Fraud Blocker Skip to main content

Neckscarf Collection

"Unveiling the Timeless Elegance: The Neckscarf" Step into the world of fashion history with the neckscarf

Background imageNeckscarf Collection: Girl Knitting, c1860. Creator: Philipp Rumpf

Girl Knitting, c1860. Creator: Philipp Rumpf
Girl Knitting, c1860

Background imageNeckscarf Collection: Costumes de Différents Pays, Homme de la Baÿe de Norton, c1797

Costumes de Différents Pays, Homme de la Baÿe de Norton, c1797. Creator: Jacques Grasset de Saint-Sauveur
Costumes de Differents Pays, Homme de la Baye de Norton, c1797

Background imageNeckscarf Collection: Graham, Mrs. standing outdoors, 1927 Creator: Arnold Genthe

Graham, Mrs. standing outdoors, 1927 Creator: Arnold Genthe
Graham, Mrs. standing outdoors, 1927

Background imageNeckscarf Collection: Portrait of a woman holding a distaff (around 1740), c1740. Creator: Unknown

Portrait of a woman holding a distaff (around 1740), c1740. Creator: Unknown
Portrait of a woman holding a distaff (around 1740), c1740

Background imageNeckscarf Collection: Autoportrait de Madame Vigée-Lebrun (1755-1842), . Creator: Unknown

Autoportrait de Madame Vigée-Lebrun (1755-1842), . Creator: Unknown
Autoportrait de Madame Vigee-Lebrun (1755-1842)

Background imageNeckscarf Collection: Autoportrait de Nicolas-Bernard Lépicié (1735-1784), . Creator: Nicolas Bernard Lepicie

Autoportrait de Nicolas-Bernard Lépicié (1735-1784), . Creator: Nicolas Bernard Lepicie
Autoportrait de Nicolas-Bernard Lepicie (1735-1784)

Background imageNeckscarf Collection: Portrait of an Old Woman, Visscher's Mother, n.d. Creator: Cornelis de Visscher

Portrait of an Old Woman, Visscher's Mother, n.d. Creator: Cornelis de Visscher
Portrait of an Old Woman, Visscher's Mother, n.d

Background imageNeckscarf Collection: Farmer from Amager, 1843. Creator: Johan Christoffer Boklund

Farmer from Amager, 1843. Creator: Johan Christoffer Boklund
Farmer from Amager, 1843. Grey-black folk costume, hat in hand. Wide trousers, pulled together at the ankles, coat unbuttoned. Multicolored edging on outer and inner coats

Background imageNeckscarf Collection: Neckwear, 1800-1815. Creator: Unknown

Neckwear, 1800-1815. Creator: Unknown
Neckwear, 1800-1815

Background imageNeckscarf Collection: A Welsh Collier, 1936 (oil on canvas)

A Welsh Collier, 1936 (oil on canvas)
NGW184240 A Welsh Collier, 1936 (oil on canvas) by Walters, Evan (1893-1951); 76.4x63.4 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageNeckscarf Collection: Jeune Paysan

Jeune Paysan
A portrait painting of a young peasant boy, wearing a simple hat and jacket, with a plain grey neckscarf, he is holding a large stick, sitting in the countryside. Date: circa 1920

Background imageNeckscarf Collection: The Velvet Jacket, (oil on canvas)

The Velvet Jacket, (oil on canvas)
657870 The Velvet Jacket, (oil on canvas) by Green, Madeline Emily (1884-1947); Private Collection; (add.info.: The Velvet Jacket. Madeline Emily Green (1884-1947). Oil on canvas

Background imageNeckscarf Collection: Kerchief Scarf, c. 1938. Creator: Erwin Schwabe

Kerchief Scarf, c. 1938. Creator: Erwin Schwabe
Kerchief Scarf, c. 1938

Background imageNeckscarf Collection: Portrait of Charles Brandling, 1698 (oil on canvas)

Portrait of Charles Brandling, 1698 (oil on canvas)
2837522 Portrait of Charles Brandling, 1698 (oil on canvas) by Verelst, John (1697-1734); 127x101.6 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; (add.info)

Background imageNeckscarf Collection: Young Woman, c. 1880 (oil on canvas)

Young Woman, c. 1880 (oil on canvas)
1163423 Young Woman, c.1880 (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842) (after); 19.5x31.2 cm; Leeds Museums and Art Galleries (Abbey House Museum)

Background imageNeckscarf Collection: She is Witty to Talk With (w / c on paper)

She is Witty to Talk With (w / c on paper)
Ma181769 She is Witty to Talk With (w/c on paper) by Jackson, Helen (fl.1884-1911); 50.8x43.1 cm; Private Collection; Photo eThe Ms Gallery, London; British, out of copyright

Background imageNeckscarf Collection: Study for the Head of Alex Pope (1688-1744) introduction to Dryden

Study for the Head of Alex Pope (1688-1744) introduction to Dryden
BOL229445 Study for the Head of Alex Pope (1688-1744) introduction to Dryden, At Butlers Coffee House (pencil, chalk & charcoal on paper) by English School

Background imageNeckscarf Collection: Moody Girl, c. 1900 (oil on canvas)

Moody Girl, c. 1900 (oil on canvas)
1769854 Moody Girl, c.1900 (oil on canvas) by Harlamoff, Alexei Alexevich (1842-1922); 116.8x88.9 cm; Private Collection; (add.info.: Moody Girl. Alexei Alexeiewitsch Harlamoff (1842-1922)

Background imageNeckscarf Collection: Gown worn by Deborah Sampson, from Massachusetts, 1780-90 (plate-printed linen)

Gown worn by Deborah Sampson, from Massachusetts, 1780-90 (plate-printed linen)
HNE273704 Gown worn by Deborah Sampson, from Massachusetts, 1780-90 (plate-printed linen) by American School, (18th century); Historic New England, Boston, Massachusetts

Background imageNeckscarf Collection: A Youth, half length, wearing a Black Hat and a Neckscarf, c. 1911 (oil on canvas)

A Youth, half length, wearing a Black Hat and a Neckscarf, c. 1911 (oil on canvas)
657249 A Youth, half length, wearing a Black Hat and a Neckscarf, c. 1911 (oil on canvas) by Philpot, Glyn Warren (1884-1937); 61x45.8 cm; Private Collection; (add.info.: A Youth, half length)

Background imageNeckscarf Collection: Portrait of a woman (colour litho)

Portrait of a woman (colour litho)
5235936 Portrait of a woman (colour litho) by American School, (19th century); Private Collection; (add.info.: Portrait of a woman.); Look and Learn / Barbara Loe Collection; American

Background imageNeckscarf Collection: Profile of a Woman Wearing a Jabot, (pastel on paper)

Profile of a Woman Wearing a Jabot, (pastel on paper)
650462 Profile of a Woman Wearing a Jabot, (pastel on paper) by Cassatt, Mary Stevenson (1844-1926); 66x44.4 cm; Private Collection; (add.info.: Profile of a Woman Wearing a Jabot)

Background imageNeckscarf Collection: An Osage Warrior, c. 1804 (colour litho)

An Osage Warrior, c. 1804 (colour litho)
PNP246189 An Osage Warrior, c.1804 (colour litho) by Saint-Memin, Charles Balthazar Julien Fevret de (1770-1852); Private Collection; Peter Newark American Pictures; French, out of copyright

Background imageNeckscarf Collection: American cowboy in Kansas, c. 1880 (b / w photo)

American cowboy in Kansas, c. 1880 (b / w photo)
PNP244859 American cowboy in Kansas, c.1880 (b/w photo) by American Photographer, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageNeckscarf Collection: Madame Rejane, c. 1885 (oil on canvas)

Madame Rejane, c. 1885 (oil on canvas)
988979 Madame Rejane, c.1885 (oil on canvas) by Boldini, Giovanni (1842-1931); 50.4x42.5 cm; Private Collection; (add.info.: Madame Rejane. Giovanni Boldini (1842-1931). Oil on canvas

Background imageNeckscarf Collection: Unidentified Sitter, c. 1884. Creator: Thomas Eakins

Unidentified Sitter, c. 1884. Creator: Thomas Eakins
Unidentified Sitter, c. 1884

Background imageNeckscarf Collection: Belero the Shrug, was desighned to keep the shoulders warm on chilly autumn evenings

Belero the Shrug, was desighned to keep the shoulders warm on chilly autumn evenings, it has a pie crust edging and is repeated on the cuffs A woman wearing a shrug, white gloves

Background imageNeckscarf Collection: Film actress Dahlia Lavi and her 2 year old son Rouven, pictured together at London

Film actress Dahlia Lavi and her 2 year old son Rouven, pictured together at London Airport today before leaving to spend Christmas with her mother in Haifa. December 1969 Z12128

Background imageNeckscarf Collection: Film actress Dahlia Lavi pictured at London Airport before leaving to spend Christmas

Film actress Dahlia Lavi pictured at London Airport before leaving to spend Christmas with her mother in Haifa. December 1969 Z12128-002

Background imageNeckscarf Collection: Newspaper Boy, 1869. Creator: Edward Mitchell Bannister

Newspaper Boy, 1869. Creator: Edward Mitchell Bannister
Newspaper Boy, 1869

Background imageNeckscarf Collection: Alexandre Lecomte, model c. 1832 / 1835, cast 1929 / 1940. Creator: Honore Daumier

Alexandre Lecomte, model c. 1832 / 1835, cast 1929 / 1940. Creator: Honore Daumier
Alexandre Lecomte, model c. 1832/1835, cast 1929/1940

Background imageNeckscarf Collection: Berthe Morisot (In Black), 1872-74. Creator: Edouard Manet

Berthe Morisot (In Black), 1872-74. Creator: Edouard Manet
Berthe Morisot (In Black), 1872-74

Background imageNeckscarf Collection: Young Whirlwind, Southern Cheyenne, from the American Indian Chiefs series (N2

Young Whirlwind, Southern Cheyenne, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Background imageNeckscarf Collection: Black Hawk, Dakota Sioux, from the American Indian Chiefs series (N2) for Allen &

Black Hawk, Dakota Sioux, from the American Indian Chiefs series (N2) for Allen &
Black Hawk, Dakota Sioux, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Background imageNeckscarf Collection: Geronimo, Apache, from the American Indian Chiefs series (N2) for Allen &

Geronimo, Apache, from the American Indian Chiefs series (N2) for Allen &
Geronimo, Apache, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Background imageNeckscarf Collection: Gipsy girl, member of the Vincent family, Charlwood, Newdigate area, Surrey, 1964

Gipsy girl, member of the Vincent family, Charlwood, Newdigate area, Surrey, 1964

Background imageNeckscarf Collection: Self portrait in spectacles, 1771. Artist: Jean-Simeon Chardin

Self portrait in spectacles, 1771. Artist: Jean-Simeon Chardin
Self portrait in spectacles, 1771. Chardin is considered a master in the genre of still life. Held at the Musee du Louvre, Paris

Background imageNeckscarf Collection: The Angler, c1912. Artist: William Newenham Montague Orpen

The Angler, c1912. Artist: William Newenham Montague Orpen
The Angler, c1912. Painting held by the Tate. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Background imageNeckscarf Collection: HRH The Duchess of Gloucester (1901-2004), 1937

HRH The Duchess of Gloucester (1901-2004), 1937. The Duchess of Gloucester was the wife and then widow of Prince Henry, Duke of Gloucester, the third son of George V and Mary of Teck

Background imageNeckscarf Collection: Study in Pastel, 17th century. Artist: Peter Lely

Study in Pastel, 17th century. Artist: Peter Lely
Study in Pastel by Sir Peter Lely. 1905-6. From The Studio Volume 36. [The Offices of the Studio Ltd. London, 1905-6]

Background imageNeckscarf Collection: Lady Langham, 1909. Artist: Charles Wilkinson

Lady Langham, 1909. Artist: Charles Wilkinson
Henrietta Elizabeth Frederica, Lady Langham (1780-1809). She was married to Sir William Langham, 8th Baronet. A stippled engraving by Charles Wilkin (c1750-1814)

Background imageNeckscarf Collection: Portrait of a Man, c18th century. Artist: Jean-Honore Fragonard

Portrait of a Man, c18th century. Artist: Jean-Honore Fragonard
Portrait of a Man, c18th century. From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

Background imageNeckscarf Collection: Marie-Amelie de Bourbon, Queen of France, c1845-1866

Marie-Amelie de Bourbon, Queen of France, c1845-1866. Maria Amalia of the Two Sicilies (1782-1866) married Louis Philippe, Duke of Orleans, the future King Louis Philippe I of the French, in 1809

Background imageNeckscarf Collection: A Young Pioneers unit in Yalta, Crimea, USSR, 1950s

A Young Pioneers unit in Yalta, Crimea, USSR, 1950s. The Young Pioneers was a youth organisation established by the Communist Party in Russia in 1922

Background imageNeckscarf Collection: WWI - Italian Garibaldier Infantryman

WWI - Italian Garibaldier Infantryman at the Forest of Argonne, January 1915. Date: 1915

Background imageNeckscarf Collection: Woman Smiling, 1875 (oil on canvas)

Woman Smiling, 1875 (oil on canvas)
XIR203257 Woman Smiling, 1875 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 42x33 cm; Museu de Arte, Sao Paulo, Brazil; French, out of copyright

Background imageNeckscarf Collection: A Miner (oil on canvas)

A Miner (oil on canvas)
XIR198413 A Miner (oil on canvas) by Meunier, Constantin Emile (1831-1905); Musee de la Chartreuse, Douai, France; Belgian, out of copyright

Background imageNeckscarf Collection: Portrait of Sophie Rostopchine (1799-1874) Countess of Segur, 1823 (colour pencil

Portrait of Sophie Rostopchine (1799-1874) Countess of Segur, 1823 (colour pencil
XIR175536 Portrait of Sophie Rostopchine (1799-1874) Countess of Segur, 1823 (colour pencil on paper) by Kiprensky, Orest Adamovich (1778-1836); Musee de la Ville de Paris, Musee Carnavalet, Paris



All Professionally Made to Order for Quick Shipping

"Unveiling the Timeless Elegance: The Neckscarf" Step into the world of fashion history with the neckscarf, a versatile accessory that has graced countless portraits and paintings throughout the ages. From Jeune Paysan to The Velvet Jacket, this timeless piece has been immortalized on canvas. In Erwin Schwabe's Kerchief Scarf from 1938, we catch a glimpse of an era where sophistication met practicality. This delicate scarf adds a touch of grace to any ensemble, effortlessly enhancing one's style. Travel back in time to 1698 as Charles Brandling dons his regal attire in Portrait of Charles Brandling. Notice how his neckscarf exudes confidence and refinement, reflecting the fashion sensibilities of that era. Fast forward to c. 1880 when Young Woman captivates us with her enchanting gaze. Her neckscarf serves as both a fashionable statement and protection against chilly winds - truly an embodiment of elegance meets functionality. She is Witty to Talk With showcases not only artistic brilliance but also highlights how a simple they are elevate one's charm and charisma. It whispers tales of intriguing conversations held amidst its folds. As we delve into Study for the Head of Alex Pope (1688-1744) introduction to Dryden, we witness how even literary figures embraced this accessory as part of their identity. A symbol of intellectuality combined with sartorial flair. Moody Girl transports us to another era at the turn-of-the-century; her oil-painted portrait captures her contemplative spirit while showcasing her impeccable taste in fashion through her carefully chosen neckscarf. Gown worn by Deborah Sampson takes us back further in time, revealing how women during Revolutionary America utilized neckscarves not just for adornment but also as symbols of resilience and patriotism – draped around their shoulders like badges of honor. A Youth wearing a Black Hat and a Neckscarf, c.