Odyssey Collection (page 4)

Ulysses Lands on the Isle of Calypso, 1737. Artist: Pierre Charles Tremolieres
Ulysses Lands on the Isle of Calypso, 1737. From the Musee Fabre, Montpellier, France

The Return of Ulysses. Scene from Homer´s Ulysses, 1812. Creator: CW Eckersberg
The Return of Ulysses. Scene from Homer´s Ulysses, 1812

Odysseus Takes Counsel with Teiresias. From Homer´s Odyssey, 1809. Creator: Nicolai Abraham Abildgaard
Odysseus Takes Counsel with Teiresias. From Homer´s Odyssey, 1809

Ulysses von Ithacia, Act II, Scene 9; Holberg Gallery, 1761-1828. Creator: Christian August Lorentzen
Ulysses von Ithacia, Act II, Scene 9; Holberg Gallery. Scenes from Ludvig Holberg's comedies, 1761-1828

Moon that rises from the stacks of acitrezza in the east coast of Sicily, Italy

HOMER: THE ODYSSEY. Odysseus bending his bow in contest with the suitors of his wife. Drawing, c1918, by Willy Pogany

A scene from the film "Ulysses", directed by Mario Camerini and starring Kirk Douglas in the title role. Here, Ulysses and his crew are disembarking on the island of the Cyclops Polythemus

3671626

Ulysses and Circe (oil on canvas)
1108907 Ulysses and Circe (oil on canvas) by Sirani, Giovanni Andrea (1610-70); Musei Capitolini, Rome, Italy; (add.info.: by Giovanni Andrea Sirani); Photo © Stefano Baldini

Odyssee d'Homere: Song VII: Ulysses reached the palace of Alcinoos (Alcinoos or Alkinoos)
ELD4899653 Odyssee d'Homere: Song VII: Ulysses reached the palace of Alcinoos (Alcinoos or Alkinoos) kisses the hands and knees of the queen of Pheacians Arete

Odyssee d'Homere: Chant IV: Helene surrounded by his following (Odyssey by Homer)
ELD4900181 Odyssee d'Homere: Chant IV: Helene surrounded by his following (Odyssey by Homer: Helen and her servants) Illustration by Antoine Calbet (1860-1944)

Odyssee d'Homere: Singing 19 " Ulysses deguise en begdiant obliges the old Euryclee who recognized him to be
ELD4899808 Odyssee d'Homere: Singing 19 " Ulysses deguise en begdiant obliges the old Euryclee who recognized him to be silent" (Odyssey by Homer: Odysseus, disguised as a beggar)

Odyssee d'Homere: Chant XII: Odyssey by Homer: Odysseus and the sirens who sang an enchanting song that normally
ELD4899690 Odyssee d'Homere: Chant XII: Odyssey by Homer: Odysseus and the sirens who sang an enchanting song that normally caused passing sailors to steer towards the rocks

Odyssee d'Homere: song VII: Odyssey by Homer: Odysseus helped by Athena disguised as a young girl arrives to
ELD4899579 Odyssee d'Homere: song VII: Odyssey by Homer: Odysseus helped by Athena disguised as a young girl arrives to Alcinoos (Alkinous) palace) Illustration by Antoine Calbet (1860-1944)

Odyssee d'Homere: Chant V: representation of Aurora - (Odyssey by Homer)
ELD4899565 Odyssee d'Homere: Chant V: representation of Aurora - (Odyssey by Homer: representation of Aurora) Illustration by Antoine Calbet (1860-1944)

Odyssee d'Homere: Ulysses and Penelope (Odyssey by Homer: Odysseus and Penelope)
ELD4899841 Odyssee d'Homere: Ulysses and Penelope (Odyssey by Homer: Odysseus and Penelope) Illustration by Antoine Calbet (1860-1944)

Odyssee of Homere: Singing II: Telemaque reunites the assembly of ancient Greeks
ELD4900133 Odyssee of Homere: Singing II: Telemaque reunites the assembly of ancient Greeks and listens to the speech of Egyptios whose son Antiphus left with Ulysses (Odyssey by Homer)

Odyssee d'Homere: chant XIII: Athena deguisee as a young shepherd welcomes Ulysses a Ithaque (Odyssey by Homer)
ELD4899697 Odyssee d'Homere: chant XIII: Athena deguisee as a young shepherd welcomes Ulysses a Ithaque (Odyssey by Homer)

Odyssee d'Homere: representation of Ulysses returns to Ithaque deguise en begdiant (Odyssey by Homer: Odysseus)
ELD4899726 Odyssee d'Homere: representation of Ulysses returns to Ithaque deguise en begdiant (Odyssey by Homer: Odysseus, disguised as a beggar)

Odyssee d'Homere: Chant XVI: les reunion d'Ulysses et de Telemaque (Odyssey by Homer)
ELD4899737 Odyssee d'Homere: Chant XVI: les reunion d'Ulysses et de Telemaque (Odyssey by Homer: meeting of Telemachus and Odysseus) Illustration by Antoine Calbet (1860-1944)

Odyssee d'Homere: Penelope and his followers (Odyssey by Homer: Penelope and her servants)
ELD4899762 Odyssee d'Homere: Penelope and his followers (Odyssey by Homer: Penelope and her servants) Illustration by Antoine Calbet (1860-1944)

Odyssee d'Homere: Chant XII: the ship of Ulysses facing Charybde and Scylla (Odyssey by Homer)
ELD4899862 Odyssee d'Homere: Chant XII: the ship of Ulysses facing Charybde and Scylla (Odyssey by Homer: boat of Odysseus faced both Charybdis and Scylla)

Ulysses killing the Suitors (engraving)
973727 Ulysses killing the Suitors (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses killing the Suitors)

The apotheosis of Homer, bas-relief by Greek sculptor Archelaus of Priene
6340189 The apotheosis of Homer, bas-relief by Greek sculptor Archelaus of Priene by Migliavacca, Innocente (19th century); (add.info.: The apotheosis of Homer)

Penelope (w / c on paper)
Ma199034 Penelope (w/c on paper) by Brunton, Violet (1878-1951); 41x49 cm; Private Collection; Photo © The Ms Gallery, London

The Assembly of Gods, c. 1560 (fresco)
3606292 The Assembly of Gods, c.1560 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Villa Pallavicino delle Peschiere, Genoa, Liguria, Italy; (add.info.: Genoa)

Companions of Ulysses escaping from Polyphemus, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655113 Companions of Ulysses escaping from Polyphemus, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

The shipwreck of Ulysses, detail from the Room of Ulysses, 1550-1551 (fresco)
2655128 The shipwreck of Ulysses, detail from the Room of Ulysses, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Aeolus giving Ulysses the bag with all the winds, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655115 Aeolus giving Ulysses the bag with all the winds, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

Ino (Leucothea) offering the veil to the shipwrecked Ulysses, detail from the Room of Ulysses, 1550-1551 (fresco)
2655125 Ino (Leucothea) offering the veil to the shipwrecked Ulysses, detail from the Room of Ulysses, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

Room of Ulysses: episodes of the Odyssey, 1550-1551 (fresco)
2655112 Room of Ulysses: episodes of the Odyssey, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna, Palazzo Poggi)

Companions of Ulysses kidnapping the cattle sacred to the sun-god Helios, detail from the Room of Ulysses
2655126 Companions of Ulysses kidnapping the cattle sacred to the sun-god Helios, detail from the Room of Ulysses, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655120 Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

The Assembly of Gods, detail of 3606292, c. 1560 (fresco)
3606289 The Assembly of Gods, detail of 3606292, c.1560 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Villa Pallavicino delle Peschiere, Genoa, Liguria, Italy; (add.info.: Genoa)

Antinous, suitor of Penelope in Homers Odyssey, 1745 (engraving)
7235575 Antinous, suitor of Penelope in Homers Odyssey, 1745 (engraving) by Bodart, Pieter (1676-1712); Private Collection; (add.info.: Antinous, son of Eupeithes)

Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco)
2655123 Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco)
2655121 Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Circe turning into monsters the companions of Ulysses, from the Hall of Circe, Rocca dei Rossi, San Secondo, Parma
2384741 Circe turning into monsters the companions of Ulysses, from the Hall of Circe, Rocca dei Rossi, San Secondo, Parma, Italy by Romano

A depiction of Penelope, wife of Odysseus, with her attendants
6340101 A depiction of Penelope, wife of Odysseus, with her attendants by Corsi (19th century); (add.info.: A depiction of Penelope, wife of Odysseus, with her attendants)

Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster)
6343143 Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Vault with episodes of the Odyssey, Room of Ulysses, 1550-1551 (fresco)
2655129 Vault with episodes of the Odyssey, Room of Ulysses, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Poggi Palace)

Ulysses at the court of Alcinous, king of Phaeax, detail from the Room of Ulysses, 1550-1551 (fresco)
2655127 Ulysses at the court of Alcinous, king of Phaeax, detail from the Room of Ulysses, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655119 Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Aeolus giving Ulysses the bag with all the winds, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655114 Aeolus giving Ulysses the bag with all the winds, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

The Assembly of Gods, detail of 3606292, c. 1560 (fresco)
3606291 The Assembly of Gods, detail of 3606292, c.1560 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Villa Pallavicino delle Peschiere, Genoa, Liguria, Italy; (add.info.: Genoa)

The Assembly of Gods, detail of 3606292, c. 1560 (fresco)
3606290 The Assembly of Gods, detail of 3606292, c.1560 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Villa Pallavicino delle Peschiere, Genoa, Liguria, Italy; (add.info.: Genoa)

Ulysses blinding Polyphemus, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655116 Ulysses blinding Polyphemus, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c
FIT82957 Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c.1865 (painted earthenware) by Morris & Company; diameter

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"Embarking on an Artistic Odyssey: Exploring the Mythical World through Captivating Masterpieces" Step into the enchanting world of Greek mythology as depicted by renowned artist John William Waterhouse in his mesmerizing painting "Circe Invidiosa, 1892. " With intricate brushstrokes and vivid colors, Waterhouse brings to life the captivating tale of Circe, the sorceress who bewitched Odysseus and his men. In another artistic rendition, we witness Odysseus' unwavering loyalty towards his faithful companion Argos. The painting "Odysseus & Argos / Brown" captures their poignant reunion after years of separation, showcasing the enduring bond between man and beast. Moving further along this odyssey of artistry, we encounter James Joyce's iconic novel "Ulysses, " a modern-day interpretation of Homer's epic poem. Through a caricature drawn by Myron C. Nutting in the 1920s, we catch a glimpse of Leopold Bloom - one of literature's most complex characters - embarking on his own personal journey through Dublin. Delving deeper into Homer's original masterpiece, we come face to face with Ulysses Deriding Polyphemus in Jacques-Louis David's oil painting from 1829. This powerful portrayal depicts Odysseus taunting the Cyclops Polyphemus after blinding him – a pivotal moment that showcases both cunning strategy and bravery. As our odyssey continues, we encounter Scylla – a terrifying sea monster with six heads – lurking amidst treacherous waters. This depiction from "The Odyssey/Scylla" serves as a reminder that even heroes like Odysseus faced unimaginable challenges during their perilous journeys. Shifting gears from art to science, Rutherford and Geiger take center stage in their laboratory where they conducted groundbreaking experiments.