Mozart Wolfgang Amadeus 1756 1791 Collection (page 5)

Wolfgang Amadeus Mozart (1756-1791) - Detail par Johann Nepomuk della Croce (1736-1819)
FIA5401064 Wolfgang Amadeus Mozart (1756-1791) - Detail par Johann Nepomuk della Croce (1736-1819), 1781 - Oil on canvas - Mozarteum (ISM), Salzburg by Croce

Miniature portrait of Wolfgang Amadeus Mozart (1756-1791)
FIA5401020 Miniature portrait of Wolfgang Amadeus Mozart (1756-1791) by Anonymous; Private Collection; (add.info.: Miniature portrait of Wolfgang Amadeus Mozart (1756-1791) by Anonymous

Preface to the libretto of Lichtenthals adaptation of Mozarts
LRI3088629 Preface to the libretto of Lichtenthals adaptation of Mozarts Die Entfuhrung aus dem Serail, 1838 (ink on paper) by Lichtenthal, Peter (1780-1853); Biblioteca del Conservatorio G

Portrait of Teresa Saporiti, 1791 (engraving)
XEE938522 Portrait of Teresa Saporiti, 1791 (engraving) by Italian School, (18th century); Private Collection; (add.info)

Ludwig Koechel (colour litho)
938521 Ludwig Koechel (colour litho) by German School, (19th century); Private Collection; (add.info.: Ludwig Alois Friedrich Ritter von KAochel (14 January 1800 - 3 June 1877)

Wolfgang Amadeus Mozart writing a concerto in the presence of his father, Leopold
XEE938519 Wolfgang Amadeus Mozart writing a concerto in the presence of his father, Leopold, illustration from La Musique Populaire, 1882 (coloured engraving) by French School

Costume Design for the Count Almaviva, from the Marriage of Figaro
GIA938508 Costume Design for the Count Almaviva, from the Marriage of Figaro, 1905 (gouache on paper) by Caramba, Luigi Sapelli (1865-1936); Museo Teatrale alla Scala, Milan

Costume design for the Count Almaviva, from The Marriage of Figaro
GIA938507 Costume design for the Count Almaviva, from The Marriage of Figaro, 1905 (gouache on paper) by Caramba, Luigi Sapelli (1865-1936); Private Collection; (add.info.: Le nozze di Figaro)

Scene from Act One of the opera Lucio Silla by Wolfgang Amadeus Mozart
GIA938504 Scene from Act One of the opera Lucio Silla by Wolfgang Amadeus Mozart, 1772 (pen & ink on with wash on paper) by Galliari, Fabrizio (1709-90); Museo Teatrale alla Scala, Milan

Giovanni and Donna Anna, scene from Don Giovanni (engraving)
GIA938500 Giovanni and Donna Anna, scene from Don Giovanni (engraving) by French School, (19th century); Private Collection; (add.info)

Scene from Don Giovanni (engraving)
GIA938493 Scene from Don Giovanni (engraving) by French School, (19th century); Private Collection; (add.info.: Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart)

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Wolfgang Amadeus Mozart (1756-1791) was a musical prodigy whose genius continues to captivate audiences around the world. In Josef Lange's 1789 oil on canvas portrait, we catch a glimpse of the composer's enigmatic persona. His music, like his personality, was both complex and enchanting. The influence of Mozart's compositions extended beyond just music. In a stunning 1905 lithograph, we see a costume design for Basilio from "The Marriage of Figaro. " The intricate details and vibrant colors reflect the grandeur of Mozart's operatic works. Another costume design showcased is for Don Giovanni, one of Mozart's most famous operas. This piece exemplifies his ability to create characters that are not only musically captivating but visually striking as well. Mozart's talent extended beyond opera and into instrumental pieces. A manuscript from 1880 displays sheet music pages featuring minuets in five cadences for piano – a testament to his mastery over various genres. In an intriguing print from the 1860s, we see a portrait capturing the essence of Mozart during his youth. Standing beside him is the Archbishop of Salzburg, highlighting how even at such a young age he commanded respect within musical circles. One notable event in Mozart's career was when he composed and performed at Joseph II and Isabella of Parma’s wedding concert. The Imperial Family witnessed firsthand the brilliance that emanated from this musical virtuoso. A scene from "Don Juan, " another one of Mozart’s renowned operas, transports us back to an 1880 performance where audiences were undoubtedly mesmerized by its dramatic intensity and melodic beauty. Giambattista Martini played an influential role in recognizing young Wolfgang Amadeus' exceptional talents; his certification letter dated back to 1770 serves as evidence attesting to this remarkable early recognition.