Metamorphoses Collection (page 18)

Plate 19 Minerva Envy Cave Pallas Invidiam Aglaurum incitat
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Plate 112 Agamemnon Sacrificing Iphigenia Iphigenia Agamemnoni immolanda
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Plate 71 Procris Killed Cephalus Javelin Procridem inscius interficit Cephalus
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Plate 81 Erysichthon Selling Daughter Diversas induta Mitra diversis divenditur
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Titlepage Ovid Metamorphoses 1606 Etching Sheet
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Plate 131 Scylla Changed Circe Spell Circes veneficy
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Plate 149 Aesculapius Serpent Romans AEsculapius
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Plate 82 Hercules Achelou Luctatur et vincit Acheolum Hercules
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Plate 13 Jupiter Callisto Calisto Iove comprimitur
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Plate 103 Neptune Sending Deluge Troy Neptunus ob violatum
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Venus Adonis ca 1570 Engraving Sheet 12 5 / 8 x 8 7 / 8
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Plate 116 Battle Lapithae Centaurs Caeneus Perithoi nuptijs
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Plate 86 Birth Hercules Iuno compresz genibus Alcumenae partum differt
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Pygmalion Galatea ca 1890 Oil canvas 35 x 27
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Plate 148 Aesculapius Speaking Romans Epidauro
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Plate 110 Morpheus Ceyx Appearing Alcyone Morpheus Ceycis corpus Halcyoni representat
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Plate 98 Metamorphosis Adonis Apri dente Adonis interimitur
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Plate 101 Bacchus Granting Midas Wish Ob restitutum Silenum Midae
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Plate 130 Scylla Glaucus Deus marinus effectus Glaucus Scyllae nuptias ambit
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Plate 109 Iris Giving Sleep Juno Command Somno Iunonis mandata exponit
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Plate 29 Bacchus Changing Kidnappers Monsters
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Plate 145 Hersilia Heavens Hersilia Romuli coniunx
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Plate119 Death Ajax Aiax moretm Sibi consciscens
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Plate 117 Dispute Achilles Armor Disceptatio inter Aiacem et Ulyssem propter arma
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Plate 33 Apollo Vulcan Forge Coniugis furtum Sol Vulcano detegit
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Fall Phaeton late 16th-early 17th century Pen
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Perseus Origin Coral ca 1671 Black chalk sepia
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Midas Washing Source Pactolus ca 1627 Oil canvas
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Golden Age 1605 Oil copper 8 7 / 8 x 12 22. 5 30. 5 cm
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Vertumnus Pomona Brown chalk 13 9 / 16 x 8 15 / 16
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Deucalion and Pyrrha (oil on canvas)
XIR438818 Deucalion and Pyrrha (oil on canvas) by Beccafumi, Domenico (1486-1551); Museo Horne, Florence, Italy; (add.info.: last survivors of the Deluge and had to repopulate the earth; ); Italian

Apollo and Daphne (oil on canvas)
XIR429090 Apollo and Daphne (oil on canvas) by Appiani, Andrea the Elder (1754-1817); Pinacoteca di Brera, Milan, Italy; (add.info.: Apollon et Daphne; ); Italian, out of copyright

Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, c
XBP335698 Deucalion and Pyrrha Repeople the World by Throwing Stones Behind Them, c.1636 (oil on canvas) by Rubens, Peter Paul (1577-1640); 26.5x41.5 cm; Prado, Madrid

Daphne and Apollo, c. 1470-80 (oil on panel)
XCF946 Daphne and Apollo, c.1470-80 (oil on panel) by Pollaiuolo, Antonio (1432/3-98); 29.5x20 cm; National Gallery, London, UK; Italian, out of copyright

Pan and Syrinx, 1759
BAL72622 Pan and Syrinx, 1759 by Boucher, Francois (1703-70); 32.4x41.9 cm; National Gallery, London, UK; French, out of copyright

The Death of Actaeon, c. 1565 (oil on canvas)
BAL28850 The Death of Actaeon, c.1565 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 175.8x197.8 cm; National Gallery, London

2619171; out of copyright

Echo and Narcissus (oil on canvas)
XIR26241 Echo and Narcissus (oil on canvas) by Poussin, Nicolas (1594-1665); 74x100 cm; Louvre, Paris, France; French, out of copyright

Desperate Adolescent, or Narcissus, 1885-90 (bronze) (b / w photo)
XIR202751 Desperate Adolescent, or Narcissus, 1885-90 (bronze) (b/w photo) by Rodin, Auguste (1840-1917); 30.4x11.2x11.2 cm; Musee Sainte-Croix, Poitiers, France; French, out of copyright

Pan and Syrinx, Albert Meyeringh, 1695 - 1714

Diana and Actaeon, Monogrammist FME, Julius Goltzius, 1575 - 1595

Daphne transformed into a laurel tree, Hieronymus Cock, Matthys Cock, c. 1551 - before 1558

Mercury is pointing to the cow Io and looks at Argus, which sits on a stone block, scene from Ovids Metamorphoses, Met. I, 679-688, print maker: Moyses van Wtenbrouck (mentioned on object)

The Calydonian Boar Hunt, c. 1611-2 (oil on panel)
XOS1765306 The Calydonian Boar Hunt, c.1611-2 (oil on panel) by Rubens, Peter Paul (1577-1640); 59.2x89.7 cm; J. Paul Getty Museum, Los Angeles

Pyramus and Thisbe (oil on panel)
XIR175917 Pyramus and Thisbe (oil on panel) by Cranach, Lucas, the Elder (1472-1553); Neue Residenz, Bamberg, Germany; (add.info.: parents would not allow them to marry; meeting at the Tomb of Ninus)

Ceres and Cyane (oil on canvas)
XIR232617 Ceres and Cyane (oil on canvas) by Soens, Jan (c.1553-c.1614); 144x182.4 cm; Musee des Beaux-Arts, Valenciennes, France; Flemish, out of copyright

Iphis changed by Isis young man, Cornelis van Dalen (II), Nicolaes Pietersz. Berchem, F. Poppens, 1648 - 1664

Mercury with the head of Argus, Hieronymus Cock, Matthys Cock, c. 1551 - before 1558

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"Metamorphoses: A Journey Through Transformations in Art and Nature" Step into a world of enchantment as we explore the captivating theme of metamorphoses. From ancient myths to intricate artworks, this collection unravels the essence of transformation. In Caravaggio's masterpiece "Narcissus and Echo, " witness the tragic tale of self-obsession and unrequited love. Michelangelo's brushstrokes immortalize Narcissus' longing gaze, forever trapped by his own reflection. Marvel at the marble sculpture "Apollo and Daphne, " frozen in time as Apollo reaches out for his beloved nymph who transforms into a laurel tree before his very eyes. The delicate details capture both beauty and anguish in this mythological metamorphosis. The fresco "Marriage of Cupid and Psyche" transports us to a realm where mortal meets divine. Admire their union amidst celestial beings, symbolizing the transformative power of love that transcends all boundaries. Nature too reveals its wonders through metamorphosis. Behold the vibrant Cinnabar moth gracefully perched on ragwort, showcasing nature's ability to change form with grace and elegance. Satirical artwork depicting animal magnetism humorously explores transformations beyond physicality. Delve into these witty illustrations that challenge our perception of reality with their whimsical take on transformation. Witness the life cycle unfold as silk moths emerge from cocoons while silkworms feast upon mulberry leaves. This symbiotic relationship between insect and plant showcases nature's remarkable ability to transform itself for survival. A mask adorned with vine leaves and grapes reminds us of Dionysian revelry, where masks allow individuals to shed their identities temporarily, embracing new personas during celebrations - yet another form of metamorphosis experienced by humans throughout history. Orpheus Leading Eurydice from the Underworld depicts an emotional journey filled with hope but ultimately ending in tragedy.