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Metsys Collection

Quentin Metsys, a renowned Flemish painter of the 16th century, left an indelible mark on the art world with his diverse range of works

Background imageMetsys Collection: Triptych of the Descent. Descent from the Cross by Matsys

Triptych of the Descent. Descent from the Cross by Matsys
Quentin Matsys (circa 1466-1530). Flemish painter. Triptych of the Descent. Descent from the Cross. Lazaro Galdiano Museum. Madrid. Spain

Background imageMetsys Collection: A Merry Company (oil on panel)

A Merry Company (oil on panel)
3930819 A Merry Company (oil on panel) by Massys or Metsys, Jan (1509-75); 91x128 cm; National Museum, Stockholm, Sweden

Background imageMetsys Collection: Erasmus, medallion attributed to Quentin Massys (engraving)

Erasmus, medallion attributed to Quentin Massys (engraving)
672383 Erasmus, medallion attributed to Quentin Massys (engraving) by Massys or Matsys, Quentin (c.1466-1530); Private Collection; (add.info.: Erasmus, medallion attributed to Quentin Massys)

Background imageMetsys Collection: Quentin Matsys (engraving)

Quentin Matsys (engraving)
820830 Quentin Matsys (engraving) by German School, (19th century); Private Collection; (add.info.: Quentin Matsys. Painter in the Flemish tradition and a founder of the Antwerp school (1466-1529)

Background imageMetsys Collection: The Adoration of the Magi, 1526. Creator: Quentin Metsys I

The Adoration of the Magi, 1526. Creator: Quentin Metsys I
The Adoration of the Magi, 1526

Background imageMetsys Collection: The Rest on the Flight into Egypt, ca. 1540. Creator: Follower of Quentin Metsys

The Rest on the Flight into Egypt, ca. 1540. Creator: Follower of Quentin Metsys
The Rest on the Flight into Egypt, ca. 1540

Background imageMetsys Collection: Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

Background imageMetsys Collection: The Moneylenders, c1515, (1912). Artist: Quentin Metsys I

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageMetsys Collection: The Moneylender and his Wife, 1514. Artist: Quentin Metsys I

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Background imageMetsys Collection: Head of Christ, c15th century, (1905). Artist: Quentin Metsys I

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

Background imageMetsys Collection: St Mary Magdalene, (1927). Artist: Quentin Metsys I

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Background imageMetsys Collection: Petrus Aegidius, (1927). Artist: Quentin Metsys I

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageMetsys Collection: The Misers, c1480-1530 (1843). Artist: J Jackson

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageMetsys Collection: Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageMetsys Collection: The Adoration of the Magi, 1526. Artist: Quentin Metsys I

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Background imageMetsys Collection: Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Background imageMetsys Collection: Triptych, c1486-1530. Artist: Quentin Metsys I

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

Background imageMetsys Collection: A Grotesque Old Woman, possibly Princess Margaret of Tyrol, c. 1525-30 (oil on panel)

A Grotesque Old Woman, possibly Princess Margaret of Tyrol, c. 1525-30 (oil on panel)
XIR2362 A Grotesque Old Woman, possibly Princess Margaret of Tyrol, c.1525-30 (oil on panel) by Massys, Quentin (c.1466-1530) (attr)

Background imageMetsys Collection: Quintin Massys 1465 Or 1456 - 1530 Flemish Artist From 75 Portraits Of Celebrated Painters From

Quintin Massys 1465 Or 1456 - 1530 Flemish Artist From 75 Portraits Of Celebrated Painters From Authentic Originals Etched By James Girtin Published London 1817

Background imageMetsys Collection: Henry VIII / Metsys

Henry VIII / Metsys
KING HENRY VIII at the end of his life

Background imageMetsys Collection: Ecce Homo, 1515 (oil on panel)

Ecce Homo, 1515 (oil on panel)
XJL38720 Ecce Homo, 1515 (oil on panel) by Massys, Quentin (c.1466-1530) (attr. to); 160x120 cm; Prado, Madrid, Spain; Dutch, out of copyright

Background imageMetsys Collection: Portrait of Henry VIII, 1548 (engraving) (b / w photo)

Portrait of Henry VIII, 1548 (engraving) (b / w photo)
XJF323070 Portrait of Henry VIII, 1548 (engraving) (b/w photo) by Massys, Cornelis (1508-80); National Portrait Gallery, London, UK; (add.info.: Henry VIII (1491-1547)

Background imageMetsys Collection: The Temptation of St. Anthony (oil on panel)

The Temptation of St. Anthony (oil on panel)
XIR61796 The Temptation of St. Anthony (oil on panel) by Patenier, J. (1487-1524) and Massys Q. (1466-1530); 155x173 cm; Prado, Madrid, Spain; Netherlandish, out of copyright

Background imageMetsys Collection: The Temptation of St. Anthony (oil on panel)

The Temptation of St. Anthony (oil on panel)
XIR175157 The Temptation of St. Anthony (oil on panel) by Massys, Cornelis (1508-80); 67x93.5 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels

Background imageMetsys Collection: DESIDERIUS ERASMUS (1466?-1536). Known as Erasmus of Rotterdam. Dutch humanist and scholar

DESIDERIUS ERASMUS (1466?-1536). Known as Erasmus of Rotterdam. Dutch humanist and scholar. Oil on panel, 1517, by Quentin Massys

Background imageMetsys Collection: Triptych of the Crucifixion. Artist, Quentin Metsys (c1466-1531). Dutch

Triptych of the Crucifixion. Artist, Quentin Metsys (c1466-1531). Dutch

Background imageMetsys Collection: The Adoration of the Magi, 1526. Oil on wood. Quentin Metsys (also Matsys or

The Adoration of the Magi, 1526. Oil on wood. Quentin Metsys (also Matsys or Massys - 1465-1530) Netherlandish painter. Antwerp Mannerist

Background imageMetsys Collection: Quentin Massys

Quentin Massys
QUENTIN MASSYS (or Matsys, Metsys etc) Flemish artist from Antwerp fiddling with his ring. Date: 1466? - 1530

Background imageMetsys Collection: MONEYCHANGER & WIFE. Oil on panel, 1514, by Quentin Metsys

MONEYCHANGER & WIFE. Oil on panel, 1514, by Quentin Metsys

Background imageMetsys Collection: Massys / Quentin / Academie

Massys / Quentin / Academie
QUENTIN MASSYS or MATSYS, MESSYS or METSYS Flemish painter


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Quentin Metsys, a renowned Flemish painter of the 16th century, left an indelible mark on the art world with his diverse range of works. From religious masterpieces to lively scenes of merry companies, Metsys showcased his exceptional talent and versatility. One notable triptych that exemplifies Metsys' skill is "The Descent from the Cross. " This captivating piece captures the solemnity and grief surrounding Christ's crucifixion. With meticulous attention to detail and emotive brushstrokes, Metsys conveys the anguish felt by those present at this pivotal moment in history. In contrast to this somber scene, "A Merry Company" depicts a joyous gathering filled with laughter and revelry. Through vibrant colors and animated expressions, Metsys transports us to a lively tavern where people celebrate life's pleasures. This painting showcases his ability to capture human emotions in various contexts, not only skilled in painting but also excelled as an engraver. His medallion attributed to Erasmus demonstrates his mastery of this intricate art form. The finely detailed lines etched into metal create a lifelike representation of Erasmus' likeness, showcasing both technical precision and artistic flair. "The Adoration of the Magi" is another testament to Metsys' talent for religious subjects. In this work, he portrays the biblical scene with reverence and awe-inspiring beauty. The delicate brushwork brings each figure to life while capturing their devotion towards baby Jesus. Moving beyond religious themes, it also ventured into portraiture with pieces like "Portrait of a Woman. " Here he reveals his ability to capture individual characteristics through subtle details such as facial expressions and clothing choices. Each stroke adds depth and personality to the subject's visage. Amongst his most famous works are "The Moneylenders" series which includes "The Moneylender, " as well as its companion piece "The Moneylender and his Wife.