Neo Impressionism Collection

Study for A Sunday on La Grande Jatte, 1884. Creator: Georges-Pierre Seurat
Study for " A Sunday on La Grande Jatte", 1884

A seated Nude (oil on canvas)
615834 A seated Nude (oil on canvas) by Laurent, Ernest-Joseph (1859-1929); 75.6x61.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Village in Autumn, c1915. Artist: Henri Eugene Le Sidaner
The Village in Autumn, c1915. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Mirror of life. And what the first did, the others also do. (Lo specchio della vita..., 1895-1898)
Mirror of life. And what the first did, the others also do. (Lo specchio della vita. E cio che l'una fa, e l'altre fanno), 1895-1898

L'Aube au Praz-de-Lys, 1901. Creator: Perrier, Alexandre (1862-1936)
L'Aube au Praz-de-Lys, 1901. Private Collection

Morning. Spring, 1899. Creator: Longoni, Emilio (1859-1932)
Morning. Spring, 1899. Private Collection

Angolo di giardino (garden corner), 1909. Creator: Morbelli, Angelo (1853-1919)
Angolo di giardino (garden corner), 1909. Private Collection

Roc d'Enfer et l'Uble, 1900. Creator: Perrier, Alexandre (1862-1936)
Roc d'Enfer et l'Uble, 1900. Private Collection

The Bridge at Bineau. Creator: Georges-Pierre Seurat
The Bridge at Bineau, Unknown date

Calvary, 1923. Creator: Ludvig Karsten
Calvary, 1923

Self-Portrait, 1920. Creator: Ludvig Karsten
Self-Portrait, 1920

Portrait de Mademoiselle d'Adhémar, 1883. Creator: Henry Cros
Portrait de Mademoiselle d'Adhemar, 1883

Le pont des Arts, 1928. Creator: Paul Signac
Le pont des Arts, 1928

Parisian landscape. Banks of the Seine. Creator: Maximilien Luce
Parisian landscape. Banks of the Seine

Village by a river. Creator: Maximilien Luce
Village by a river

Laying cobblestones in Montmartre (landscape with a cart), 1889. Creator: Maximilien Luce
Laying cobblestones in Montmartre (landscape with a cart), 1889

Works on the Seine, at Pont des Saints-Peres, 1936. Creator: Maximilien Luce
Works on the Seine, at Pont des Saints-Peres, 1936

Roses of Trianon, c1917. Creator: Henri Eugene Le Sidaner
Roses of Trianon, c1917

Stained glass, Chartres. Creator: Henri Eugene Le Sidaner
Stained glass, Chartres

The Town Beach, Collioure, Opus 165, 1887 (oil on canvas)
3432931 The Town Beach, Collioure, Opus 165, 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x80 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Collioure. La Plage de la ville)

Pines Along the Shore, 1896. Creator: Henri-Edmond Cross
Pines Along the Shore, 1896

Mediterranean Sailing Boats, 1923. Artist: Paul Signac
Mediterranean Sailing Boats, 1923. From Modern French Painters, by Jan Gordon. [John Lane The Bodley Head Limited, London, 1923]

Le Pont de Courbevoie, 1886. Artist: Georges-Pierre Seurat
Le Pont de Courbevoie, 1886. From The Studio Volume 117. [The Offices of the Studio, London, New York, 1939.]

The Circus (Le Cirque), 1890-91. Artist: Georges-Pierre Seurat
The Circus (Le Cirque), 1890-91. Painting housed in Musee d Orsay, Paris. From The Studio Volume 127. [The Offices of the Studio, London & New York, 1944]

View of the Church of Santa Maria degli Angeli near Assisi, 1909. Artist: Henri Edmond Cross
View of the Church of Santa Maria degli Angeli near Assisi, 1909. Found in the collection of The Hermitage, St Petersburg

Pere Tanguy. Portrait by Vincent Van Gogh (1853-1890)
Vincent Van Gogh (1853-1890). Dutch post-impressionist painter. Pere Tanguy. Portrait. Oil on canvas (92 x 75 cm), 1887 Rodin Museum. Paris. France. Date: 2008

The Dorking Road, Coldharbour, in snow, 1916 (oil on canvas)
1764370 The Dorking Road, Coldharbour, in snow, 1916 (oil on canvas) by Pissarro, Lucien (1863-1944); 36x46 cm; Manchester Art Gallery

A Sunday on La Grande Jatte —1884, 1884 / 86. Creator: Georges-Pierre Seurat
A Sunday on La Grande Jatte -- 1884, 1884/86

Walking, c. 1882 (Conte crayon on paper)
CH376578 Walking, c.1882 (Conte crayon on paper) by Seurat, Georges Pierre (1859-91); 30.5x23 cm; Private Collection; Photo eChristies Images; French, out of copyright

Boulevard (oil on board)
3959939 Boulevard (oil on board) by Cross, Henri-Edmond (1856-1910); 46.5 x 60 cm; Kunstmuseum, Basel, Switzerland; French, out of copyright

Autoportrait de profil, c. 1900-05 (oil on paper)
3700885 Autoportrait de profil, c.1900-05 (oil on paper) by Lemmen, Georges (1865-1916); 31x23.5 cm; Wolseley Fine Arts, London, UK; Belgian, out of copyright

Le Pont Neuf, c. 1912-14 (w / c and gouache on paper)
3613998 Le Pont Neuf, c.1912-14 (w/c and gouache on paper) by Petitjean, Hippolyte (1854-1929); 25x19 cm; Metropolitan Museum of Art, New York

Landscape, c. 1904 (w / c and crayon on paper)
3614087 Landscape, c.1904 (w/c and crayon on paper) by Cross, Henri-Edmond (1856-1910); 17.5x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Compositional study of a female peasant making butter
3469909 Compositional study of a female peasant making butter (grey wash & chinese white over black chalk on paper) by Pissarro, Camille (1830-1903); 15.2x11.7 cm; Ashmolean Museum

Garden of the Painter at Saint Clair, 1908 (w / c over graphite)
3472263 Garden of the Painter at Saint Clair, 1908 (w/c over graphite) by Cross, Henri-Edmond (1856-1910); 17.1x24.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Self-Portrait, 1892 (Conte crayon on white laid paper on board)
3525763 Self-Portrait, 1892 (Contecrayon on white laid paper on board) by Angrand, Charles (1854-1926); 61x44.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Portrait of Mrs Marie Jeannette de Lange, c. 1900 (oil on canvas)
5916335 Portrait of Mrs Marie Jeannette de Lange, c.1900 (oil on canvas) by Toorop, Jan Theodore (1858-1928); 70.5x77.4 cm; Rijksmuseum, Amsterdam

Comblat-le-Chateau, the Meadow, Opus 161, June-July 1887 (oil on canvas)
1072535 Comblat-le-ChAteau, the Meadow, Opus 161, June-July 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x77.1 cm; Dallas Museum of Art, Texas

Forest, 1923 (oil on board)
2957138 Forest, 1923 (oil on board) by Cross, Henri-Edmond (1856-1910); 26x20 cm; Private Collection; French, out of copyright

Pont des arts, Inondation, 1930 (oil on panel)
5242096 Pont des arts, Inondation, 1930 (oil on panel) by Signac, Paul (1863-1935); 35x27 cm; Private Collection; Photo eChristies Images; French, out of copyright

Dorset Landscape, 1915 (oil on canvas)
2957149 Dorset Landscape, 1915 (oil on canvas) by Pissarro, Lucien (1863-1944); 52x65 cm; Private Collection; French, out of copyright

A Pond at Montfoucault, 1874 (oil on canvas)
938775 A Pond at Montfoucault, 1874 (oil on canvas) by Pissarro, Camille (1830-1903); 53.5x55.5 cm; Private Collection; French, out of copyright

Marche de Gisors (Rue Cappeville) (etching & drypoint)
3469911 Marchede Gisors (Rue Cappeville) (etching & drypoint) by Pissarro, Camille (1830-1903); 27.8x20.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Compositional study of female peasants harvesting apples
3469908 Compositional study of female peasants harvesting apples (pen & indian ink with chinese white on paper) by Pissarro, Camille (1830-1903); 15.4x19.5 cm; Ashmolean Museum, University of Oxford

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Neo-Impressionism, a revolutionary art movement that emerged in the late 19th century, brought forth a fresh perspective on painting and challenged traditional artistic techniques. One of its pioneers was Georges-Pierre Seurat, whose masterpiece "A Sunday on La Grande Jatte" captivated audiences with its meticulous pointillist style. Through the use of small dots and vibrant colors, Seurat created an enchanting scene that depicted leisurely Parisians enjoying their day off. In contrast to Seurat's grand composition, another notable work within the realm of Neo-Impressionism is "A seated Nude. " This oil on canvas piece showcases the human form in a serene and contemplative manner. The artist skillfully captures light and shadow to accentuate the model's curves while maintaining an air of mystery. Vincent Van Gogh also dabbled in this innovative movement, as seen in his portrait of Pere Tanguy. Van Gogh's bold brushstrokes convey emotion and depth while highlighting Tanguy's distinctive features. This portrait serves as a testament to Van Gogh's ability to capture not only physical likeness but also the essence of his subjects. The Neo-Impressionists were not limited to urban scenes; they ventured into landscapes as well. Henri-Edmond Cross painted "The Town Beach, Collioure, " which showcased his mastery over color theory by using contrasting hues to depict sunlight dancing upon water. Similarly, "Pines Along the Shore" by Cross transports viewers into nature through vivid strokes that evoke tranquility and serenity. Paul Signac contributed greatly to Neo-Impressionism with his work "Mediterranean Sailing Boats. " With meticulous attention to detail and precise application of color dots, Signac captured both movement and stillness simultaneously—a true testament to this artistic approach. Seurat continued pushing boundaries within Neo-Impressionism with pieces like "The Circus.