Negre Collection

Four costumes representing Maytime Modes. Suggestions for dancers both on and off the stage, 1928, Top left: sophisticated simplicity - a gown of black satin crepe

A sketch of the Bal Negre, Montparnasse, Paris, 1930 described at the time as the Bal des Cafe Cremes Date: 1930

Josephine Baker in the Revue N觲e
Josephine Baker(19211975), African American dancer and singer, as she appeared as part of the Revue NÞº▓e in Paris in 1926. Date: 1926

Arles, Porte des Chataignes, 1852. Creator: Charles Negre
Arles, Porte des Chataignes, 1852

Portail Saint-Trophime;Entree Du Cloitre, Arles
Portail Saint-Trophime; Entree Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime, 1852. [Entrance to cloister, Church of St. Trophime, Arles]

Profil du Portail;Entree Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime
Profil du Portail; Entree Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime, 1852. [Portal and entrance to cloister, Church of St. Trophime, Arles]

Asile Imperiale de Vincennes, la pharmacie, 1858-59. Creator: Charles Negre
Asile Imperiale de Vincennes, la pharmacie, 1858-59

[Lord Brougham and his Family, Cannes], 1862. Creator: Charles Negre
[Lord Brougham and his Family, Cannes], 1862

The Refectory of the Imperial Asylum at Vincennes, 1858-59. Creator: Charles Negre
The Refectory of the Imperial Asylum at Vincennes, 1858-59

Tarascon, ca. 1852. Creator: Charles Negre
Tarascon, ca. 1852

[The 15th of August. Imperial Asylum at Vincennes], 1858. Creator: Charles Negre
[The 15th of August. Imperial Asylum at Vincennes], 1858

[Trees and Waterfalls], 1860-65. Creator: Charles Negre
[Trees and Waterfalls], 1860-65

Asile imperial de Vincennes, salle de jeu, 1858-59. Creator: Charles Negre
Asile imperial de Vincennes, salle de jeu, 1858-59

[Still Life with Game Birds], 1859. Creator: Charles Negre
[Still Life with Game Birds], 1859

[Self-Portrait in Eastern Costume], 1855-60. Creator: Charles Negre
[Self-Portrait in Eastern Costume], 1855-60

A Street in Grasse, 1852. Creator: Charles Negre
A Street in Grasse, 1852

[Family Group], 1854. Creator: Charles Negre
[Family Group], 1854

Asile imperiale de Vincennes: la bibliotheque, 1858-59

Asile imperiale de Vincennes, vue de Charenton, 1858-59. Creator: Charles Negre
Asile imperiale de Vincennes, vue de Charenton, 1858-59

[Chartres Cathedral, Central Portal of the South Transept; The Last Judgment], 1855, printed 1857

Djerash Petit Theatre / Voyage du Duc de Luynes
Djerash: Petit Theatre/Voyage du Duc de Luynes, Voyage d exploration a la mer Morte, a Petra, et sur la rive gauche du Jourdain

A portrait of Josephine Baker, 1925 - star of the Revue Negre and engaged for the Folies Bergere Date: 1925

Charles Našgre, Chartres Cathedral. Right Door of the Royal Portal, West Side, XII Century, French, 1820 - 1880, before July 1857, photogravure

Charles Našgre, Statue des Tuileries: G. Marsy et A. Flamen: Bora e enlevant Orythie
Charles Na┼ígre, Statue des Tuileries: G. Marsy et A. Flamen: Bora© e enlevant Orythie, French, 1820 - 1880, 1859, albumen print from collodion negative

[Organ Grinder at 21, quai Bourbon, Ile Saint-Louis, Paris]; Charles Negre, French, 1820 - 1880; Paris, France, Europe; before March or May 1853; Salted paper print from a paper negative; Image

THE ORGAN GRINDER, 1852. A young girl, accompanied by the photographer Henri Le Secq, gives money to a French organ grinder: photograph, 1852, by Charles Negre

Guerilleros in Mexico
Guerilleros, who have been resisting the French presence in Mexico, surrender to general Negre, commandant superieur

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"Exploring the Diverse Depictions of 'Negre' Through Art and History" This captivating collection of artworks and historical references sheds light on the multifaceted portrayal of "negre. " From a stunning portrait capturing Mademoiselle Desgots of Saint-Domingue with her slave Laurent, to engravings showcasing the rich cultural heritage of Negres from Uganda's Zanguebar region, this compilation is a visual journey through time. The inclusion of four costumes representing Maytime Modes hints at the vibrant diversity within the "negre" community. It showcases their unique fashion choices and celebrates their individuality. Moving forward in history, we encounter a sketch depicting the lively atmosphere at Bal Negre in Montparnasse, Paris during 1930—a testament to how "negre" culture has influenced art and entertainment. Delving deeper into African history, we are introduced to King Sandaineh of Saloum in Senegambia during the 18th century. This powerful figure exemplifies leadership within his community while highlighting their rich traditions. Metalwork and woven items from Senegambia further emphasize their craftsmanship skills that have been passed down through generations. However, not all depictions are celebratory; two slatees guarding a coffle of enslaved men in Senegal remind us of the painful past endured by many individuals labeled as "negre. " Their resilience serves as an inspiration for future generations striving for equality. Shifting gears towards more contemporary representations, Josephine Baker's iconic presence in Revue Née symbolizes empowerment and breaking barriers—showcasing how individuals like her challenged societal norms surrounding race. Finally, Charles Negre's artistic lens transports us to Arles with his photographs capturing Porte des Chataignes and Portail Saint-Trophime; Entree Du Cloitre. These images provide glimpses into architectural wonders intertwined with local culture—an ode to both beauty and heritage.