yachts at Sea in a Strong Breeze, in Company with a Ship Flying the Royal Standard, Studio of William van de Velde the Younger, 1633-1707, Dutch

George, Marquess of Huntly (later 5th Duke of Gordon), on Tiny George, 5th Duke of Gordon on `Tiny George, 5th Duke of Gordon on Tiny with Hounds and Groom Signed, lower right: " B

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.