Neoimpressionist Collection

Beach at Gravelines, 1890. Artist: Georges-Pierre Seurat
Beach at Gravelines, 1890. From the Courtauld Institute Galleries, London

The Town Beach, Collioure, Opus 165, 1887 (oil on canvas)
3432931 The Town Beach, Collioure, Opus 165, 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x80 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Collioure. La Plage de la ville)

Vetements sur l herbe ( Clothes on the Grass ), 1883. Artist: Georges-Pierre Seurat
Vetements sur l herbe ( Clothes on the Grass ), 1883. From the Tate Gallery, London

Self-Portrait, 1892 (Conte crayon on white laid paper on board)
3525763 Self-Portrait, 1892 (Contecrayon on white laid paper on board) by Angrand, Charles (1854-1926); 61x44.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Evening, The Jetty at Vlissingen, 1898 (lithograph)
5672896 Evening, The Jetty at Vlissingen, 1898 (lithograph) by Signac, Paul (1863-1935); Cleveland Museum of Art, OH, USA; French, out of copyright

Place Saint-Pierre, 1883-84 (oil on canvas)
3960006 Place Saint-Pierre, 1883-84 (oil on canvas) by Signac, Paul (1863-1935); 65.4 x 54 cm; Kunstmuseum, Basel, Switzerland; (add.info)

Saint-Tropez: The Port, 1897-98 (colour lithograph)
5672891 Saint-Tropez: The Port, 1897-98 (colour lithograph) by Signac, Paul (1863-1935); 50.8 x 38.2 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Harmonious Times, 1895-96 (colour lithograph)
5672878 Harmonious Times, 1895-96 (colour lithograph) by Signac, Paul (1863-1935); 50 x 37.6 cm; Cleveland Museum of Art, OH

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)
3432934 Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas) by Signac, Paul (1863-1935); 64.8x81.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Jetty at Cassis, Opus 198, 1889 (oil on canvas)
3432933 The Jetty at Cassis, Opus 198, 1889 (oil on canvas) by Signac, Paul (1863-1935); 46.4x65.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: near Marseilles); French, out of copyright

Study for Une Baignade, 1883. Artist: Georges-Pierre Seurat
Study for Une Baignade, 1883. From the Scottish National Gallery, Edinburgh

Woman Seen from the Back, c1880-1891. Artist: Georges-Pierre Seurat
Woman Seen from the Back, c1880-1891

Vagabond, c1880-1891 Artist: Georges-Pierre Seurat
Vagabond, c1880-1891

The Harnessed Horse, 1883. Artist: Georges-Pierre Seurat
The Harnessed Horse, 1883. From the collection of the Guggenheim Museum, New York, USA

Circus Sideshow, 1887-1888. Artist: Georges-Pierre Seurat
Circus Sideshow, 1887-1888. A parade, the free entertainment offered at the entrance of a traveling theatre, is intended to attract a crowd and encourage the sale of tickets

A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886. Artist: Georges-Pierre Seurat
A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886. From the collection of the Art Institute of Chicago, Illinois, USA

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"Exploring the World of Neoimpressionism: A Glimpse into Georges-Pierre Seurat's Masterpieces" Beach at Gravelines, 1890. Artist: Georges-Pierre Seurat Immerse yourself in the vibrant colors and meticulous brushwork that define Seurat's neoimpressionist style as he captures the serene beauty of a beach in Gravelines. The Town Beach, Collioure, Opus 165, 1887 (oil on canvas) Seurat transports us to the picturesque town of Collioure with his mesmerizing use of pointillism, creating a harmonious blend of colors that perfectly depicts the tranquil atmosphere of a seaside getaway. Vetements sur l'herbe (Clothes on the Grass), 1883. Artist: Georges-Pierre Seurat In this captivating artwork, Seurat challenges traditional norms by portraying figures amidst nature while experimenting with light and color through his signature technique known as divisionism. Self-Portrait, 1892 (Conte crayon on white laid paper on board) Discover an intimate glimpse into Seurat's artistic persona through this self-portrait where he showcases his mastery over various mediums and reveals his dedication to capturing every intricate detail. Evening, The Jetty at Vlissingen, 1898 (lithograph) Witness how Seurat effortlessly translates his neoimpressionistic approach onto lithography as he skillfully portrays an enchanting evening scene at Vlissingen's jetty using delicate lines and subtle shading. Place Saint-Pierre, 1883-84 (oil on canvas) Step into the bustling streets captured by Seurat's brushstrokes in Place Saint-Pierre; experience the lively atmosphere brought to life through vibrant hues meticulously applied dot by dot. Saint-Tropez.