Mazilier Collection

Ballet dancer Lucien Petipa as Lyonel in Lady Henriette by Mazilier, Academy Royale de Musique, 1844
FLO4632622 Ballet dancer Lucien Petipa as Lyonel in Lady Henriette by Mazilier, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique

A fool from "La Fonti" at the Academie Imperiale de Musique
5855484 A fool from "La Fonti" at the Academie Imperiale de Musique; (add.info.: A fool from "La Fonti" at the Academie Imperiale de Musique)

Mlle. Rosati in "Les Boucaniers" at the Academie Imperiale du Musique
5855461 Mlle. Rosati in "Les Boucaniers" at the Academie Imperiale du Musique.; (add.info.: Mlle. Rosati in "Les Boucaniers" at the Academie Imperiale du Musique)

Mlle. Caroline Lassiat in Mazilier's "Orfa" at the Academie Imperiale de Musique
5855425 Mlle. Caroline Lassiat in Mazilier's "Orfa" at the Academie Imperiale de Musique; (add.info.: Mlle. Caroline Lassiat (1820-1885)

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844
FLO4632651 Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie

Mlle. Cerrito in Orfa at the Academie Imperiale de Musique
5855423 Mlle. Cerrito in Orfa at the Academie Imperiale de Musique; (add.info.: Mlle. Fanny Cerrito in Mazilier's "Orfa" at the Academie Imperiale de Musique)

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academy Royale de Musique, 1844
FLO4632679 Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique

Ballet dancer Celestine Emarot as Addison in Lady Henriette by Mazilier, Academy Royale de Musique, 1844
FLO4632722 Ballet dancer Celestine Emarot as Addison in Lady Henriette by Mazilier, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie

Ballet dancer Lucien Petipa as Lyonel in Lady Henriette by Mazilier, Academie Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique

Ballet dancer Celestine Emarot as Addison in Lady Henriette by Mazilier, Academie Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique

Ballet dancer Adele Dumilatre in Lady Henriette, 1844
Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academie Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique

Dancer Georges Elie as Inigo in the ballet Paquita, 1846
Dancer Georges Elie as Inigo in the ballet Paquita by Edouard Deldevez, Joseph Mazilier and Paul Foucher, Academie Royale de Musique, 1846

Mlle Fanny Cerrito in Maziliers Orfa at the
Mlle. Fanny Cerrito in Maziliers Orfa at the Academie Imperiale de Musique.. Cerrito (1817-1909) was born in Naples and became one of the most famous ballerinas of the 19th century

Actress and courtesan Mlle Alphonsine as Pouponetta
Actress and courtesan Mlle. Alphonsine as Pouponetta in Les Sept Merveilles du Monde.. Jeanne Benoit (1829-1883) performed under the stage name of Mlle. Alphonsine and Mlle. Fleury

A fool from La Fonti at the Academie Imperiale de Musique.. La Fonti was a ballet and pantomime by the dancer and choreographer Joseph Mazilier (1801-1868)

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Mazilier is a term that originated from the French word "maziller," which means to wander aimlessly or leisurely. It embodies the idea of taking your time and enjoying the journey rather than rushing to reach a destination. Mazilier encourages us to slow down, appreciate our surroundings, and embrace spontaneity in our adventures. In a world filled with constant hustle and bustle, practicing they are be a refreshing change of pace. It allows us to disconnect from the pressures of everyday life and reconnect with ourselves and nature. Whether it's strolling through a park, exploring a new city, or simply meandering through familiar streets, mazilier invites us to savor each moment and find joy in the simple pleasures. Embracing mazilier doesn't mean being lazy or unproductive; it's about finding balance and prioritizing self-care. By taking time to relax and unwind, we can recharge our batteries and approach challenges with renewed energy and clarity. So next time you feel overwhelmed or stressed, consider embracing mazilier as a way to reset and rejuvenate your mind, body, and soul.