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Neoplasticism Collection

Neoplasticism, also known as De Stijl, was an influential art movement that emerged in the early 20th century

Background imageNeoplasticism Collection: Bretonnes, 1913 (oil on canvas)

Bretonnes, 1913 (oil on canvas)
1769258 Bretonnes, 1913 (oil on canvas) by Del Marle, Felix (1889-1952); 116x89 cm; Private Collection; (add.info.: Bretonnes. Felix Del Marle (1889-1952). Oil on canvas. Painted in 1913

Background imageNeoplasticism Collection: Piet Mondrian in his studio at 26 avenue du Depart, 1934 (b/w photo)

Piet Mondrian in his studio at 26 avenue du Depart, 1934 (b/w photo)
1870713 Piet Mondrian in his studio at 26 avenue du Depart, 1934 (b/w photo) by Gallatin, Albert Eugene (1881-1952); (add.info.: Piet Mondrian (1872-1944) Dutch painter

Background imageNeoplasticism Collection: Stained-Glass Composition VIII, 1918-1919 (stained glass)

Stained-Glass Composition VIII, 1918-1919 (stained glass)
7305844 Stained-Glass Composition VIII, 1918-1919 (stained glass) by Doesburg, Theo van (1883-1931); 80.5 x 34 cm; Private Collection; Photo © Christie's Images

Background imageNeoplasticism Collection: Head; Tete, 1914 (oil on canvas)

Head; Tete, 1914 (oil on canvas)
656289 Head; Tete, 1914 (oil on canvas) by Doesburg, Theo van (1883-1931); 24.2x20 cm; Private Collection; (add.info.: Head; Tete. Theo van Doesburg (1883-1931). Oil on canvas. Signed and dated 1914

Background imageNeoplasticism Collection: Study for a Composition, 1923 (gouache and ink on tissue paper and pen and ink on paper)

Study for a Composition, 1923 (gouache and ink on tissue paper and pen and ink on paper)
3726044 Study for a Composition, 1923 (gouache and ink on tissue paper and pen and ink on paper) by Doesburg, Theo van (1883-1931); 29.5 x 24.5 cm; Museum of Modern Art, New York

Background imageNeoplasticism Collection: Composition, 1917-1918 (oil on board)

Composition, 1917-1918 (oil on board)
1769013 Composition, 1917-1918 (oil on board) by Doesburg, Theo van (1883-1931); 31.1x31.1 cm; Private Collection; (add.info.: Composition. Theo van Doesburg (1883-1931). Oil on board

Background imageNeoplasticism Collection: The Construction of Space - Time III; Construction de L Espace - Temps III

The Construction of Space - Time III; Construction de L Espace - Temps III
825131 The Construction of Space - Time III; Construction de L Espace - Temps III, 1924 (gouache, pen and ink and pencil on tracing paper) by Doesburg

Background imageNeoplasticism Collection: Composition in Dissonances, 1919 (oil on canvas)

Composition in Dissonances, 1919 (oil on canvas)
3597145 Composition in Dissonances, 1919 (oil on canvas) by Doesburg, Theo van (1883-1931); 64.9x59.6 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageNeoplasticism Collection: Composition, 1923-24 (oil on canvas)

Composition, 1923-24 (oil on canvas)
3597146 Composition, 1923-24 (oil on canvas) by Doesburg, Theo van (1883-1931); 41.5x33.4 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageNeoplasticism Collection: Composition in Half-Tones, 1928 (oil on canvas)

Composition in Half-Tones, 1928 (oil on canvas)
3597147 Composition in Half-Tones, 1928 (oil on canvas) by Doesburg, Theo van (1883-1931); 50x50 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageNeoplasticism Collection: Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 (oil on canvas)

Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 (oil on canvas)
2970661 Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 (oil on canvas) by Mondrian, Piet (1872-1944); 60x60 cm; The Art Institute of Chicago, IL, USA; Gift of Edgar Kaufmann

Background imageNeoplasticism Collection: Composition (No. 1) Gray-Red, 1935 (oil on canvas)

Composition (No. 1) Gray-Red, 1935 (oil on canvas)
2970600 Composition (No. 1) Gray-Red, 1935 (oil on canvas) by Mondrian, Piet (1872-1944); 57.5x55.6 cm; The Art Institute of Chicago, IL, USA; Gift of Mrs. Gilbert W

Background imageNeoplasticism Collection: Simultaneous Counter-Composition, 1929-30 (oil on canvas)

Simultaneous Counter-Composition, 1929-30 (oil on canvas)
3726043 Simultaneous Counter-Composition, 1929-30 (oil on canvas) by Doesburg, Theo van (1883-1931); 49.5 x 49.5 cm; Museum of Modern Art, New York

Background imageNeoplasticism Collection: Neoplasticism. From: Die Kunstismen. (The Isms of Art) by El Lissitzky und Hans Arp, 1925

Neoplasticism. From: Die Kunstismen. (The Isms of Art) by El Lissitzky und Hans Arp, 1925. Private Collection

Background imageNeoplasticism Collection: RIETVELD: SCHROEDER HOUSE. The Schroeder House at Utrecht, Holland, designed, 1924

RIETVELD: SCHROEDER HOUSE. The Schroeder House at Utrecht, Holland, designed, 1924, by Gerrit Rieveld


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Neoplasticism, also known as De Stijl, was an influential art movement that emerged in the early 20th century. It sought to create a universal visual language through the use of geometric shapes and primary colors. Bretonnes, painted by Piet Mondrian in 1913, exemplifies this style with its simplified forms and bold color palette. In a black and white photograph taken in 1934, we see Mondrian in his studio at 26 avenue du Depart. Surrounded by his artworks and tools of creation, he appears focused and contemplative, embodying the spirit of neoplasticism. Stained-Glass Composition VIII from 1918-1919 showcases how this artistic movement extended beyond traditional canvas paintings. The vibrant stained glass piece combines geometric patterns with translucent colors to create a harmonious composition. Head; Tete is another example of Mondrian's exploration of neoplastic principles on canvas. Painted in 1914, it features abstracted facial features rendered with bold lines and primary hues. Study for a Composition from 1923 demonstrates Mondrian's meticulous process. Through gouache and ink on tissue paper as well as pen and ink on paper, he experiments with different arrangements before finalizing his compositions. Composition from 1917-1918 captures the essence through its intersecting verticals and horizontals filled with primary colors. This oil painting represents harmony achieved through balance and simplicity. The Construction of Space - Time III further explores Mondrian's fascination with creating spatial relationships using abstract forms. This artwork presents overlapping planes that suggest depth within a two-dimensional space. Composition in Dissonances (oil on canvas) from 1919 challenges traditional notions of beauty by incorporating contrasting elements such as sharp angles alongside softer curves while maintaining overall harmony. Composition from 1923-24 showcases Mondrian's mastery over form and color arrangement once again. With precise lines and primary colors, he creates a dynamic composition that engages the viewer's eye.