Mexico City Ca 18301895 Mexico City Collection

Bullfight, Bull, left, man, right, Jose Guadalupe Posada, Mexican, 1851-1913, Manuel Manilla
Bullfight (Bull on left; 1 man on right), ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

Game, bullring, corrida de toros, Jose Guadalupe Posada, Mexican, 1851-1913, Manuel Manilla
Game of the bullring (corrida de toros), ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), 1924 (published)

proof, true love, watercarrier, skeleton, arguing, woman, Posada, two, skeleton angels
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), Jose Guadalupe Posada (Mexican, 1851-1913), Manuel Manilla (Mexican)

Figure, pierced, arrow, holding a serpent, surrounded, flames, Jose Guadalupe Posada
Figure pierced by an arrow, holding a serpent and surrounded by flames, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

grand skeleton, mole, skeletons, eating mole, drinking, cemetery, Posada, flanked
The grand skeleton mole, skeletons eating mole and drinking in a cemetery (Posada); flanked by skeletons holding scythes (Manilla), Jose Guadalupe Posada (Mexican, 1851-1913)

Man, woman dancing, Jose Guadalupe Posada, Mexican, 1851-1913, Manuel Manilla, Mexican
Man and woman dancing, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

Broadsheet, relating, bullfight, famous bullfighter Rodolfo Gaona, ring, Puebla, 13 December 1908
Broadsheet relating to a bullfight with the famous bullfighter Rodolfo Gaona in the ring at Puebla on 13 December 1908, a description in the bottom section, Recto: Jose Guadalupe Posada (Mexican)

pantheon, all, skeletons, eating, drinking, cemetery, Posada, flanked, skeletons holding scythes
The pantheon of all the skeletons who are eating and drinking in a cemetery (Posada); flanked by skeletons holding scythes (Manilla), Jose Guadalupe Posada (Mexican, 1851-1913)

Bacchus, astride, wine barrel, Jose Guadalupe Posada, Mexican, 1851-1913, Manuel Manilla
Bacchus astride a wine barrel, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

Miraculous fountain, Jose Guadalupe Posada, Mexican, 1851-1913, Manuel Manilla, Mexican
Miraculous fountain, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

arrival, skeletons, penitentiary, Posada, two skeleton angels, lower corners, verso
The arrival of the skeletons of the penitentiary (Posada); two skeleton angels in lower corners of verso (Manilla), Jose Guadalupe Posada (Mexican, 1851-1913), Manuel Manilla (Mexican)

woman, standing, countryside pointing, tub, water, Jose Guadalupe Posada, Mexican
A woman standing in the countryside pointing to a tub of water, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

Broadsheet, relating, skeletons rising, graves, two skeletons duelling, swords, Jose
Broadsheet relating to skeletons rising from their graves, two skeletons duelling with swords, Jose Guadalupe Posada (Mexican, 1851-1913), Manuel Manilla (Mexican, Mexico City ca)

Two men, leaning, barrel, drinking, Jose Guadalupe Posada, Mexican, 1851-1913, Manuel Manilla
Two men leaning on a barrel and drinking, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

man, standing, front, three monuments, Jose Guadalupe Posada, Mexican, 1851-1913
A man standing in front of three monuments, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

Bacchus, victims, alcholism drinking together, Jose Guadalupe Posada, Mexican, 1851-1913
Bacchus and victims of alcholism drinking together, ? Jose Guadalupe Posada (Mexican, 1851-1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830-1895 Mexico City), ca 1890-1910

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"Mexico City ca. 1830-1895: A Glimpse into the Artistic World of Jose Guadalupe Posada and Manuel Manilla" Step back in time to Mexico City during the years 1830-1895, where a vibrant artistic scene thrived. Amongst the bustling streets and lively atmosphere, two renowned Mexican artists emerged - Jose Guadalupe Posada and Manuel Manilla. In this captivating era, bullfighting was a popular spectacle that captured the attention of both locals and visitors alike. The image of a powerful bull charging from the left while a fearless man stands his ground on the right is beautifully depicted by Posada and Manilla. Their artwork perfectly captures the intensity and drama of corrida de toros within a bullring. But art wasn't limited to just showcasing thrilling events; it also delved into deeper themes such as love, life, and death. Posada's poignant creation portrays proof of true love amidst an argument between a watercarrier woman and her partner - both transformed into skeletons. Two skeleton angels watch over them with solemn expressions, reminding us of our mortality. Posada's mastery extended beyond human figures; he skillfully crafted an intriguing figure pierced by an arrow while holding a serpent amidst flames. This mesmerizing piece symbolizes struggle surrounded by chaos but also hints at resilience in adversity. Broadside publications played an essential role in disseminating news or entertainment during this period. One such broadside contained legitimate verses brought by Lino Zamora from Real de Zacatecas - providing insight into cultural exchange through literature. Posada's fascination with skeletons continued as he created another masterpiece featuring grand skeletons indulging in mole dishes while drinking inside a cemetery setting flanked by other skeletal beings. This unique portrayal adds an element of whimsy to death itself. Dancing was not only reserved for living souls; even skeletons took part.