Maxime Collection (page 3)

La Porte doree a Jerusalem, August 1850. Creator: Maxime du Camp
La Porte doree a Jerusalem, August 1850

Bas-relief pris sur la muraille occidentale du grand Temple d Isis, a Philae, April 1850

Thebes. Medinet-Habou. Partie orientale du Peristyle du Palais de Ramsè
Thebes. Medinet-Habou. Partie orientale du Peristyle du Palais de Ramses-Meiamoun, 1850

Groupe de colonnes du Palais de Louxor, Thebes, 1849-50. Creator: Maxime du Camp
Groupe de colonnes du Palais de Louxor, Thebes, 1849-50

Palais et Village de Louxor, pris du Sud, Thebes, 1849-50. Creator: Maxime du Camp
Palais et Village de Louxor, pris du Sud, Thebes, 1849-50

Nubie. Kalabscheh. Sculptures de la Facade posterieure du Temple, 1850

Colonnade du Temple du Soleil, a Baalbek (Heliopolis), September 1850

Isis et Horus-Arsiesi - Bas-relief du Temple de Kalabcheh (Talmis), April 8, 1850

Sibyl ou Fontaine et Ecole de Souk-el-asr, au Kaire, December 1849-January 1850

Proseyneme scelle dans le second Pylone du Temple d Isis, a Philae, April 15, 1850

Sculptures exterieures du Sanctuaire de granit du Palais de Karnac (Thè
Sculptures exterieures du Sanctuaire de granit du Palais de Karnac (Thebes) (Philippe-Aridee conduisant la Barc de Mauth), 1849-50

Propylon du Temple de Dandour (Tropique du Cancer), April 1850. Creator: Maxime du Camp
Propylon du Temple de Dandour (Tropique du Cancer), April 1850

Ruines du Palais de Karnac - Vue prise a l extremite du Sanctuaire, 1849-50

Interieur du Temple de Khons, a Karnac, Thebes, 1849-50

Propylees du Thoutmoseum, a Medinet-habou (Thebes), 1849-50

Porte meridionale de la Salle Hypostyle du Palais de Karnac (Thebes), 1849-50

Cour des bubastites et entree de la Salle Hypostyle du palais de Karnac, Thebes, 1849-50

Thot Ibiocephale (Dieu des Lettres) a Philae, April 1850

Interieur de l enceinte du Temple de Baalbek (Heliopolis), September 15, 1850

Dattiers et Maison du quartier Franc, au Kaire, December 1849-January 1850

Vue cavaliere de la seconde cataracte, prise du haut de Djebel-Aboucir, March 24, 1850

Porte du Temple de Jupiter, a Baalbek (Heliopolis), September 1850

Second Pylone du Temple d Isis, a Philae, April 13, 1850. Creator: Maxime du Camp
Second Pylone du Temple d Isis, a Philae, April 13, 1850

Colonnade interieure du Naos du Temple de Jupiter, a Baalbek (Hé
Colonnade interieure du Naos du Temple de Jupiter, a Baalbek (Heliopolis), September 15, 1850

Colosse monolithe d Amenophis III, a Thebes, 1849-50. Creator: Maxime du Camp
Colosse monolithe d Amenophis III, a Thebes, 1849-50

Propylone du Temple de Khons, a Karnac, Thebes, 1849-50

Palmiers Doums a Hamarneh, 1849-50. Creator: Maxime du Camp
Palmiers Doums a Hamarneh, 1849-50

Sculptures exterieures du Santuaire de granit du palais de Karnac (Sacre de Philippe-Aridee par les Dieux Thot et Hor-hat), 1849-50

Facade laterale du Gynecee de Rhamses-Meiamoun, Palais de Medinet-Habou, a Thebes, 1849-50

Ptolemee-Caesarion - Bas-relief du Temple de Kalabcheh (Talmis), April 8, 1850

Decoration de l entree du grand Speos d Abousembil (Le Dieu Phré
Decoration de l entree du grand Speos d Abousembil (Le Dieu Phre recevant les offrandes de Rhamses-le-grand), March 1850

Kalabscheh, sculpture de la facade posterieure du temple. 1849-51

Hemicycle de l enceinte des Temples, a Baalbek, September 15, 1850

Entree du Speos d Athor, a Abousembil, March 1850. Creator: Maxime du Camp
Entree du Speos d Athor, a Abousembil, March 1850

Colosse medial du Speos d Phre, a Abousembil, March 29, 1850

Temple de Kalabcheh - Entre colonnement medial du Pronaos, April 8, 1850

Facade posterieure de grande Temple de Denderah (Tentyris), 1849-50

Pilier du Sanctuaire de granit du Palais de Karnac (Bas-relief repré
Pilier du Sanctuaire de granit du Palais de Karnac (Bas-relief representant Thotmes III et la Deesse Athor), 1849-50

Profil du Colosse oriental du Speos de Phre, à
Profil du Colosse oriental du Speos de Phre, a Abousembil (Portrait de Rhamses-le-grand), March 29, 1850

Colosse oriental du Speos de Phre, a Abousembil (Portrait de Rhamsè
Colosse oriental du Speos de Phre, a Abousembil (Portrait de Rhamses-le-grand), March 1850

Siege du colosse monolithe d Amenophis III, a Thebes (Dé
Siege du colosse monolithe d Amenophis III, a Thebes (Details des sculptures), 1849-50

Armes et ustensiles du Kaire, December 1849-January 1850. Creator: Maxime du Camp
Armes et ustensiles du Kaire, December 1849-January 1850

Obelisques du Palais de Karnac (Thebes), 1849-50. Creator: Maxime du Camp
Obelisques du Palais de Karnac (Thebes), 1849-50

Vue generale d Esne (No. 2, partie mediale), 1849-50

Vue du Temple de Kardassy, April 9, 1850. Creator: Maxime du Camp
Vue du Temple de Kardassy, April 9, 1850

Nubie. Seconde Cataracte. Dgebel-Abouoir, 1850. Creator: Maxime du Camp
Nubie. Seconde Cataracte. Dgebel-Abouoir, 1850

Vue du Divan et du Palais du Gouverneur, a Syout, 1849-50. Creator: Maxime du Camp
Vue du Divan et du Palais du Gouverneur, a Syout, 1849-50

Inscription Demotique; second Pylone du Temple d Isis, a Philae, April 15, 1850

All Professionally Made to Order for Quick Shipping

"Maxime: A Journey through Art, Travel, and History" Step into the enchanting world as we explore a diverse range of captivating subjects. From the vibrant Sainte Maxime French travel poster that entices you to discover the beauty of Cote d'Azur, to the alluring Val d'Esquieres in South of France showcased on an enticing advertisement. Delve into the realm of art with a lithograph museum poster that transports you back in time. Marvel at "Vue du Temple de Jupiter" in Baalbek (Heliopolis) captured on September 15, 1850, or lose yourself in the grandeur of "Vue du grand Sphinx et de la grande pyramide de Menkazeh" from December 1849. Travel alongside Maxime du Camp as he captures mesmerizing scenes like "Tombeaux Musulmans a Siout, " painted between 1849-50. Immerse yourself in history as we glimpse into guests enjoying their stay at Riviera villa owned by Maxine Elliott back in 1932. Experience the magic of opera with Sylvio Lazzari's masterpiece "La Tour de Feu, " where stunning scenery takes center stage. And let us not forget Napoleon Bonaparte himself depicted in an intriguing portrait titled "Too kissed, badly embraced. " Witness his struggle represented by broken swords and fallen bodies amidst a half globe. Finally, be captivated by timeless wonders such as "The Sphinx with Pyramids" photographed in black and white during 1852. And last but not least, join us on our journey to discover more about Maxime Salmon - an individual who adds another layer to this fascinating tapestry. Join us as we unravel these extraordinary glimpses into artistry, travel destinations, historical events, and remarkable individuals named Maxime.