Mortimer Menpes Collection (page 9)

Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler
Amsterdam, 19th century (1904). Early state etching, drawn from the Tolhuis restaurant. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Little Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Little Forge, c1860 (1904). Etching. An early proof before a monogram. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Millbank, c1860 (1904). Artist: James Abbott McNeill Whistler
Millbank, c1860 (1904). Etching. A unique impression with the word not added. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Forge, c1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler
Axenfeld, 1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Rotherhithe, 1860 (1904). Artist: James Abbott McNeill Whistler
Rotherhithe, 1860 (1904). Etching. Rotherhithe was drarn from the balcony of the Angel Inn at Rotherhithe, looking northwest toward the City

Mr Mann, 1860 (1904). Artist: James Abbott McNeill Whistler
Mr Mann, 1860 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Under Old Battersea Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Under Old Battersea Bridge, 1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Fumettes Bent Head, c1859 (1904). Artist: James Abbott McNeill Whistler
Fumettes Bent Head, c1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Miser, c1851 (1904). Artist: James Abbott McNeill Whistler
The Miser, c1851 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Fumette, Standing 1859 (1904). Artist: James Abbott McNeill Whistler
Fumette, Standing 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler
Tyzac Whiteley and Co, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Whistler, 1859 (1904). Artist: James Abbott McNeill Whistler
Whistler, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Limehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Limehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Thames Warehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Thames Warehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A Bye Canal, Venice, 19th century, (1904). Artist: James Abbott McNeill Whistler
A Bye Canal, Venice, 19th century, (1904). From a pastel. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Street at Saverne, 19th century (1904). Artist: James Abbott McNeill Whistler
Street at Saverne, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Wood, 19th century (1904). Artist: James Abbott McNeill Whistler
The Wood, 19th century (1904). Signed by J M Whistler and Seymour Haden and done in collaboration. Plate taken from Whistler As I Knew Him, by Mortimer Menpes

A Cairo Street, 1903. Artist: Mortimer L Menpes
A Cairo Street, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

Fruit Stall, 1903. Artist: Mortimer L Menpes
Fruit Stall, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

A Street Scene at Asakusa, c1897. Artist: Mortimer L Menpes
A Street Scene at Asakusa, c1897. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

Procession of Archers at Kioto, c1897. Artist: Mortimer L Menpes
Procession of Archers at Kioto, c1897. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

The Sabot Shop, c19th century. Artist: Mortimer L Menpes
The Sabot Shop, c19th century. A sabot is a type of clog

Alfred Milner, 1st Viscount Milner, British statesman, early 20th century. Artist: Mortimer L Menpes
Alfred Milner, 1st Viscount Milner, British statesman, early 20th century. Milner (1854-1925) was High Commissioner to South Africa from 1897-1905

Sir Henry Irving Mortimer Menpes British 1860-1938
Sir Henry Irving. Mortimer Menpes (British, 1860-1938). Drypoint

James MacNeill Whistler Mortimer Menpes British
James MacNeill Whistler. Mortimer Menpes (British, 1860-1938). Drypoint

Man Walking Stick Mortimer Menpes British 1860-1938
Man with Walking Stick. Mortimer Menpes (British, 1860-1938). Etching

Drawings Prints, Print, Three Fair Ladies, Geisha Girls Fans, Artist, Mortimer Menpes
Drawings and Prints, Print, Three Fair Ladies (Geisha Girls with Fans), Artist, Mortimer Menpes, Australian, Port Adelaide 1855-1938 Pangbourne, England, Menpes, Mortimer, 1855, 1938, 1887-88, 1887

Drawings Prints, Print, Street Scene Japan, Artist, Mortimer Menpes, Australian, Port
Drawings and Prints, Print, Street Scene in Japan, Artist, Mortimer Menpes, Australian, Port Adelaide 1855-1938 Pangbourne, England, Menpes, Mortimer, 1855, 1938, 1887-88, 1887

Drawings Prints, Print, Japanese Booth, ll Buy, Artist, Mortimer Menpes, Australian
Drawings and Prints, Print, A Japanese Booth (Who ll Buy), Artist, Mortimer Menpes, Australian, Port Adelaide 1855-1938 Pangbourne, England, Menpes, Mortimer, 1855, 1938, 1887-88, 1887

Drawings Prints, Print, Paris Shop Front, Artist, Mortimer Menpes, Australian, Port
Drawings and Prints, Print, Paris Shop Front, Artist, Mortimer Menpes, Australian, Port Adelaide 1855-1938 Pangbourne, England, Menpes, Mortimer, 1855, 1938, 1887-1915, 1887

Drawings Prints, Print, Charles in. Howell, Sitter, Artist, Augustus, Mortimer Menpes
Drawings and Prints, Print, Charles A. Howell, Sitter, Artist, Charles Augustus Howell, Mortimer Menpes, British, 1840-1890 London, Australian, Port Adelaide 1855-1938 Pangbourne, England, Howell

Drawings Prints, Print, Breton Beggar, Sitter, Artist, Charles Augustus Howell, Mortimer Menpes
Drawings and Prints, Print, A Breton Beggar, Sitter, Artist, Charles Augustus Howell, Mortimer Menpes, British, 1840-1890 London, Australian, Port Adelaide 1855-1938 Pangbourne, England, Howell

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"Mortimer Menpes: A Master of Artistic Diversity" Step into the world of Mortimer L Menpes, a talented artist and tailor who flourished in the 19th and early 20th centuries. Known for his versatility, Menpes showcased his artistic prowess through various mediums, capturing the essence of different subjects with finesse. In the c1920s, Menpes's tailoring skills were on full display as he meticulously crafted garments that exuded elegance and sophistication. His attention to detail was unmatched, leaving a lasting impression on those fortunate enough to wear his creations. Venturing beyond the realm of fashion, Menpes transported us to enchanting landscapes with his brushstrokes. In 1903, he immortalized a picturesque street in Venice, its charm radiating from every stroke. The vibrant colors and intricate details brought this bustling cityscape to life. Menpes also had an eye for capturing intimate moments within family groups. In c1887 (1901), he painted a heartwarming scene that depicted love and unity among kinfolk. Each brushstroke revealed their unique personalities while preserving their bond for generations to come. Not content with being solely behind the canvas or sewing machine, Menpes turned himself into art as well. In 1899, he sketched himself - a self-portrait that showcased not only his artistic talent but also his introspective nature. Nature itself became one of Menpes's muses as he delved into landscapes such as "A Mountain Torrent" in 1903. With bold strokes depicting rushing water cascading down rocky terrain, he captured both its raw power and serene beauty simultaneously. Magazines featured articles highlighting not just Mortimer Menpes's homes but also those belonging to Lord Leighton – two creative minds intertwined by friendship and shared passion for artistry. These black-and-white photographs offered glimpses into their personal spaces where inspiration thrived.