Moreelse Collection

Portrait of a Gentleman, Standing half length, Wearing a Blue Costume with Gold
659288 Portrait of a Gentleman, Standing half length, Wearing a Blue Costume with Gold Embroidery and a White Lace Collar, (oil on canvas) by Moreelse, Paulus (1571-1638) (attr)

Self-Portrait, ca 1634. Creator: Moreelse, Paulus (1571-1638)
Self-Portrait, ca 1634. Found in the collection of The Mauritshuis, The Hague

The Adoration of the Shepherds, 1630. Found in the collection of Elisabeth Weeshuis Museum Culemborg

The Princess, c1623 (c1927). Artist: Paulus Moreelse
The Princess, c1623 (c1927). The painting is held by the Rijksmuseum, Amsterdam. From Beautiful Children, by Haldane Macfall. [T. C. & E. C. Jack, Ltd. London, c1927]

Portrait of Abraham Bloemaert (1566-1651), 1609. Artist: Moreelse, Paulus (1571-1638)
Portrait of Abraham Bloemaert (1566-1651), 1609. Found in the collection of the Centraal Museum, Utrecht

Heraclitus, 1630. Artist: Moreelse, Johan (Johannes Pauwelsz. ) (c. 1603?1634)
Heraclitus, 1630. Found in the collection of the Centraal Museum, Utrecht

Democritus, 1630. Artist: Moreelse, Johan (Johannes Pauwelsz. ) (c. 1603?1634)
Democritus, 1630. Found in the collection of the Centraal Museum, Utrecht

Portrait of Paulus Moreelse (1571-1638)
Portrait by Paulus Moreelse (1571-1638), 1609. Centraal Museum. Utrecht. Netherlands

Portrait of Abraham Bloemaert (1566-1651), 1609, by Paulus M
Abraham Bloemaert (1566-1651). Dutch painter. Portrait by Paulus Moreelse (1571-1638), 1609. Centraal Museum. Utrecht. Netherlands

Cornelia Bruinzeels, seated, three-quarter length portrait, Moreelse, Paulus, 1571-1638, Women, 1900

MOREELSE: YOUNG LADY. Portrait of a Young Lady with Ruff. Oil painting by Paulus Moreelse, early 17th century

MOREELSE: FLUTE PLAYER. The Flute Player by Paulus Moreelse. Oil painting, 1636

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"Unveiling the Masterpieces of Paulus Moreelse: A Glimpse into the Golden Age" Step into the enchanting world of Paulus Moreelse, a renowned Dutch painter from the 17th century. His exceptional talent is evident in his captivating portraits and religious scenes that have stood the test of time. In "Portrait of a Gentleman, " we witness Moreelse's mastery as he depicts a distinguished man dressed in an exquisite blue costume adorned with gold accents. The attention to detail and subtle play of light showcase his ability to bring life to canvas. Moreelse's self-portrait, created around 1634, offers us a glimpse into the artist's own persona. With confident brushstrokes, he captures his likeness with remarkable precision, revealing both vulnerability and artistic prowess. "The Adoration of the Shepherds" transports us to biblical times as we witness Mary, Joseph, and shepherds gathered around baby Jesus. Moreelse's skillful composition and delicate use of colors create an atmosphere filled with reverence and awe. In "The Princess, " painted circa 1623 but rediscovered in 1927, we are introduced to a young noblewoman exuding grace and elegance. Her regal presence is enhanced by Moreelse's meticulous attention to her attire and intricate details such as lace ruffs. Through "Portrait of Abraham Bloemaert, " executed in 1609, we see how Moreelse masterfully captures not only physical features but also inner emotions. The subject's contemplative expression reflects Bloemaert's intellectual depth while highlighting their close relationship as fellow artists. Johan (Johannes Pauwelsz. ), believed to be one of Moreelse’s students or collaborators, brings forth Heraclitus and Democritus through his paintings inspired by ancient philosophers. These thought-provoking pieces invite viewers to ponder upon contrasting perspectives on life – one embracing change while another seeking stability.