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Mesoamerican Collection

"Mesoamerican Marvels

Background imageMesoamerican Collection: DIEGO RIVERA: DETROIT. Automobile Industry. Large detail of Diego Riveras mural at The Detroit

DIEGO RIVERA: DETROIT. Automobile Industry. Large detail of Diego Riveras mural at The Detroit Institute of Arts, 1932-1933

Background imageMesoamerican Collection: RIVERA: DAY OF THE DEAD. Feast of the Day of the Dead. Mural by Diego Rivera at the Ministry of

RIVERA: DAY OF THE DEAD. Feast of the Day of the Dead. Mural by Diego Rivera at the Ministry of Public Education, Mexico City

Background imageMesoamerican Collection: RIVERA: PRE-COLUMBIAN LIFE. The Zapotec Civilization. Mural, c1925

RIVERA: PRE-COLUMBIAN LIFE. The Zapotec Civilization. Mural, c1925, by Diego Rivera at the Ministry of Public Education, Mexico City

Background imageMesoamerican Collection: DIEGO RIVERA: DETROIT. Detail from Diego Riveras mural depicting the American automobile industry

DIEGO RIVERA: DETROIT. Detail from Diego Riveras mural depicting the American automobile industry at The Detroit Institute of Arts, 1932-1933

Background imageMesoamerican Collection: Detail of Diego Riveras mural at the Detroit Institute of Arts depicting the American automobile

Detail of Diego Riveras mural at the Detroit Institute of Arts depicting the American automobile industry, 1932-33
DIEGO RIVERA: DETROIT. Detail of Diego Riveras mural at the Detroit Institute of Arts depicting the American automobile industry, 1932-33

Background imageMesoamerican Collection: MEXICO: 1810 REVOLUTION. The Cry of Dolores, Miguel Hidalgos call to revolt, 16 September 1810

MEXICO: 1810 REVOLUTION. The Cry of Dolores, Miguel Hidalgos call to revolt, 16 September 1810. Detail of the mural by Juan O Gorman, 20th century

Background imageMesoamerican Collection: DIEGO RIVERA: DETROIT. The central scene in Diego Riveras mural

DIEGO RIVERA: DETROIT. The central scene in Diego Riveras mural, depicting the American automobile industry at The Detroit Institute of Arts, 1932-1933

Background imageMesoamerican Collection: Codex Borgia. Ritual and divinatory mesoamerican

Codex Borgia. Ritual and divinatory mesoamerican manuscript written in Nahuatl before of the conquest of Mexico. It is related with the aztec calendar Tonalpohualli

Background imageMesoamerican Collection: TENOCHTITLAN (MEXICO CITY) at the time of the Spanish Conquest: colored woodcut, 1556

TENOCHTITLAN (MEXICO CITY) at the time of the Spanish Conquest: colored woodcut, 1556

Background imageMesoamerican Collection: RIVERA: SCHOOLTEACHER. The Rural School Teacher

RIVERA: SCHOOLTEACHER. The Rural School Teacher. Mural by Diego Rivera (1886-1957) at the Ministry of Public Education, Mexico City

Background imageMesoamerican Collection: Two women at work in a Mexican kitchen. Painting by an unknown artist, c1850

Two women at work in a Mexican kitchen. Painting by an unknown artist, c1850
MEXICO: KITCHEN, c1850. Two women at work in a Mexican kitchen. Painting by an unknown artist, c1850

Background imageMesoamerican Collection: TENOCHTITLAN (MEXICO CITY). Mexico City at the time of the Spanish Conquest

TENOCHTITLAN (MEXICO CITY). Mexico City at the time of the Spanish Conquest: colored woodcut from the Latin edition of Cortes Second Letter, Nuremberg, 1524

Background imageMesoamerican Collection: FRANCISCO PANCHO VILLA (1877-1923). Mexican revolutionary leader

FRANCISCO PANCHO VILLA (1877-1923). Mexican revolutionary leader. Photographed wearing bandoliers with his military staff during the Mexican Revolution, c1913

Background imageMesoamerican Collection: DIEGO RIVERA: DETROIT. Edsel B. Ford, extreme right, and William Valentiner in a detail from Diego

DIEGO RIVERA: DETROIT. Edsel B. Ford, extreme right, and William Valentiner in a detail from Diego Riveras mural depicting the American automobile industry at The Detroit Institute of Arts, 1932-1933

Background imageMesoamerican Collection: MEXICO: INDIANS, c1500. P urhepecha (Tarascan) Indians of Michoacan Province, Mexico

MEXICO: INDIANS, c1500. P urhepecha (Tarascan) Indians of Michoacan Province, Mexico, flee their village shortly before the arrival of Spanish conquistadors

Background imageMesoamerican Collection: TEXAS FLAG, 1842. Texas flag seized from Texan prisoners during a Mexican raid on San Antonio

TEXAS FLAG, 1842. Texas flag seized from Texan prisoners during a Mexican raid on San Antonio and a subsequent battle at Mier, Mexico, 1842

Background imageMesoamerican Collection: TIKAL: MAYAN INSCRIPTION. Canoe scene inscribed on an animal bone in the burial

TIKAL: MAYAN INSCRIPTION. Canoe scene inscribed on an animal bone in the burial chamber of a Mayan king at Tikal, Guatemala, c731 A.D

Background imageMesoamerican Collection: TENOCHTITLAN (MEXICO CITY). Great Tenochtitlan / The Market: detail from Diego Riveras mural of

TENOCHTITLAN (MEXICO CITY). Great Tenochtitlan / The Market: detail from Diego Riveras mural of market day in the Aztec
TENOCHTITLAN (MEXICO CITY). Great Tenochtitlan/The Market: detail from Diego Riveras mural of market day in the Aztec capital. The Great Temple is seen in background

Background imageMesoamerican Collection: MEXICO: NUN, 16th CENTURY. Sor Juana Ines de La Cruz, niece of Hernan Cortes, dressed

MEXICO: NUN, 16th CENTURY. Sor Juana Ines de La Cruz, niece of Hernan Cortes, dressed elaborately for her entry into the convent which she founded in Mexico City. Oil on canvas, Mexican, 18th century

Background imageMesoamerican Collection: OROZCO: BENITO JUAREZ, 1867. The return of Benito Juarez (1806-1872) to Mexico City, 15 July 1867

OROZCO: BENITO JUAREZ, 1867. The return of Benito Juarez (1806-1872) to Mexico City, 15 July 1867. Detail of a mural, 1972, by Antonio Gonzalez Orozco

Background imageMesoamerican Collection: MEXICO: AZTEC SACRIFICE. Aztecs offering human sacrifices to the sun-god

MEXICO: AZTEC SACRIFICE. Aztecs offering human sacrifices to the sun-god. Aztecs performing ritual sacrifice on a stone inscribed with the Aztec account of their history. Drawing, late 19th century

Background imageMesoamerican Collection: Mexico - Teotihuacan - Temple of Quetzacoatal

Mexico - Teotihuacan - Temple of Quetzacoatal
Mexico - Teotihuacan - Aztec Pyramid Temple of Quetzalcoatl ( The Temple of the Feathered Serpent ) - elaborate exterior stone carving with dragon and lizard heads

Background imageMesoamerican Collection: MEXICO: OLMEC HEAD. Olmec colossal head number 2, at Parque La Venta, Tabasco, Mexico, 800-200 B. C

MEXICO: OLMEC HEAD. Olmec colossal head number 2, at Parque La Venta, Tabasco, Mexico, 800-200 B. C
MEXICO: OLMEC HEAD. Olmec colossal head number 2, at Parque La Venta, Tabasco, Mexico, 800-200 B.C

Background imageMesoamerican Collection: ADOLFO BEST-MAUGARD (1891-1965). Mexican artist. Oil on canvas by Diego Rivera, 1913

ADOLFO BEST-MAUGARD (1891-1965). Mexican artist. Oil on canvas by Diego Rivera, 1913

Background imageMesoamerican Collection: RIVERA: RAIN. Mural by Diego Rivera at the Ministry of Public Education, Mexico City

RIVERA: RAIN. Mural by Diego Rivera at the Ministry of Public Education, Mexico City

Background imageMesoamerican Collection: RIVERA: CUERNAVACA. Diego Rivera: The Taking of Cuernavaca. Detail of fresco in Cortez-Palace

RIVERA: CUERNAVACA. Diego Rivera: The Taking of Cuernavaca. Detail of fresco in Cortez-Palace, Cuernevaca, Mexico

Background imageMesoamerican Collection: DIEGO RIVERA: HENRY FORD. Detail from Diego Riveras mural depicting the American automobile

DIEGO RIVERA: HENRY FORD. Detail from Diego Riveras mural depicting the American automobile industry at The Detroit Institue of Arts, 1932-1933

Background imageMesoamerican Collection: MEXICAN COWBOYS in one of Buffalo Bills Wild West Shows: oil over a photograph, c. 1900

MEXICAN COWBOYS in one of Buffalo Bills Wild West Shows: oil over a photograph, c. 1900

Background imageMesoamerican Collection: AZTEC ROCK CRYSTAL SKULL. Mexico, 15th century

AZTEC ROCK CRYSTAL SKULL. Mexico, 15th century

Background imageMesoamerican Collection: Trocortesian or Madrid Codex. s. XIV. Detail

Trocortesian or Madrid Codex. s. XIV. Detail
Trocortesian or Madrid Codex. s.XIV. Detail

Background imageMesoamerican Collection: Map of Nueva Espa񡠨1767) by Jos頁ntonio Alzate

Map of Nueva Espa񡠨1767) by Jos頁ntonio Alzate
Map of Nueva Espa񡠨 1767) by Jos頁 ntonio Alzate. Addressed to the Cardinal and General Inquisitor Francisco Antonio de Lorenzana. SPAIN. Madrid. Navy Museum

Background imageMesoamerican Collection: MEXICO: MIXTEC CODEX. Mixtecs coming to worship at a shrine and cross erecting by Spanish

MEXICO: MIXTEC CODEX. Mixtecs coming to worship at a shrine and cross erecting by Spanish missionaries. Engraving after the Codex Porfirio Diaz, early 16th century

Background imageMesoamerican Collection: MAP: MEXICO. Color engraving, American, c1900

MAP: MEXICO. Color engraving, American, c1900

Background imageMesoamerican Collection: MEXICO: MONTERREY, c1846. Scene at Monterrey, Mexico. Line engraving, 19th century

MEXICO: MONTERREY, c1846. Scene at Monterrey, Mexico. Line engraving, 19th century

Background imageMesoamerican Collection: PEDRO de AMPUDIA (fl. 1840). Mexican general. Line engraving, 19th century

PEDRO de AMPUDIA (fl. 1840). Mexican general. Line engraving, 19th century

Background imageMesoamerican Collection: POSADA: SEVEN DEADLY SINS. A rich man hounded by the Seven Deadly Sins

POSADA: SEVEN DEADLY SINS. A rich man hounded by the Seven Deadly Sins. Type metal engraving, early 20th century, by Jos

Background imageMesoamerican Collection: Mexico. Uxmal. Pyramid of the Magician

Mexico. Uxmal. Pyramid of the Magician
Pyramid of the Magician. 6th-10th c. MEXICO. YUCATN. Uxmal. Puuc style. Maya art

Background imageMesoamerican Collection: VELASCO: THE TRAIN, 1897. The Train, in the shadow of the volcano El Citlaltepetl

VELASCO: THE TRAIN, 1897. The Train, in the shadow of the volcano El Citlaltepetl, in southern Mexico. Oil on canvas by Jos© Mar├¡a Velasco, 1897

Background imageMesoamerican Collection: SPANISH SETTLER, 1852. An early Spanish settler in California: American, engraving, 1852

SPANISH SETTLER, 1852. An early Spanish settler in California: American, engraving, 1852

Background imageMesoamerican Collection: Temple of Kukulcan, Chichen Itza, Yucatan, Mexico

Temple of Kukulcan, Chichen Itza, Yucatan, Mexico

Background imageMesoamerican Collection: Mexico, Mexico City, Aztec, Templo Mayor, Great Temple, Wall of Skulls, Metropolitan

Mexico, Mexico City, Aztec, Templo Mayor, Great Temple, Wall of Skulls, Metropolitan Cathedral in Background, Centro Historico

Background imageMesoamerican Collection: The Aztec Calendar Stone, or Stone of the Sun, National Museum, Mexico City, c1930s

The Aztec Calendar Stone, or Stone of the Sun, National Museum, Mexico City, c1930s. A name glyph of Aztec ruler Moctezuma II suggests the basalt Aztec sun stone was carved c1502- 1521

Background imageMesoamerican Collection: Mexico, Mexico City, Walls Of The Templo Mayor, Aztec Ruins, Great Temple, Tenochtitlan

Mexico, Mexico City, Walls Of The Templo Mayor, Aztec Ruins, Great Temple, Tenochtitlan, Cathedral In Background, Temple Buried Underneath The Main Plaza, Centro Historico

Background imageMesoamerican Collection: Central America, Belize, Cayo; a kapok tree in the Caracol archaeological site in

Central America, Belize, Cayo; a kapok tree in the Caracol archaeological site in the Chiquibul Forest Reserve

Background imageMesoamerican Collection: Royal belt ornament, c.500-700 (jadeite)

Royal belt ornament, c.500-700 (jadeite)
1068472 Royal belt ornament, c.500-700 (jadeite) by Mayan; 13.02x16.8275x4.13 cm; Dallas Museum of Art, Texas, USA; (add.info.: Classic period Maya culture); The Nora and John Wise Collection

Background imageMesoamerican Collection: Mexico, Quintana Roo, El Castillo Pyramid in Chichen Itza archeological site

Mexico, Quintana Roo, El Castillo Pyramid in Chichen Itza archeological site
2040-210378-01

Background imageMesoamerican Collection: Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph)

Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph)
ELD4918779 Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph) by Reid, Stephen (1873-1948); (add.info)

Background imageMesoamerican Collection: Hernan Cortes meeting Montezuma II in 1519, 19th century (print)

Hernan Cortes meeting Montezuma II in 1519, 19th century (print)
3434841 Hernan Cortes meeting Montezuma II in 1519, 19th century (print) by Gallina, Gallo (1796-1874); (add.info.: Handcoloured copperplate print by Ant)



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"Mesoamerican Marvels: Exploring Diego Rivera's Captivating Murals and Mexico's Rich History" Step into the world of Mesoamerica through the mesmerizing murals of renowned artist Diego Rivera. One such masterpiece, "Detroit, " captures the essence of the booming automobile industry in 1930s America. With intricate details, Rivera showcases the power and innovation that defined this era. In another mural titled "Day of the Dead, " located at Mexico City's Ministry of Public Education, Rivera delves into a beloved Mexican tradition. The vibrant feast celebrates life and honors ancestors with colorful altars adorned with marigolds and sugar skulls. Through his artistry, Rivera immortalizes this cultural celebration. Rivera also pays homage to pre-Columbian civilizations like the Zapotec in his mural at Mexico City's Ministry of Public Education. This captivating piece from 1925 depicts their rich history and achievements, showcasing their advanced society long before European colonization. The Detroit Institute of Arts houses yet another stunning work by Rivera - a detailed section from his automotive industry mural. Here, he skillfully portrays workers laboring amidst towering machinery, symbolizing both progress and human struggle during an industrial revolution. Travel back even further in time to Tenochtitlan (Mexico City) during Spanish conquest through a vividly colored woodcut from 1556. This artwork provides a glimpse into the grandeur that once graced these ancient streets before foreign influence reshaped its landscape forever. Juan O Gorman's mural depicting Miguel Hidalgo's call for revolution on September 16th, 1810 is another powerful representation of Mexican history. It captures the spirit and bravery that fueled Mexico's fight for independence against colonial rule. Returning to Diego Rivera’s "Detroit" mural at The Detroit Institute of Arts reveals its central scene - an awe-inspiring depiction highlighting every aspect of American automobile production during that era. From assembly lines to bustling factories, Rivera showcases the magnitude of this industry's impact.