Negative Collection (page 7)

Glass negative circa 1900, Victorian era. Marsden rock sea stack in Marsden Bay showing remains of steps to top, hand coloured photograph; South Shields, Tyne and Wear, England

negative 1900, Victorian era. Victorian Navy colours, before the introduction of Battleship Grey & funnel bands to aid identification of individual ships within a class.Centre foreground

negative 1900, Victorian era. Small sailing boat with battleships in the background at the Coronation review George V Spithead 1911

negative 1900, Victorian era, Soldiers in the snow one waving with cap. nationality unknown but european

Negative circa 1900, Victorian era. Cullercoats Bay with coble fishing boats; Cullercoats, Tyne and Wear, England

Glass negative circa 1900. A view of the river Esk with steam ships and boats in Whitby harbour around 1900. In the picture you can also seee the piers

Glass Negative circa 1920. Social History. A view looking up the river with a man sitting reading the paper
Glass Negative circa 1920.Social History. A view looking up the river with a man sitting reading the paper and a sailing ship in harbour. Whitby Yorkshire

Glass negative War ships just off pier head and lighthouse

negative 1900, Victorian era. Battleships at Coronation review, King George V 1911. H.M Victoria and Albert centre of frame

negative 1900, Victorian era. Battleships firing guns at the Coronation Review King George V Spoithead 1911

negative 1900, Victorian era, battleships at sea exchanging gunfire at Coronation Review King George V Spithead 1911

negative 1900, Victorian era. A sailing chip at the Coronation review, King George V 1911. Schooner perhaps?

Glass negative circa 1900 either Victorian or Edwardian era. A park drag coach built for members of driving clubs that were formed in London in the early 19th century

Magic lantern slide Glass negative. Studio portrait of a lady with umbrella with hand painted backdrop

Negative early 20th century. Social History RAF military men in front of aircraft on the ground 1930
Negative early 20th century.Social History RAF military men in front of aircraft on the ground 1930

Glass negative 1900, Victorian era Church Bank looking down the steps at Whitby North Yorkshire. Henrietta street in view as are the piers and river Esk

Battleship Spithead at sea, Royal Navy, Negative circa 1900, Victorian

Fishwife from Aberdeen with basket, professional portrait in studio; Aberdeen, Scotland

negative 1900, Victorian era. River Esk at Whitby with sailing ship moored in harbour looking into the town

glass negative of a battleship, origin unknown at the Spoithead review in 1902

negative 1900, Victorian era, Battleships at night, coronation review king George V 1911

Negative early 20th century. Social History 1925 and a lady walking in a lane towards a thatched cottage
Negative early 20th century.Social History.. 1925 and a lady walking in a lane towards a thatched cottage

Glass negative 1900, Victorian era. HMS Prince of Wales (1902), "Queen"Class Battleship
Glass negative 1900, Victorian era. HMS Prince of Wales (1902), " Queen" Class Battleship. HMS Prince of Wales was a London-class pre-dreadnought battleship built for the Royal Navy

Victorian Stereoview negative from circa 1900 for viewing thought a stereoscope. British battleship HMS Lord Nelson

Glass Negative circa 1900. Victorian. Social History. an old lady and gentleman at the door holding a baby
Glass Negative circa 1900.Victorian.Social History. an old lady and gentleman at the door holding a baby

Glass Negative circa 1920. Victorian. Social History. Old car in street around 1920
Glass Negative circa 1920.Victorian.Social History. Old car in street around 1920

Le Toutmoseion Henry Cammas French 1813 1888
Le Toutmoseion; Henry Cammas (French, 1813 - 1888); Philoe, Egypt; negative 1860; print about 1862; Albumenized salted paper print from a waxed paper negative; 24.9 x 30.5 cm (9 13, 16 x 12 in.)

Temple Ramesses III Medinet Habu John Beasly
The Temple of Ramesses III, Medinet Habu; John Beasly Greene (American, born France, 1832 - 1856); 1855; Salted paper print from a waxed calotype negative; 22.7 x 29.1 cm (8 15, 16 x 11 7, 16 in.)

Sakkira nubienne John Beasly Greene American
Sakkira nubienne; John Beasly Greene (American, born France, 1832 - 1856); Egypt; 1853 - 1854; Salted paper print from a waxed calotype negative; 23.5 x 30.8 cm (9 1, 4 x 12 1, 8 in.)

Table Top Tableware William Henry Fox Talbot
Table Top with Tableware; William Henry Fox Talbot (English, 1800 - 1877); possibly June 1840; Salted paper print from a photogenic drawing negative; 9.4 x 8.6 cm (3 11, 16 x 3 3, 8 in.)

Maltese Vase William Henry Fox Talbot English
Maltese Vase; William Henry Fox Talbot (English, 1800 - 1877); 1840; Salted paper print from a photogenic drawing negative; 13.9 × 9.2 cm (5 1, 2 × 3 5, 8 in.)

Overview site Karnak Thebes Egypt Henry Cammas
Overview of the site of Karnak, Thebes, Egypt; Henry Cammas (French, 1813 - 1888); Karnak, Thebes, Egypt; negative 1860; print about 1862; Albumenized salted paper print from a waxed paper negative;

Yo-Semite Valley Mariposa Trail Thomas Houseworth & Company
Yo-Semite Valley From Mariposa Trail; Thomas Houseworth & Company, Carleton Watkins (American, 1829 - 1916), or C.L. Weed (American, 1824 - 1903), or Eadweard J

Forest Scene Gustave Le Gray French 1820 1884
Forest Scene; Gustave Le Gray (French, 1820 - 1884); Fontainebleau, France; 1849 - 1852; Albumen silver print from a waxed paper negative; 29.7 × 37.6 cm (11 11, 16 × 14 13, 16 in.)

Ruins Columbia South Carolina George N Barnard
Ruins in Columbia, South Carolina; George N. Barnard (American, 1819 - 1902); Columbia, South Carolina, United States; negative about March or April 1865; print 1866; Albumen silver print

Temple d Amada John Beasly Greene American born France
Temple d Amada; John Beasly Greene (American, born France, 1832 - 1856); Amada, Egypt; 1853 - 1854; Salted paper print from a waxed paper negative with ink; 23.3 x 29.8 cm (9 3, 16 x 11 3, 4 in.)

Rocky Landscape Switzerland Alps Aime Civiale
Rocky Landscape, Switzerland, The Alps; Aime Civiale (Italian, 1821 - 1893); negative about 1866; print about 1882; Collotype; 26.8 x 35.9 cm (10 9, 16 x 14 1, 8 in.)

Temple de Maharrakah John Beasly Greene American
Temple de Maharrakah; John Beasly Greene (American, born France, 1832 - 1856); Maharakkah, Egypt; 1853 - 1854; Salted paper print from a waxed calotype negative; 23 x 29.8 cm (9 1, 16 x 11 3, 4 in.)

Bust Venus William Henry Fox Talbot English 1800
Bust of Venus; William Henry Fox Talbot (English, 1800 - 1877); November 26, 1840; Salted paper print from a Calotype negative or photogenic drawing negative; 10 x 7.5 cm (3 15, 16 x 2 15, 16 in.)

Temple Amon Luxor John Beasly Greene American
Temple of Amon, Luxor; John Beasly Greene (American, born France, 1832 - 1856); 1853 - 1854; Salted paper print from a waxed calotype negative; 23.5 x 29.2 cm (9 1, 4 x 11 1, 2 in.)

Thebes Village de Ghezireh John Beasly Greene
Thebes, Village de Ghezireh; John Beasly Greene (American, born France, 1832 - 1856); Ghezireh, Egypt; 1853 - 1854; Salted paper print from a waxed paper negative; 23.2 x 30.5 cm (9 1, 8 x 12 in.)

Etudes de dattiers John Beasly Greene American
Etudes de dattiers; John Beasly Greene (American, born France, 1832 - 1856); Egypt; 1853 - 1854; Salted paper print from a waxed calotype negative; 23 x 30 cm (9 1, 16 x 11 13, 16 in.)

Pont de Peyreleau Aveyron confluent de la Jonte
Pont de Peyreleau, Aveyron, confluent de la Jonte et du Tarn; Andre Giroux (French, 1801 - 1879); Aveyron, France; about 1855; Albumen silver print from a collodion glass negative; 27 x 37.2 cm

Ibsamboul Speos d Hathor partie gauche de la
Ibsamboul. Speos d Hathor, partie gauche de la facade; John Beasly Greene (American, born France, 1832 - 1856); Abu Simbel

Flood Lyon Louis-Antoine Froissart French 1815
A Flood in Lyon; Louis-Antoine Froissart (French, 1815 - 1860); Lyon, France; 1856; Albumen silver print from a wet collodion glass negative; 22.5 × 33.3 cm (8 7, 8 × 13 1, 8 in.)

Breakfast Table William Henry Fox Talbot English
Breakfast Table; William Henry Fox Talbot (English, 1800 - 1877); 1839; Photogenic drawing negative, iodide fixed; 13.3 × 20.2 cm (5 1, 4 × 7 15, 16 in.)

Nubia Temple Kartassy Nubie Temple de Kardassy
Nubia, Temple of Kartassy (Nubie, Temple de Kardassy); John Beasly Greene (American, born France, 1832 - 1856); 1853 - 1854; Salted paper print from a waxed calotype negative; 23.5 x 30.3 cm (9 1)

Rebel Works Front Atlanta Ga No 3 George N Barnard
Rebel Works in Front of Atlanta, Ga. No. 3; George N. Barnard (American, 1819 - 1902); negative about 1865; print 1866; Albumen silver print

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"Unveiling the Mysteries: Traces of Negativity Through Time" The enigmatic Turin Shroud Face from 1934 continues to puzzle researchers, leaving behind a negative impression on their quest for answers. Delicate and faded, the Turin Shroud of 1934 holds within its fibers a negative imprint of history's mysteries, challenging our understanding. Deep within Argentina's Cave of the Hands lies an ancient negative testament to humanity's artistic prowess and cultural heritage. Cranfield Bay in Kilkeel whispers tales of forgotten stories through its hauntingly beautiful negatives imprinted upon the sands. Ballymena Castle stands as a silent witness to bygone eras, its crumbling walls echoing with traces of negativity from times long past. In Mrs. Cleaver's struggle to raise five sons on a new farm in Malheur County, Oregon (1939), we glimpse both resilience and hardship captured in Dorothea Lange's poignant negatives. George Cleaver battles against adversity as he endeavors to develop 177 acres of raw land in Malheur County, Oregon (1939), his determination etched into every photographic negative taken by Dorothea Lange. Children frolic joyfully on Bobsleds at Battersea (1963), their laughter contrasting against society's underlying negatives during that era. Within Mrs. Cleaver’s unwavering strength while raising her five sons on a new farm in Malheur County, Oregon (1939), Dorothea Lange captures both hope and despair amidst her powerful negatives. Motherhood takes center stage as women prepare for neighborhood birthday parties or navigate life within Frederick Douglass housing project (1942) - Gordon Parks' lens capturing moments tainted with societal negatives yet brimming with love and resilience.