Musical Angels Collection

Amerigo Vespucci (1452-1512) from the Sala del Mappamondo (Hall of the World Maps) (fresco)
IND210244 Amerigo Vespucci (1452-1512) from the Sala del Mappamondo (Hall of the World Maps) (fresco) by Varese, Antonio Giovanni de (16th century); Villa Farnese, Caprarola, Voterbo, Lazio

St Hilary, detail of 3660852, 1526-30 (fresco)
3660857 St Hilary, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

The Assumption of the Virgin, detail of 3660852, 1526-30 (fresco)
3660855 The Assumption of the Virgin, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco)
3660860 Virgin between Adam and Eve, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

St John the Baptist, detail of 3660852, 1526-30 (fresco)
3660856 St John the Baptist, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

The Assumption of the Virgin, detail of 3660852, 1526-30 (fresco)
3660854 The Assumption of the Virgin, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

Angles playing musical instruments, , detail of 3660852, 1526-30 (fresco)
3660861 Angles playing musical instruments, , detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

St Bernard, detail of 3660852, 1526-30 (fresco)
3660859 St Bernard, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

St Thomas, detail of 3660852, 1526-30 (fresco)
3660858 St Thomas, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

The Assumption of the Virgin, detail of 3660852, 1526-30 (fresco)
3660853 The Assumption of the Virgin, detail of 3660852, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

The Assumption of the Virgin, 1526-30 (fresco)
3660852 The Assumption of the Virgin, 1526-30 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Duomo, Cattedrale di Santa Maria Assunta, Parma, Emilia-Romagna

Maesta (tempera and gold on panel)
BAT264463 Maesta (tempera and gold on panel) by Lorenzetti, Ambrogio (1285-c.1348); 155x206 cm; Museo di Arte Sacra, Massa Marittima, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

The Fountain of Life (oil on panel)
ALM289714 The Fountain of Life (oil on panel) by Spanish School, (16th century); 186x116 cm; Allen Memorial Art Museum, Oberlin College, Ohio

The Holy Family, 1682 (oil on canvas)
BIR103746 The Holy Family, 1682 (oil on canvas) by Gennari, Benedetto the Younger (1633-1715); 213.8x168 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

The Last Judgement: The Redemption of Man, Brussels Workshop
XIR228245 The Last Judgement: The Redemption of Man, Brussels Workshop, 15th-16th century (tapestry) by Flemish School; 409x820 cm; Louvre, Paris, France; Flemish, out of copyright

Coronation of the Virgin (tempera on panel)
SOU80734 Coronation of the Virgin (tempera on panel) by Nuzi, Allegretto (c.1346-85); left: 181. cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; Italian

Post-restoration panel No. IV from the exterior pulpit of Prato Cathedral
KAB137923 Post-restoration panel No.IV from the exterior pulpit of Prato Cathedral, 1438 (marble) (see 137917) by Donatello (c.1386-1466) & Michelozzo, B

St. Thomas a Becket (1118-70) Enthroned with SS. Francis and John the Baptist 1520
FTB97009 St. Thomas a Becket (1118-70) Enthroned with SS. Francis and John the Baptist 1520 (oil on panel) by Santacroce, Girolamo da (fl.1503-56); S

Madonna and Child Enthroned between SS. Francis, John the Baptist, Job, Dominic
FTB55433 Madonna and Child Enthroned between SS. Francis, John the Baptist, Job, Dominic, Sebastian and Louis (the San Giobbe Altarpiece) c.1487 (oil on panel) (for detail see 61101 and 276359)

Post-restoration panel No. II from the exterior pulpit of Prato Cathedral
KAB137915 Post-restoration panel No.II from the exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137913-14 and 137916-20) by Donatello (c.1386-1466) & Michelozzo, B

Post-restoration panel No. VII from the exterior pulpit of Prato Cathedral
KAB137920 Post-restoration panel No.VII from the exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137913-19) by Donatello (c.1386-1466) & Michelozzo, B

Post-restoration panel No. I from the exterior pulpit of Prato Cathedral
KAB137914 Post-restoration panel No.I from the exterior pulpit of Prato Cathedral, 1438 (marble) (see 137913 & 137915-20) by Donatello (c.1386-1466) & Michelozzo, B

Post-restoration exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137914-20)
KAB137913 Post-restoration exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137914-20) by Donatello (c.1386-1466) & Michelozzo, B

The Holy Family, detail, 1682 (oil on canvas)
BIR241266 The Holy Family, detail, 1682 (oil on canvas) by Gennari, Benedetto the Younger (1633-1715); 213.8x168 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

Marches Macerata San Ginesio Oratorio di S. Biagio, this is my Italy, the italian country of visual history, Photos of the crypt of the Collegiata. Frescoes show the life of S. Biagio and S

Madonna Child Musical Angels Gherardo Starnina
Madonna and Child with Musical Angels; Gherardo Starnina (Master of the Bambino Vispo) (Italian (Florentine), active 1378 - about 1413

Madonna Adoring Child Musical Angels Bernardino Zenale
Madonna Adoring the Child with Musical Angels; Bernardino Zenale (Italian, about 1456 - 1526); about 1502; Oil on panel; 143.5 x 85.7 cm (56 1, 2 x 33 3, 4 in.)

St Cecilia holding organ flanked Paul John Evangelist
Artokoloro

The Virgin and Child Surrounded by Eight Angels, 1455 (oil on canvas)
XIR60326 The Virgin and Child Surrounded by Eight Angels, 1455 (oil on canvas) by Zoppo, Marco (1433-1498); 89x73 cm; Louvre, Paris

Triumph of the Hapsburgs (lower section of ceiling)
XJL61809 Triumph of the Hapsburgs (lower section of ceiling) by Giordano, Luca (1634-1705); Monasterio de El Escorial, Spain; Italian, out of copyright

The Fountain of Life (oil on panel)
XIR61767 The Fountain of Life (oil on panel) by Eyck, Jan van (c.1390-1441) (attr. to); 181x116 cm; Prado, Madrid, Spain; (add.info.: La Fontaine de la Grace; ); Flemish, out of copyright

The Assumption of the Virgin, 1844 (oil on canvas)
XIR220237 The Assumption of the Virgin, 1844 (oil on canvas) by Janmot, Louis (1814-92); Musee d Art Moderne, St. Etienne, France; French, out of copyright

Virgin and Child Enthroned with St. John the Evangelist and the Blessed Giacomo Bertoni
XIR201607 Virgin and Child Enthroned with St. John the Evangelist and the Blessed Giacomo Bertoni (oil on panel) by Scaletti, Leonardo I (fl.1457-87); Pinacoteca Comunale, Faenza

Folding fan with a sheet of tulle, on which bobbin and needle lace is appliqued and musical angels are painted with tempera, on a pearl frame, L. Stouder, Anonymous, Anonymous, c. 1880 - c. 1900

Ms 1321 fol. 12 Historiated initial O depicting Earth, from De Situ
XIR179499 Ms 1321 fol.12 Historiated initial O depicting Earth, from De Situ Orbis by Pomponius Mela (fl.c.50 AD) 1418 (vellum) by French School, (15th century); Bibliotheque Municipale, Reims

Allegory of the interior of the Pantheon in Rome, Italy, as a Christian church by Pope Boniface IV, Gommarus Wouters, Francis Platel du Plateau, Reverenda Camera Apostolica Roma, 1689

Resurrection of the Dead (oil on canvas)
XIR165118 Resurrection of the Dead (oil on canvas) by Mottez, Victor (1809-97); 196x248 cm; Musee des Beaux-Arts, Lille, France; French, out of copyright

Adoration of the Shepherds, Jan van Orley, 1685 - 1735

Maria with her parents Joachim and Anna, Hieronymus Wierix, 1563 - before 1619

Adoration of the Trinity, Johannes Wierix, Maarten van Heemskerck, Philips Galle, 1569 - 1573

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"Musical Angels: A Heavenly Symphony Unveiled in Frescoes" Step into the enchanting world of frescoes, where celestial melodies resonate through time. In the Sala del Mappamondo (Hall of the World Maps), created by Amerigo Vespucci between 1452 and 1512, a breathtaking panorama unfolds before your eyes. As you immerse yourself in this artistic marvel, your gaze is drawn to St Hilary, depicted with meticulous detail in a fresco from 1526-30. His serene countenance seems to be listening intently to the heavenly harmonies that fill the air. Moving on, The Assumption of the Virgin captivates your attention with its divine beauty. Within this masterpiece lies an exquisite portrayal of angels playing musical instruments - their delicate fingers gracefully caressing strings and keys, producing ethereal sounds that transport you beyond earthly realms. In another section, you encounter a captivating scene titled "Virgin between Adam and Eve. " Here, amidst depictions of humanity's origin story, angelic figures emerge as conduits for celestial music. Their melodious tunes intertwine seamlessly with human existence; bridging heaven and earth through sound. St John the Baptist emerges next from these mesmerizing frescoes - his presence commanding yet tranquil. As he stands tall against a backdrop infused with heavenly hues, it becomes evident that even nature itself dances along to the symphony orchestrated by these celestial beings. A recurring theme throughout these frescoes is The Assumption of the Virgin - an event celebrated for its spiritual significance. Amidst this grand spectacle unfolds yet another glimpse into paradise: angels adorned in resplendent garments serenade their surroundings with instruments both familiar and otherworldly. Amongst them are St Bernard and St Thomas - revered saints who find solace within this celestial orchestra. Their expressions radiate pure bliss as they revel in each note resonating through their souls.