Michel Dorigny Collection

Frontispiece, 1647. Creator: Michel Dorigny
Frontispiece, 1647

Diane découvrant la grossesse de Callisto, between 1635 and 1640. Creator: Michel Dorigny
Diane decouvrant la grossesse de Callisto, between 1635 and 1640. Diana discovers the pregnant Callisto. In the shade of drapery hanging from a tree, Diana and her nymphs discover Callisto

Diane et Actéon, between 1635 and 1640. Creator: Michel Dorigny
Diane et Acteon, between 1635 and 1640. Diana and Acteon. Goddess of hunting and her nymphs. Diana, leaning on a rock, holds an arrow and wears a tiara with the symbol of the moon

Studies of Angels (recto); Panthea before Cyrus? (verso), 1655-1660?. Creator: Michel Dorigny
Studies of Angels (recto); Panthea before Cyrus? (verso), 1655-1660?. Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s

Studies of Angels (recto), 1655-1660?. Creator: Michel Dorigny (French, 1617-1665)
Studies of Angels (recto), 1655-1660?. Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s

Panthea before Cyrus? (verso), 1655-1660?. Creator: Michel Dorigny (French, 1617-1665)
Panthea before Cyrus? (verso), 1655-1660?

Hercules And The Hydra Hercules Kills The Hydra
Hercules kills the Hydra, the second of Hercules twelve labours. Hercules nephew Iolaus is doing battle with him against the monster. From a print by Michel Dorigny after the painting by Simon Vouet

Studies Angels recto 1655-1660 Michel Dorigny
Studies of Angels (recto), 1655-1660?. Michel Dorigny (French, 1617-1665). Black chalk heightened with white chalk; sheet: 20 x 25.7 cm (7 7/8 x 10 1/8 in.)

Studies Angels recto Panthea Cyrus verso 1655-1660
Studies of Angels (recto); Panthea before Cyrus? (verso), 1655-1660?. Michel Dorigny (French, 1617-1665). Black chalk heightened with white chalk; sheet: 20 x 25.7 cm (7 7/8 x 10 1/8 in.)

Panthea Cyrus verso 1655-1660 Michel Dorigny
Panthea before Cyrus? (verso), 1655-1660?. Michel Dorigny (French, 1617-1665). Black chalk; sheet: 20 x 25.7 cm (7 7/8 x 10 1/8 in.)

Bacchanal 17th century Black chalk brush gray wash
Artokoloro

Michel Dorigny (French, 1617 - 1665), Faun Embracing a Bacchante, 1650s, etching with engraving on laid paper

Michel Dorigny (French), Putti and Fauns Climbing a Grapevine, 1650s, etching with engraving on laid paper

Michel Dorigny (French, 1617 - 1665), Pan and Syrinx, engraving

Michel Dorigny and Nicolas Chapron and Nicolas Cochin (French, 1617 - 1665), Recueil de Douze Bacchanales, 1650s, portfolio of twelve etchings with engraving, plus frontispiece

Michel Dorigny (French, 1616-1665) after Simon Vouet (French, 1590-1649). St. Margaret with the Dragon, 1639. Engraving and etching

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Michel Dorigny, a French artist from the 17th century, was known for his exquisite studies of angels and mythological scenes. One of his notable works is "Studies of Angels, " which showcases his mastery in capturing the ethereal beauty and delicate features of these celestial beings. In this piece, Dorigny's meticulous attention to detail brings forth a sense of divine grace and serenity. Another intriguing artwork by Dorigny is "Panthea before Cyrus?" On the verso side, this composition depicts a captivating scene that hints at an ancient tale involving Panthea and Cyrus. The artist's skillful use of light and shadow creates a dramatic atmosphere, leaving viewers curious about the unfolding story behind this enigmatic encounter. Dorigny also delved into Greek mythology with his depiction of Hercules battling the Hydra. This dynamic portrayal captures the hero's strength and determination as he confronts this fearsome creature. Through bold brushwork and intense detailing, Dorigny breathes life into this legendary moment. In addition to these mythological themes, Dorigny explored subjects like Bacchanals - lively celebrations dedicated to Bacchus, the Roman god of wine. His work titled "Bacchanal" showcases vibrant figures dancing amidst swirling drapery while reveling in joyous ecstasy. This piece exemplifies Dorigny's ability to capture movement and energy through expressive lines. The artist also excelled in etching techniques as seen in his prints such as "Seated Bacchante with Children. " Here he portrays a serene female figure surrounded by playful cherubs - an embodiment of maternal love intertwined with mythical symbolism. Furthermore, another etching by Dorigny titled "Faun Embracing a Bacchante" reveals his talent for depicting sensuality within classical narratives. The intimate embrace between these two figures exudes passion while showcasing the artist's ability to convey emotion through intricate line work.