Moutons Collection

Peasant leading her cow and sheep to the fields, 1863 (pastel)
BRM347373 Peasant leading her cow and sheep to the fields, 1863 (pastel) by Millet, Jean-Francois (1814-75); Private Collection

Historiated initial N depicting sheep shearing, from the Historia Naturalis (vellum)
XIR125865 Historiated initial N depicting sheep shearing, from the Historia Naturalis (vellum) by Italian School, (15th century); Biblioteca Nazionale Marciana, Venice

Shepherdess in the Snow, 1845-1900 (oil on canvas)
HOL32773 Shepherdess in the Snow, 1845-1900 (oil on canvas) by Barker, John Joseph (1824-1904); 40.7x61 cm; The Holburne Museum, Bath, UK; eHolburne Museum; English, out of copyright

Shepherdess resting with her flock, 1867
GG80861 Shepherdess resting with her flock, 1867 by Tschaggeny, Edmond Jean-Baptiste (1818-73); Private Collection; Photo eGavin Graham Gallery, London, UK; Belgian, out of copyright

Promotional and educational cards for children depicting food specialities of
CHT218538 Promotional and educational cards for children depicting food specialities of the Maine-et-Loire and Loir-et-Cher Regions, c.1910 (colour litho) by French School

Landscape with a Flock of Sheep, 1872 (oil on canvas)
BOO183842 Landscape with a Flock of Sheep, 1872 (oil on canvas) by Jacque, Charles Emile (1813-94); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Honora Daumier (French, 1808 - 1879), Comment! tous mes moutons sont morts, 1845
Honora© Daumier (French, 1808 - 1879), Comment! tous mes moutons sont morts, 1845, lithograph

Sheep, 1912 (oil on canvas)
XIR175930 Sheep, 1912 (oil on canvas) by Marc, Franz (1880-1916); 49x77 cm; Saarland Museum, Saarbrucken, Germany; German, out of copyright

Panurges sheep, illustration from Gargantua and Pantagruel, by Francois Rabelais
XIR1200178 Panurges sheep, illustration from Gargantua and Pantagruel, by FranAzois Rabelais (engraving) by French School, (19th century); Bibliotheque Nationale, Paris

Honore Daumier (French, 1808-1879), Comment! tous mes moutons sont morts, 1845, lithograph

Charles-Francois Daubigny (French, 1817-1878), Large Sheepfold (Le Grand parc a moutons), 1860, etching

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"Moutons: A Timeless Depiction of Rural Life and its Endearing Creatures" Step back in time to 1863, where a humble peasant leads her cow and sheep to the lush fields. This pastoral scene captured in delicate pastel hues evokes a sense of tranquility and simplicity. Intricately crafted on vellum, an historiated initial N showcases the age-old tradition of sheep shearing. The artist's attention to detail brings this ancient practice to life, highlighting the importance of wool production in historical times. Moving forward to 1845-1900, we find ourselves amidst a snowy landscape with a shepherdess as our guide. With skilled brushstrokes on canvas, the artist portrays her resilience against harsh weather conditions while tending to her flock, and is through such art that we appreciate the dedication and hard work these individuals put into their livelihoods. Resting alongside her flock in 1867, another shepherdess finds solace amidst nature's beauty. Her companionship with these gentle creatures reflects their symbiotic relationship - one that has been cherished for centuries. Promotional and educational cards designed for children depict various food specialties derived from moutons. These charming illustrations not only educate but also celebrate the culinary heritage associated with these animals. An oil painting from 1872 takes us further into picturesque landscapes dotted by flocks of sheep grazing peacefully under vast skies. The artist captures both serenity and harmony within this idyllic setting – reminding us of nature's timeless allure. Honora Daumier's lithograph "Comment. Tous mes moutons sont morts" (1845) offers a satirical take on unfortunate circumstances faced by shepherds at times. Through humor, Daumier sheds light on the challenges they encounter while emphasizing their resilience despite adversity. Sheep continue to inspire artists even in modern times; an oil painting from 1912 showcases their enduring appeal.