Oil On Canvas Collection (page 5)

John Richard Comyns of Hylands, Essex, with His Daughters, John Greenwood, 1727-1792, American

Master James Keith Fraser on his Pony, Sir Francis Grant, 1803-1878, British

Gulliver Taking His Final Leave of the Land of the Houyhnhnms Gulliver Taking his Final Leave of his Master, the Sorrel Nag, Etc. and the Land of the Houyhnhnms Signed, lower left: " S

Ranger, a setter, the property of Elizabeth Gray Ranger, Mrs. Elizabeth Grays Setter Signed and dated, lower right: " G. Garrard | London 1797", George Garrard, 1760-1826, British

Gulliver Addressing the Houyhnhnms Gulliver Addressing the Houyhnhnms Supposing Them to be Conjurers Signed and dated, lower left: " S. Gilpin. 1709.", Sawrey Gilpin, 1733-1807, British

The Head of a Young Boy, Joseph Highmore, 1692-1780, British

Tomb of Sher Shah, Sasaram, Bihar Signed in black paint, lower left: D
Tomb of Sher Shah, Sasaram, Bihar Signed in black paint, lower left: " D. Robert pinx [...]", D. Robert, active ca. 1775-1800, British

An Unknown Man, Joseph Highmore, 1692-1780, British

Tahitian War Galleys in Matavai Bay, Tahiti Matavai Bay in the Island of Otaheite, Tahiti Signed and dated, lower left: " Hodges 1776", William Hodges, 1744-1797, British

Charles Penruddocke Inscribed in black paint, upper left: Carolus Penruddocke [
Charles Penruddocke Inscribed in black paint, upper left: " Carolus Penruddocke [....]:" Signed and dated in black paint, lower right: " J of Highmore | pinx: 1743"

Mrs. Sharpe and Her Child Mrs. Sharpe and Child Inscribed lower left, in red (probably later): " Mrs. Sharpe. and child. | postea Mrs. Douglas

Thomas Graham, Thomas Hickey, 1741-1824, Irish

Sir Robert Chambers, Arthur William Devis, 1762-1822, British

Lady Chambers, Arthur William Devis, 1762-1822, British

Portrait of a Gentleman, Possibly William Hickey, and an Indian Servant A Gentleman and his Indian Servant, c.1780-90, Arthur William Devis, 1762-1822, British

Portrait of a Woman, Probably Elizabeth Aislabie, of Studley Royal, Yorkshire Portrait of a Lady, Probably Elizabeth Aislabie, nee Vernon Signed and dated, lower right: " Hudson pinxit

Harvest Signed and dated, lower center: J
Harvest Signed and dated, lower center: " J.F. Herring 1857", John Frederick Herring, 1795-1865, British

A Clydesdale Stallion Signed and dated, lower left: JF Herring | 1820"
A Clydesdale Stallion Signed and dated, lower left: " JF Herring | 1820", John Frederick Herring, 1795-1865, British

Landscape with a Flock of Sheep Mountain Valley with Peasants A Mountain Valley with Rustic Figures, a Shepherd and Sheep, and a Distant Village and Mountains, Thomas Gainsborough, 1727-1788, British

Miss Susanna Gardiner (1752-1818) Miss Susan Gardiner, Thomas Gainsborough, 1727-1788, British

Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk Richard Savage Lloyd and his Sister Richard Savage Lloyd and Cecil Lloyd, Thomas Gainsborough, 1727-1788, British

Christ Disappearing at Emmaus, Henry Fuseli, 1741-1825, Swiss

The Rev. and Mrs. Henry Palmer with their six younger children at Withcote Hall, Near Oakham, Leicestershire The Reverend and Mrs

Landscape with Milkmaid Landscape with Farm Buildings and Peasants A Landscape with Figures, Farm Buildings and a Milkmaid Landscape with Farm Buildings and Peasants, Thomas Gainsborough, 1727-1788

Scene of Witches, from The Masque of Queens by Ben Jonson A Scene of
Scene of Witches, from " The Masque of Queens" by Ben Jonson A Scene of Witches from Ben Jonsons Masque of Queens, c.1785, Henry Fuseli, 1741-1825, Swiss

Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer, signed and dated 1827, John Ferneley, 1782-1860, British

Easby Hall and Easby Abbey with Richmond, Yorkshire in the Background View of Easby Hall, Easby Abbey, and the Parish Church with Richmond, Yorkshire, in the Background, George Cuitt, 1743-1818

Brown Horse in a Hilly Landscape, unknown artist, 18th century, British

The Watson-Wentworth and Finch Families The Finch Family Signed, lower left: C
The Watson-Wentworth and Finch Families The Finch Family Signed, lower left: " C Philip[?] Pinxit", Charles Philips, 1708-1747, British

View of Shepperton on the River Thames, unknown artist, 18th century, British

The Earl of Rochesters House, New Park, Richmond, Surrey, unknown artist, 18th century, British

The Choir, Canterbury Cathedral, unknown artist, 18th century, British

Edward Augustus, Duke of Kent Edward, Duke of Ken Ritratto di Edward, duca di Kent, Thomas Gainsborough, 1727-1788, British

A Man Called Mr. Wood, the Dancing Master, Thomas Gainsborough, 1727-1788, British

Landscape with cottage and church Landscape with a Church, Cottage, Villagers and Animals, Thomas Gainsborough, 1727-1788, British

William Pitt, Studio of Thomas Gainsborough, 1727-1788, British

The Rev. Humphry Gainsborough, Thomas Gainsborough, 1727-1788, British

Mary Heberden, Thomas Gainsborough, 1727-1788, British

Street in Patna View of a Street in the City of Patna, signed and dated 1825, Sir Charles D Oyly, 1781-1845, British

East Gateway, Patna View of the East Gateway of the City of Patna, signed and dated 1825, Sir Charles D Oyly, 1781-1845, British

John Quick and John Fawcett in Thomas Moretons The Way to Get Married"
John Quick and John Fawcett in Thomas Moretons " The Way to Get Married" John Quick as Toby Allspice and John Fawcett as Dashall in The Way to Get Married by Thomas Morton Inscribed various

Thomas King in The Clandestine Marriage by George Colman and David Garrick
Thomas King in " The Clandestine Marriage" by George Colman and David Garrick Thomas King as Lord Ogleby, Samuel de Wilde, 1748-1832, British

William Shuttlewood, Samuel de Wilde, 1748-1832, British

Thomas Newenham, Attributed to Edward Haytley, active 1740-1761, British

The Buckley-Boar Family, unknown artist, 18th century, British

An Unknown Man in a Library, Arthur Devis, 1712-1787, British

An Unknown Man with His Daughter, Arthur Devis, 1712-1787, British

William Farington of Shawe Hall, Lancashire Robert Vernon Atherton and his Dog, Arthur Devis, 1712-1787, British

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.