Nocturne Collection

Souvenir of Fete at Bourne End, New York Lodge, Buckinghamshire
3057572 Souvenir of Fte at Bourne End, New York Lodge, Buckinghamshire, August 1st 1908 (gouache on paper) by Woolls, Henry William (b.c.1860); 48.3x73.7 cm; Private Collection; (add.info)

Frederic Chopin / Nocturne
FREDERIC CHOPIN Polish musician composing his Nocturne opus 9 number 2 Date: 1810 - 1849

The Iron Forge Viewed from Without, c. 1770s (oil on canvas)
BAL16108 The Iron Forge Viewed from Without, c.1770s (oil on canvas) by Wright of Derby, Joseph (1734-97); 105x140 cm; State Hermitage Museum, St. Petersburg, Russia; English, out of copyright

Mount Vesuvius in Eruption, 1817 (w / c on paper)
XYC144698 Mount Vesuvius in Eruption, 1817 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.6x39.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

I Want! I Want!, from For the Sexes: The Gates of Paradise, 1793 (engraving)
XJF472263 I Want! I Want!, from For the Sexes: The Gates of Paradise, 1793 (engraving) by Blake, William (1757-1827); Private Collection; English, out of copyright

The Harbour and the Cobb, Lyme Regis, Dorset, by Moonlight (w / c on paper)
BAL25242 The Harbour and the Cobb, Lyme Regis, Dorset, by Moonlight (w/c on paper) by Bamfylde, Copplestone Warre (1720-91); 21.9x32.7 cm; Victoria & Albert Museum, London, UK; British

Werewolves, illustration for Legendes Rustiques
CHT170907 Werewolves, illustration for Legendes Rustiques by George Sand (1804-76) 1858 (litho) by Sand, Baron Dudevant Jean Francois Maurice (1823-89); Bibliotheque des Arts Decoratifs, Paris

Margaret Morris in a nocturne of Mendelssohn
Portrait of Margaret Morris (1891 - 1980), famous dancer and dance teacher. Margaret Morris movement dance combined exercise with dance

Hesperus, the Evening Star, Sacred to Lovers, 1855 (oil on millboard)
GLS15147 Hesperus, the Evening Star, Sacred to Lovers, 1855 (oil on millboard) by Paton, Joseph Noel (1821-1901); 91.4x68.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Cafe Terrace, Place du Forum, Arles, 1888 (oil on canvas)
BBC192281 Cafe Terrace, Place du Forum, Arles, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 81x65.5 cm; Rijksmuseum Kroller-Muller, Otterlo, Netherlands; Dutch, out of copyright

The Haymarket, London, c. 1910 (oil on panel)
BOU203116 The Haymarket, London, c.1910 (oil on panel) by Pownall, George Hyde (1876-1932); 15.2x23 cm; Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

Temple of Luxor. Night view of the first courtyard. Egypt

Angel on the Roof (pen & blue ink with w / c on paper)
Ma360525 Angel on the Roof (pen & blue ink with w/c on paper) by Doyle, Charles Altamont (1832-93); 23.4x15.8 cm; Private Collection; Index Fototeca; English, out of copyright

Any Old Fairy Tale, 1919 (w / c on board)
SAV329253 Any Old Fairy Tale, 1919 (w/c on board) by Parsons, Arthur Wilde (1854-1931); Bristol Savages, Bristol, UK; (add.info.: painted January 1st, 1919; ); British, out of copyright

Roundhay Park From the Castle, 1879 (oil on panel)
PNH353216 Roundhay Park From the Castle, 1879 (oil on panel) by Grimshaw, John Atkinson (1836-93); 28x43.2 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

On the Clyde, Glasgow, 1879 (oil on board)
CW213860 On the Clyde, Glasgow, 1879 (oil on board) by Grimshaw, John Atkinson (1836-93); 28x44 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Nocturne in Blue and Gold: Valparaiso, c. 1874 (oil on canvas)
2561564 Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); Freer Gallery of Art, Smithsonian Institution

Hernes Oak from The Merry Wives of Windsor by William Shakespeare (1564-1616), c
XYC183001 Hernes Oak from The Merry Wives of Windsor by William Shakespeare (1564-1616), c.1857 (oil on canvas) by Cruikshank, George (1792-1878); 91.4x121.9 cm; Yale Center for British Art

The Harvest Moon, 1833 (oil on paper laid on panel)
XYC162467 The Harvest Moon, 1833 (oil on paper laid on panel) by Palmer, Samuel (1805-81); 22.2x27.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Smugglers
BAL33433 Smugglers by Wollen, William Barnes (1857-1936); Victoria & Albert Museum, London, UK; English, out of copyright

Bell Rock Lighthouse from Cyclopaedia of Useful Arts & Manufactures, edited
KW188355 Bell Rock Lighthouse from Cyclopaedia of Useful Arts & Manufactures, edited by Charles Tomlinson, c.1880s (engraving) by English School

Nocturne in Blue and Silver Signed in monogram with butterfly, lower left, James McNeill Whistler, 1834-1903, American

Snowstorm (oil on canvas)
NGW390173 Snowstorm (oil on canvas) by Whistler, James Abbott McNeill (1834-1903) (after); 46.6x65.4 cm; National Museum Wales; National Museums & Galleries of Wales

Rheola, Scene from the Drawing Room (w/c & pencil on paper)
NGW387999 Rheola, Scene from the Drawing Room (w/c & pencil on paper) by Hornor, Thomas (1785-1844); 17.6x27.5 cm; National Museum Wales; (add.info)

Steel works, Cardiff, at night, 1893-97 (oil on canvas board)
NGW388569 Steel works, Cardiff, at night, 1893-97 (oil on canvas board) by Walden, Lionel (1861-1933); 22.6x29.9 cm; National Museum Wales; National Museums & Galleries of Wales

The Shooting Stars (oil on board)
NGW184211 The Shooting Stars (oil on board) by Millet, Jean-Francois (1814-75); 18.7x34.5 cm; National Museum Wales; National Museums & Galleries of Wales

The Night Walkers (oil on board)
NGW185767 The Night Walkers (oil on board) by Daumier, Honore (1808-79); 28.9x18.7 cm; National Museum Wales; National Museums & Galleries of Wales

A Girl at the Window (oil on board)
NGW238892 A Girl at the Window (oil on board) by Schalcken, Godfried (1643-1706); 32.2x26.8 cm; National Museum Wales; National Museums & Galleries of Wales

Necromancy: Edward Kelly, a magician, raising the Ghost of a Person lately deceased
746859 Necromancy: Edward Kelly, a magician, raising the Ghost of a Person lately deceased, in the Church Yard of Walton-le-dale, Lancaster

Nocturne in Blue and Green, 1870. Creator: James Abbott McNeill Whistler (1834-1903)
Nocturne in Blue and Green, 1870 (colour litho)

Effet de Givre, 1845 (oil on canvas)
WLT207128 Effet de Givre, 1845 (oil on canvas) by Rousseau, Theodore (1812-67); 63.5x98 cm; Walters Art Museum, Baltimore, USA; French, out of copyright

Soncino, Lombardy, Italy. The castle

Nocturne
Filippo Manini

June Brae, ballerina in Nocturne, Vic-Wells Ballet
June Brae, ballerina in Nocturne, The Vic-Wells Ballet, supplement to The Dancing Times, December 1937 Date: 1937

Strong Wind in the Mountains, 1895, by Stanislaw Witkiewicz
Stanislaw Witkiewicz (1851-1915). Polish painter. Strong Wind in the Mountains, 1895. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Date: 2018

The Dniester River at Night, 1906, by Jozef Chelmonski
Jozef Chelmonski (1849-1914). Polish painter. The Dniester River at Night, 1906. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Date: 2018

The Fisherman, Nocturne
A woodcut print of a nocturne scene, comprising of a mysterious slanted tree, partly concealing the form of a fisherman in his boat, under a moonlit sky. Date: circa 1924

Nocturnal Landscape, 1938 (oil on canvas)
MAN258655 Nocturnal Landscape, 1938 (oil on canvas) by Nash, Paul (1889-1946); 76.5x101.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

Godrevy Light, Cornwall, 1903 (oil on canvas)
940211 Godrevy Light, Cornwall, 1903 (oil on canvas) by Cooper, Byron (1850-1933); 102.5x153.6 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Diana and Endymion, 1901 (oil on canvas)
5642830 Diana and Endymion, 1901 (oil on canvas) by Poynter, Edward John (1836-1919); 77.5x57.1 cm; Manchester Art Gallery

The Origin of the Harp, c. 1842 (oil on canvas)
MAN443323 The Origin of the Harp, c.1842 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); Manchester Art Gallery, UK; © Manchester Art Gallery

Farewell (der Abschied), 1921 (oil on canvas)
2596982 Farewell (der Abschied), 1921 (oil on canvas) by Spies, Walter (1895-1942); Arma Museum, Ubud, Bali, Indonesia; Photo © Stefano Baldini

Coastwise Lights, c. 1923 (oil on canvas board)
Ma360519 Coastwise Lights, c.1923 (oil on canvas board) by Weyden, Harry van der (1868-1952); 24.8x38.7 cm; Private Collection; Photo © The Ms Gallery, London

As Twilight Fades beneath the Moon away (oil on canvas)
5889038 As Twilight Fades beneath the Moon away (oil on canvas) by Dickson, William Playfair (1859-c.1934); 61x91.4 cm; Private Collection; Photo © The Ms Gallery, London

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"Nocturne: A Journey Through the Night's Canvas" Step into the enchanting world of "Nocturne, " a captivating collection of artworks that embrace the mystique and allure of the night. From Trongate, Glasgow's oil on board masterpiece to Mount Vesuvius in Eruption, 1817's watercolor on paper depiction, each piece transports us to different realms under moonlit skies. As we delve deeper into this nocturnal odyssey, we encounter Frederic Chopin's haunting melodies from his Nocturnes, resonating with melancholic beauty. The symphony continues with I Want. I Want. , an engraving from For the Sexes: The Gates of Paradise, 1793, which explores desires hidden within shadows. The Harbour and the Cobb in Lyme Regis beckons us with its ethereal watercolors on paper while The Iron Forge Viewed from Without immerses us in a bygone era through its evocative oil on canvas strokes from the c. 1770s. In contrast to historical pieces lies The Magic of the Flute (2002), an oil painting that captures contemporary wonderment amidst darkness. Hesperus, the Evening Star Sacred to Lovers (1855) illuminates our hearts with its tender portrayal of love bathed in starlight. Venturing further into urban nightscape is The Haymarket, London (c. 1910), an oil painting that pulsates with bustling city life as Cafe Terrace at Place du Forum Arles (1888) invites us for a quiet rendezvous beneath Vincent van Gogh’s brushstrokes. Legends Rustiques' Werewolves illustration adds a touch of folklore and mystery while Any Old Fairy Tale (1919) whispers forgotten tales onto watercolor boards. "Nocturne" unveils a realm where dreams intertwine with reality and where artists capture both tangible scenes and intangible emotions under the moon's gentle glow.