Maurier Collection (page 2)

A Conscious Martyr, 1881 (1891). Artist: George du Maurier
A Conscious Martyr, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Awkward Incident in Fashionable Life, 1876 (1891). Artist: Swain
Awkward Incident in Fashionable Life, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Music at Home, 1872 (1891). Artist: George du Maurier
Music at Home, 1872 (1891). Study of an amateur comic singer struggling with an unsympathising audience. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I

Modest Assurance, 1879 (1891). Artist: Swain
Modest Assurance, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Circumstantial Evidence, 1879 (1891). Artist: George du Maurier
Circumstantial Evidence, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Episodes in High Life, 1879 (1891). Artist: George du Maurier
Episodes in High Life, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Alarming Scarcity, 1874 (1891). Artist: George du Maurier
Alarming Scarcity, 1874 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

Rivals in Social Success, 1880 (1891). Artist: George du Maurier
Rivals in Social Success, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

A Speciality, 1882 (1891). Artist: George du Maurier
A Speciality, 1882. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

A Brilliant Idea, 1881 (1891). Artist: George du Maurier
A Brilliant Idea, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

A Different Thing, 1877 (1891). Artist: George du Maurier
A Different Thing, 1877 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Impenitent, 1878 (1891). Artist: George du Maurier
Impenitent, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

International Reciprocity, 1879 (1891). Artist: George du Maurier
International Reciprocity, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

The Terrors of the Law, 1881 (1891). Artist: George du Maurier
The Terrors of the Law, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Doux Souvenir de Fontainebleau, 1886 (1891). Artist: George du Maurier
Doux Souvenir de Fontainebleau, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Amenities of the Tennis Lawn, 1883 (1891). Artist: George du Maurier
Amenities of the Tennis Lawn, 1883 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Tempora Mutantur!, 1886 (1891). Artist: George du Maurier
Tempora Mutantur!, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). Artist: George du Maurier
A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Barbarous Technicalities of Lawn Tennis, 1882 (1891). Artist: George du Maurier
Barbarous Technicalities of Lawn Tennis, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Comforting, 1882 (1891). Artist: George du Maurier
Comforting, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

A Business-like Offer, 1886 (1891). Artist: George du Maurier
A Business-like Offer, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Induction, 1878 (1891). Artist: George du Maurier
Induction, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

The Main Chance, 1878 (1891). Artist: George du Maurier
The Main Chance, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Music at Home, 1885 (1891). Artist: George du Maurier
Music at Home, 1885 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Consolation, 1880 (1891). Artist: George du Maurier
Consolation, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

A Struggle for Supremacy, 1875 (1891). Artist: George du Maurier
A Struggle for Supremacy, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Excess a Fault, 1875 (1891). Artist: Swain
Excess a Fault, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Its not so difficult to speak French, after all, 1882 (1891). Artist: George du Maurier
Its not so difficult to speak French, after all, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Social Beings, 1876 (1891). Artist: George du Maurier
Social Beings, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch

Disastrous Result of Beautymania, 1879 (1891). Artist: George du Maurier
Disastrous Result of Beautymania, 1879 (1891). The last new beauty, having an innocent cast of countenance, has been painted, sculptured, and photographed with her head on one side

The Ruling Passion, 1872 (1891). Artist: George du Maurier
The Ruling Passion, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Circumstantial Evidence, 1886 (1891). Artist: George du Maurier
Circumstantial Evidence, 1886 (1891). Edwin: I ve just found a shot in my bit of partridge!. Angelina: How odd, so have I! Poor things, they ve had to shoot it twice!

Two Thrones, 1879 (1891). Artist: George du Maurier
Two Thrones, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

The Festive Season, 1883 (1891). Artist: George du Maurier
The Festive Season, 1883 (1891). Mistress: And you may all of you ask a friend to dinner, you know; and, Smithers, you can ask your wife. Butler: Thanks you, ma am; I think not, if you please

Art in Excelsis, 1874 (1891). Artist: George du Maurier
Art in Excelsis, 1874 (1891). The Montgomery Spiffunses have just had their drawing-room ceiling elaborately decorated by artistic hands

A Graceless Child, 1872 (1891). Artist: George du Maurier
A Graceless Child, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Happy Thought!, 1887 (1891). Artist: George du Maurier
Happy Thought!, 1887 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Aggravating Flippancy, 1870 (1891). Artist: George du Maurier
Aggravating Flippancy, 1870 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

A Sweet Delusion, 1878 (1891). Artist: Swain
A Sweet Delusion, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Ceremony, 1872 (1891). Artist: George du Maurier
Ceremony, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Gerald Du Maurier (1873-1934), English actor and theatre manager, early 20th century. Artist: Foulsham and Banfield
Gerald Du Maurier (1873-1934), English actor and theatre manager, early 20th century

Sir Gerald du Maurier, British actor-manager, 1926. Artist: Alick P F Ritchie
Sir Gerald du Maurier, British actor-manager, 1926. Portrait of Sir Gerald Hubert Edward Busson du Maurier (1873-1934), father of Daphne

Darwinian Ancestor, 1887. Artist: George du Maurier
Darwinian Ancestor, 1887. Charles Darwin (1809-1882) said to the Scottish geologist Charles Lyell (1797-1875) Our ancestor was an animal which breathed water, had a swim-bladder

George du Maurier cartoon from Punch illustrating Darwinism, 1887. Artist: George du Maurier
Development of Species Under Civilisation, 1887. The old evolutionary argument of Nature or Nurture: it would be a brave person who came to a conclusion on this evidence. Cartoon from Punch

The Survival of the Fittest; application of Darwinism in the 21st century, 1880. Artist: George du Maurier
The Survival of the Fittest ; application of Darwinism in the 21st century, 1880. The term Survival of the fittest was first used by Herbert Spencer (1820-1903) in 1851

Honour to Agneta Frances Ramsay! Cambridge, June, 1887. Artist: George du Maurier
Honour to Agneta Frances Ramsay! Cambridge, June, 1887. Mr Punch bows to Agneta Frances Ramsay who sat, and passed with First Class Honours, the papers set

The Coming Race, 1872. Artist: George du Maurier
The Coming Race, 1872. Cartoon showing the patronising attitude women in the medical profession could expect from male colleagues. From Punch, London, 14 September 1872

A Misnomer, Surely!, 1880. Artist: George du Maurier
A Misnomer, Surely!, 1880. A large party of Cooks Tourists queueing outside a restaurant. Cartoon from Punch, 25th September 1880

All Professionally Made to Order for Quick Shipping

"Maurier: A Captivating Tale of Literature, Love, and Cornish Charm" Step into the enchanting world of Maurier, where literary genius Daphne du Maurier weaves her spellbinding stories amidst the picturesque landscapes of Cornwall. In 1945, at their Cornish home Menabilly, Du Maurier found solace and inspiration for her timeless novels. Journey to Bodmin Moor's haunting Jamaica Inn, a setting that breathed life into her gripping tales. Imagine the misty moors and rugged cliffs as you explore this atmospheric location that fueled Du Maurier's imagination. Crossing Boddinick Ferry takes you back in time to an era when Mary Casson portrayed Sir Gerald du Maurier in Barrie's "Dear Brutus. " The theatrical prowess of the du Mauriers was renowned, leaving audiences captivated by their performances. Witness the intimate moments shared by Gerald du Maurier and his beloved family. Their bond radiates through photographs capturing treasured memories at their Cornish abode, and is within these walls that creativity flourished and dreams were realized. Fowey becomes a portal into Daphne du Maurier's world; its quaint charm permeating her writings. Picture her strolling along its cobbled streets or finding inspiration while gazing upon Fowey Harbor's tranquil waters. Mrs. Gerald Du Maurier & family grace our vision once more - a testament to enduring love and familial ties that shaped Daphne's upbringing. These cherished connections undoubtedly influenced her ability to craft characters with depth and complexity. Return to Menabilly in 1945; witness Daphne du Maurier immersed in her thoughts as she breathes life into unforgettable narratives from behind closed doors. This secluded haven allowed her imagination to flourish like wildflowers on Cornwall's rugged coastlines. As we delve deeper into history, George du Maurier emerges not only as an artist but also as a pioneer in the development of Mesmeric Science.