Oil On Canvas Collection (page 20)

Portrait of a Woman, Possibly Frances Cotton, Lady Montagu, of Boughton Castle, Northamptonshire An Unknown Woman Called Elizabeth, Wife of Edward, Lord Montagu of Boughton Inscribed in artists hand

London, the Building of Westminster Bridge Westminster Bridge under construction The Building of Westminster Bridge with an Imaginary View of Westminster Abbey, Samuel Scott, ca. 1702-1772, British

Dr. Charles Chauncey, M. D. Signed, lower right : F HAYMAN pinx[t]? [maybe
Dr. Charles Chauncey, M.D. Signed, lower right : " F HAYMAN pinx[t]?" [maybe dated 1747 under frame], Francis Hayman, 1707/8-1776, British

The Thames at Twickenham, London, A Woody stream with pastoral Figures and Distant Bridge, Samuel Scott, ca. 1702-1772, British

Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: F
Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: " F Hayman P. | 1748", Francis Hayman, 1707/8-1776, British

The Dead Soldier, Joseph Wright of Derby, 1734-1797, British

Lustre, held by a Groom Inscribed, lower right: Lustre Signed, lower right
Lustre, held by a Groom Inscribed, lower right: " Lustre" Signed, lower right: " Geo : Stubbs. Pinx :", George Stubbs, 1724-1806, British

Newmarket Heath, with a Rubbing-down House Newmarket Heath, with the Kings stables rubbing house at the finish of the Beacon Course Rubbing-down House; Newmarket Views of the Rubbing Houses at

Portrait of an Unknown man An Unknown Man Portrait of a Gentleman, Francis Wheatley, 1747-1801, British

A Woman Called Anne, the Artists Wife Signed in black paint, lower right: GM"
A Woman Called Anne, the Artists Wife Signed in black paint, lower right: " GM", George Morland, 1763-1804, British

Antonio Canova, John Jackson, 1778-1831, British

Torre Dos Clerigos, Oporto, Portugal signed and dated 1837, James Holland, 1799-1870, British

London, Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers Company Signed, lower left: " S. Scott", Samuel Scott, ca. 1702-1772, British

Visitor to a Moonlit Churchyard A Philosopher in a Moonlit Churchyard Signed and dated, lower left to lower center: " P.[

The Marmalong Bridge, with a Sepoy and Natives in the Foreground Extensive View of the Marmalong, Previously the Armenian Bridge, William Hodges, 1744-1797, British

Samuel Thomas Russell in Samuel Footes The Mayor of Garratt Samuel
Samuel Thomas Russell in Samuel Footes " The Mayor of Garratt" Samuel Thomas Russell as Jerry Sneak in The Mayor of Garratt by Samuel Foote, Samuel de Wilde, 1748-1832, British

Dr. John Logan Campbell John Logan Campbell in the clib dress of the Edinburgh Alleion Archers, Mungo Burton, 1799-1882, British

Zagori, Greece Signed and dated, lower left: EL [monogram]; 1860, Edward Lear
Zagori, Greece Signed and dated, lower left: " EL [monogram]; 1860", Edward Lear, 1812-1888, British

The Drag of Sir Watkin Williams Wynn Signed and dated in brown paint, lower center: " J Ferneley | Melton Mowbray 1843.", John Ferneley, 1782-1860, British

Between Olavano L Civitella Signed and dated, lower right: E. Lear 1842"
Between Olavano L Civitella Signed and dated, lower right: " E. Lear 1842", Edward Lear, 1812-1888, British

Corfu from Santa Decca, Edward Lear, 1812-1888, British

Landscape with Goatherd, Edward Lear, 1812-1888, British

Corfu from Ascension Signed in green paint, lower left: EL [monogram]"
Corfu from Ascension Signed in green paint, lower left: " EL [monogram]", Edward Lear, 1812-1888, British

Butrinto, Albania Signed and dated, monogram, yellow, lower right: L186[
Butrinto, Albania Signed and dated, monogram, yellow, lower right: " L186[...]", Edward Lear, 1812-1888, British

Drainage Mills in the Fens, Croyland, Lincolnshire, John Sell Cotman, 1782-1842, British

View of the City of Edinburgh, Alexander Nasmyth, 1758-1840, British

The Sense of Taste, Philippe Mercier, 1689 or 1691-1760, Franco-German

Samuel Butler Signed in black paint on verso: Mr. Samuel Butler | [... ] Lely P
Samuel Butler Signed in black paint on verso: " Mr. Samuel Butler | [...] Lely P.", Gilbert Soest, ca. 1600-1681, Dutch

The Sense of Touch, Philippe Mercier, 1689 or 1691-1760, Franco-German

The Sense of Sight, Philippe Mercier, 1689 or 1691-1760, Franco-German

The Young Widow, Rolland Lefebvre, 1608-1677, French

The Sense of Smell, Philippe Mercier, 1689 or 1691-1760, Franco-German

Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent Sir Edward Hales Inscribed, verso: " Sir Edrd Hales 5th Bart / who built the present Mansion" Signed and dated in black paint

Philae, Egypt, Edward Lear, 1812-1888, British

A Man and a Woman, Possibly of the Missing Family, of Little Park House, Wickham, Hampshire Signed and dated, lower right: " Knapton | 1747", George Knapton, 1698-1778, British

John Eardley Wilmot Signed and dated, lower right: B
John Eardley Wilmot Signed and dated, lower right: " B. West | 1812-", Benjamin West, 1738-1820, American

Evening Pasture Signed, lower left: J SMETHAM, James Smetham, 1821-1889
Evening Pasture Signed, lower left: " J SMETHAM", James Smetham, 1821-1889, British

The Giudecca, Venice, Italy Signed and dated, lower right: David Roberts R
The Giudecca, Venice, Italy Signed and dated, lower right: " David Roberts R.A. 1854", David Roberts, 1796-1864, British

Frances Hales, John Riley, 1646-1691, British

Patrick Heatly, Johan Joseph Zoffany, 1733-1810, German

The Head of Lake Nemi, Imitator of Richard Wilson, 1714-1782, British

J. M. W. Turner and Walter Fawkes at Farnley Hall J
J.M.W. Turner and Walter Fawkes at Farnley Hall J. M. W. Turner and Walter Fawkes at Farnley Hall After Coursing Signed in white paint, lower right: " J R Wildman Pinx", John R

The Godolphin Arabian Signed, lower left [in artists hand?]: Quigley Pinx
The Godolphin Arabian Signed, lower left [in artists hand?]: " Quigley Pinx.t", Daniel Quigley, 18th century, Irish

Portrait of a Boy A Boy with a Spear and a Hound, Willem Wissing, ca. 1656-1687, Dutch

A Boat Race on the River Isis, Oxford Signed, lower left: J Whessll"
A Boat Race on the River Isis, Oxford Signed, lower left: " J Whessll", John Whessell, 1760-ca. 1823, British

Soldier with Country Women Selling Ribbons, near a Military Camp A Scene at a Camp with a Soldier Buying Ribbons, The Departure from Brighton Signed and dated in yellow paint, lower right: " Fr

High Street, Oxford, Thomas Malton the Younger, 1748-1804, British

Kings Parade, Cambridge, Thomas Malton the Younger, 1748-1804, British

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.