Modernism Collection (page 8)

Mosaic salamander at the entrance to Parc Guell, 1900-1914, Barcelona (photo)
7268934 Mosaic salamander at the entrance to Parc Guell, 1900-1914, Barcelona (photo) by Gaudi, Antoni (1852-1926); (add.info.: " el drac", the dragon, at the main entrance to Parc Guell)

Cover design for L Homme et Son Desir by Paul Claudel, 1917 (colour litho)
498800 Cover design for L Homme et Son Desir by Paul Claudel, 1917 (colour litho) by Parr, Audrey (1892-1940); Private Collection; (add.info.: Collaboration for a ballet with choreography by Claudel)

Crucifix above main altar, La Sagrada Familia, begun 1882 (photo)
7268940 Crucifix above main altar, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Stained glass design, La Sagrada Familia, begun 1882 (photo)
7268946 Stained glass design, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Nave featuring the Virgin Mary, La Sagrada Familia, begun 1882 (photo)
7268950 Nave featuring the Virgin Mary, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Passion. Facade, La Sagrada Familia, begun 1882 (photo)
7268955 Passion. Facade, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona, Spain; (add.info)

Statue of St Mark as an lion, La Sagrada Familia, begun 1882 (photo)
7268941 Statue of St Mark as an lion, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Roof and nave above main altar, La Sagrada Familia, begun 1882 (photo)
7268952 Roof and nave above main altar, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Casa Vicens, 1885), Barcelona (photo)
7268904 Casa Vicens, 1885), Barcelona (photo) by Gaudi, Antoni (1852-1926); (add.info.: by Antoni Gaudi); © Stephen Coyne. All rights reserved 2022

Design in roof above main altar, La Sagrada Familia, begun 1882 (photo)
7268954 Design in roof above main altar, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

The Grand Canal and The Church of Sant Antonio Taumaturgo, Trieste, 1825-1849 (photo)
7268879 The Grand Canal and The Church of Sant Antonio Taumaturgo, Trieste, 1825-1849 (photo) by Nobile, Pietro (1774-1854); (add.info.: The Grand Canal - of Trieste, Italy)

Palace of the Rectorate, Sapienza University in Rome, 1935 (b / w photo)
1730984 Palace of the Rectorate, Sapienza University in Rome, 1935 (b/w photo) by Italian Photographer, (20th century); (add.info.: Sapienza University in Rome 1935)

Flowers and Foliage, published c. 1925 (colour litho)
STC404356 Flowers and Foliage, published c.1925 (colour litho) by Seguy, Emile-Allain (1877-1951); Private Collection; (add.info.: Bouquets et Frondaisons)

Plate 20, from Prismes, 1930 (colour litho)
STC439559 Plate 20, from Prismes, 1930 (colour litho) by Seguy, Emile-Allain (1877-1951); Private Collection; The Stapleton Collection

Atelier-Studio, 1929 (colour litho)
STC373442 Atelier-Studio, 1929 (colour litho) by Matet, Maurice (b.1903); Private Collection; (add.info.: Basement studio and office; ); The Stapleton Collection

Chambre a Coucher, 1925 (colour litho)
STC373436 Chambre a Coucher, 1925 (colour litho) by Chareau, Pierre (1883-1950); Private Collection; The Stapleton Collection

Summer House, 1920s (colour litho)
STC373429 Summer House, 1920s (colour litho) by Bouvet, J. Barbier (fl.1920); Private Collection; The Stapleton Collection

Design from New Floral Designs and Colours, published 1925 (colour litho)
STC404361 Design from New Floral Designs and Colours, published 1925 (colour litho) by Seguy, Emile-Allain (1877-1951); Private Collection; (add.info.: Floreal)

Glasses, cutlery and tableware, from Repertoire of Modern Taste, published 1920s (colour litho)
STC404323 Glasses, cutlery and tableware, from Repertoire of Modern Taste, published 1920s (colour litho) by Matet, Maurice (b.1903); Private Collection; (add.info)

Design for a ladys sitting room, from Moderne Bauformen, 1909 (colour litho)
STC439667 Design for a ladys sitting room, from Moderne Bauformen, 1909 (colour litho) by Saarinen, Eliel (1873-1950); Private Collection; (add.info)

Georgia O Keeffe, 1919-20 (platinum print)
2970973 Georgia O Keeffe, 1919-20 (platinum print) by Stieglitz, Alfred (1864-1946); 25.3x20.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1918 (palladium print)
2968208 Georgia O Keeffe, 1918 (palladium print) by Stieglitz, Alfred (1864-1946); 25.4x20.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Advertising Poster for the General Electric Company [AEG] 1910
696836 Advertising Poster for the General Electric Company [AEG] 1910 by Behrens, Peter (1868-1940); Private Collection; (add.info.: In 1881)

Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho)
660947 Set Design for a Ballet, illustration from Maquettes de Theatre by Alexandra Exter, published 1920s (litho) by Exter

The Boat; Le Bateau, c. 1936 (oil on canvas)
826661 The Boat; Le Bateau, c.1936 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 100x81 cm; Private Collection; (add.info.: The Boat; Le Bateau)

Beach Umbrellas, 1931 (watercolour)
6041498 Beach Umbrellas, 1931 (watercolour) by Dove, Arthur Garfield (1880-1946); 12.2 x 17.7 cm; Private Collection; American, out of copyright

The new aspects of war, a counter-attack by our infantry, with helmets and masks (colour litho)
2815812 The new aspects of war, a counter-attack by our infantry, with helmets and masks (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The new aspects of war)

Georgia O Keeffe, 1919-21 (platinum print)
2970967 Georgia O Keeffe, 1919-21 (platinum print) by Stieglitz, Alfred (1864-1946); 25.3x20.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1922 (gelatin silver print)
2970965 Georgia O Keeffe, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.1x19.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Three women and child bathing under a tree (w / c & ink on paper)
741643 Three women and child bathing under a tree (w/c & ink on paper) by Meninsky, Bernard (1891-1950); 36.9x51.2 cm; University of Liverpool Art Gallery & Collections

The Town; La Ville, c. 1914-1921 (oil on canvas)
828286 The Town; La Ville, c.1914-1921 (oil on canvas) by Exter, Alexandra Alexandrovna (1882-1949); 110x100.3 cm; Private Collection; (add.info.: The Town; La Ville)

Salle de bains I, a Paris, illustration from Interieurs by Leon Moussinac, pub. Albert Levy, 1924-26 (colour litho)
STC469205 Salle de bains I, a Paris, illustration from Interieurs by Leon Moussinac, pub. Albert Levy, 1924-26 (colour litho) by Chareau

Plate 19, from Prismes, 1930 (colour litho)
STC439650 Plate 19, from Prismes, 1930 (colour litho) by Seguy, Emile-Allain (1877-1951); Private Collection; The Stapleton Collection

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"Exploring the Marvels of Modernism: From Piccadilly Plaza Hotel to Park Guell" Step into a world where architectural boundaries are shattered, and creativity knows no limits. Modernism, an artistic movement that emerged in the late 19th century, revolutionized the way we perceive art and design. Embark on a journey through some of its most iconic landmarks. In bustling Manchester, the Piccadilly Plaza Hotel stands tall as a testament to modernist architecture. Its sleek lines and geometric shapes epitomize the movement's emphasis on functionality and simplicity. Traveling south to Barcelona, Catalonia, Spain, one cannot miss Antoni Gaudi's masterpiece - Park Guell. This whimsical park transports visitors into a surreal wonderland with its vibrant colors and organic forms inspired by nature itself. Venturing further east to Targu Jiu in Romania, Constantin Brancusi's "The Endless Column" captivates all who lay eyes upon it. Rising towards infinity with its repetitive patterns, this sculpture embodies modernism's pursuit of abstraction and pure form. Closer to home in Birmingham lies another symbol of modernity - the Bull Ring shopping center. With its striking steel facade and innovative design elements, it showcases how they are transform even commercial spaces into works of art. Across the pond in London stands Hoover Building - an Art Deco gem that seamlessly blends elegance with functionality. Its grandeur serves as a reminder that modernism encompasses various styles within its vast umbrella. Artistic expression takes many forms beyond architecture alone; Théophile Steinlen's famous poster for Le Chat Noir captures Parisian nightlife during this era perfectly – bold lines merging with vivid colors create an atmosphere both mysterious and captivating. Returning once more to Brancusi's "The Endless Column, " this time located in Targu Jiu’s cityscape itself – it becomes clear how such abstract sculptures can harmoniously coexist with their surroundings, leaving an indelible mark on the urban fabric.