Mature Adult Collection (page 8)

Arab Warriors Advancing, 1855 (black chalk and watercolour)
outdoor, nineteenth century, foot, men only, time of day, bare feet, feet, large group of people, movement, 1850s, enemies, negative concept, man, middle eastern, mature man, men, fine art

The Martyrdom of Saint Bartholomew, (oil on canvas)
659337 The Martyrdom of Saint Bartholomew, (oil on canvas) by Badalocchio, Sisto (1581/5-1647); 119.3x155.5 cm; Private Collection; (add.info.: The Martyrdom of Saint Bartholomew)

The Oxford to London Mail, (oil on canvas)
658695 The Oxford to London Mail, (oil on canvas) by Wright, George (1860-1942); 35.5x50.8 cm; Private Collection; (add.info.: The Oxford to London Mail. George Wright (1860-1942). Oil on canvas

Talking Politics, (oil on panel)
658639 Talking Politics, (oil on panel) by Friedlander, Friedrich (1825-1901); 39.5x31.6 cm; Private Collection; (add.info.: Talking Politics. Friedlich Friedlander (1825-1901). Oil on panel

Portrait of Madame Cezanne; Portrait de Madame Cezanne, c. 1883 (oil on canvas)
824541 Portrait of Madame Cezanne; Portrait de Madame Cezanne, c.1883 (oil on canvas) by Cezanne, Paul (1839-1906); 20x14.6 cm; Private Collection; (add.info)

Three Women in the Vineyard; Drei Frauen im Weinberg, 1912 (oil on canvas)
824433 Three Women in the Vineyard; Drei Frauen im Weinberg, 1912 (oil on canvas) by Klinger, Max (1857-1920); 187x167 cm; Private Collection; (add.info)

Alpleben, Triptych; Alpleben, Triptychon, 1918 (oil on canvas)
824428 Alpleben, Triptych; Alpleben, Triptychon, 1918 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 70x60 cm; Private Collection; (add.info.: Alpleben, Triptych; Alpleben, Triptychon)

Self portrait at La Bastide-du-Vert; Autoportrait a La Bastide-du-Vert
824390 Self portrait at La Bastide-du-Vert; Autoportrait a La Bastide-du-Vert, 1905 (oil on canvas) by Martin, Henri (1860-1943); 60.3x88.2 cm; Private Collection; (add.info)

Female Nude and Man sitting at a Table; Weiblicher Akt und Mann an einem Tisch sitzend
824312 Female Nude and Man sitting at a Table; Weiblicher Akt und Mann an einem Tisch sitzend, (pencil and watercolour on paper) by Kirchner

Bathers on the Seashore, (pastel)
824075 Bathers on the Seashore, (pastel) by Liebermann, Max (1847-1935); 31.6x49 cm; Private Collection; (add.info.: Bathers on the Seashore. Max Liebermann (1847-1935). Pastel

The Departure, (oil on canvas)
823537 The Departure, (oil on canvas) by Gouweloos, Jean (1868-1943); 88.3x45.2 cm; Private Collection; (add.info.: The Departure. Jean Leon Henri Gouweloos (1865-1943). Oil on canvas

The Schoolroom, (oil on canvas)
823458 The Schoolroom, (oil on canvas) by Bergamini, Francesco (1815-1883); 40.2x60 cm; Private Collection; (add.info.: The Schoolroom. Francesco Bergamini (1815-1883). Oil on canvas

The Artists Brother, Charles Savage Homer, Jr. 1880 (watercolour, gouache
823087 The Artists Brother, Charles Savage Homer, Jr. 1880 (watercolour, gouache, and pencil on paper) by Homer, Winslow (1836-1910); 54.5x40.6 cm; Private Collection; (add.info)

Juan, Pueblo Indian, 1927 (oil on board)
823044 Juan, Pueblo Indian, 1927 (oil on board) by Couse, Eanger Irving (1866-1936); 40.8x30.2 cm; Private Collection; (add.info.: Juan, Pueblo Indian. Eanger Irving Couse (1866-1936). Oil on board

(Na-Pay-Shure) Red Hand, 1862 (oil on canvas)
822859 (Na-Pay-Shure) Red Hand, 1862 (oil on canvas) by Cross, Henry H. (1837-1918); 90x74.3 cm; Private Collection; (add.info.: (Na-Pay-Shure) Red Hand. Henry H. Cross (1837-1918). Oil on canvas

Palace Corridor Scene; Scene de Couloir au Palais, c. 1905 (oil on canvas)
652866 Palace Corridor Scene; Scene de Couloir au Palais, c.1905 (oil on canvas) by Forain, Jean Louis (1852-1931); 60x73 cm; Private Collection; (add.info)

Woman Reading; Femme Lisant, c. 1895 (oil on canvas)
652862 Woman Reading; Femme Lisant, c.1895 (oil on canvas) by Guillaumin, Jean Baptiste Armand (1841-1927); 64.1x80.6 cm; Private Collection; (add.info.: Woman Reading; Femme Lisant)

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

A New Form of Prayer, (pencil, pen and watercolour)
651846 A New Form of Prayer, (pencil, pen and watercolour) by Rowlandson, Thomas (1756-1827); 32.4x25.4 cm; Private Collection; (add.info.: A New Form of Prayer. Thomas Rowlandson (b)

A Clerical Intervention, 1897 (watercolour heightened with white)
651519 A Clerical Intervention, 1897 (watercolour heightened with white) by Passini, Ludwig (1832-1903); 61x90 cm; Private Collection; (add.info.: A Clerical Intervention. Ludwig Passini (1832-1903)

Tea for Two, (oil on canvas)
651394 Tea for Two, (oil on canvas) by Bergeret, Denis Pierre (1846-1910); 65x52 cm; Private Collection; (add.info.: Tea for Two. Denis Pierre Bergeret (1846-1910). Oil on canvas

Scenes from La Rampe, (watercolour)
651391 Scenes from La Rampe, (watercolour) by Leloir, Maurice (1853-1940); 35.5x25.5 cm; Private Collection; (add.info.: Scenes from La Rampe. Maurice Leloir (1853-1940). Watercolour

A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c. 1822-28 (watercolour)
828299 A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c.1822-28 (watercolour) by Desire Roulin, Francois (1796-1874); 19.8x27 cm; Private Collection; (add.info)

Portrait of a Lady Said to be Mrs, (oil on canvas)
827973 Portrait of a Lady Said to be Mrs, (oil on canvas) by Romney, George (1734-1802); 91.4x71.2 cm; Private Collection; (add.info.: Portrait of a Lady Said to be Mrs)

Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume
827972 Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume, a White Ruff, and Lace Cuffs, holding a Gold Chain and a Pair of Gloves, 1633 (oil on panel) by Eliasz

The Horse Fair, 1863 (oil on canvas)
827941 The Horse Fair, 1863 (oil on canvas) by Friedrich, Adolf (1824-1889); 68x112.1 cm; Private Collection; (add.info.: The Horse Fair. Gustav Adolf Friederich (1824-1889). Oil on canvas

Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel)
827803 Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel) by Key, Willem (c.1515-68); 66.7x51.4 cm; Private Collection; (add.info.: Portrait of an Academic)

Jupiter and Semele, c. 1625 (oil on canvas)
827732 Jupiter and Semele, c.1625 (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632); 123.2x124.5 cm; Private Collection; (add.info.: Jupiter and Semele. Abraham Jannsens (c.1575-1632)

Portrait of Frans Snyders, half-length, in black costume, leaning on a chair
827701 Portrait of Frans Snyders, half-length, in black costume, leaning on a chair, a landscape beyond, (oil on canvas) by Dyck

Mucius Scaevola, (oil on canvas)
827687 Mucius Scaevola, (oil on canvas) by Brusaferro, Girolamo (1679-1745); 192x287 cm; Private Collection; (add.info.: Mucius Scaevola. Girolama Brusaferro (d.1760). Oil on canvas

Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4)
827591 Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4), (red chalk) by Rubens, Peter Paul (1577-1640); 34x28.3 cm; Private Collection; (add.info)

The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d
827569 The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d Ormesson, attended by her Husband and Villagers, (black chalk, pen and black ink and watercolour) by Martin

Awaiting the Call (oil on canvas)
827327 Awaiting the Call (oil on canvas) by Chavez, Jose de (19th century); 61x47 cm; Private Collection; (add.info.: Awaiting the Call. Jose de Chavez (19th Century). Oil on canvas

Self-portrait with Faun and Nymph, 1895 (oil on canvas)
827323 Self-portrait with Faun and Nymph, 1895 (oil on canvas) by Zorn, Anders Leonard (1860-1920); 49x41.3 cm; Private Collection; (add.info.: Self-portrait with Faun and Nymph)

The Artists Studio, (oil on canvas)
827314 The Artists Studio, (oil on canvas) by Mottez, Victor (1809-97); 95.3x123.8 cm; Private Collection; (add.info.: The Artists Studio. Victor Mottez (1809-1897). Oil on canvas

Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)
827287 Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas) by Gerome, Jean Leon (1824-1904); 59.6x84.5 cm; Private Collection; (add.info)

In the Railway Carriage, 1879 (oil on canvas)
827281 In the Railway Carriage, 1879 (oil on canvas) by Carrier-Belleuse, Pierre (1851-1933); 54x93.4 cm; Private Collection; (add.info.: In the Railway Carriage. Pierre Carrier-Belleuse (1851-1933)

The Saffron Cake, 1920 (oil on canvas)
827254 The Saffron Cake, 1920 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 76.2x101.6 cm; Private Collection; (add.info.: The Saffron Cake. Stanhope Alexander Forbes (1857-1947)

Marie Antoinettes History Lesson (oil on canvas)
827115 Marie Antoinettes History Lesson (oil on canvas) by Telser, Anton (19th century); 57.1x76.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Cafe Maxim, Paris, (oil on canvas)
825527 Cafe Maxim, Paris, (oil on canvas) by Forain, Jean Louis (1852-1931); 60.3x73.7 cm; Private Collection; (add.info.: Cafe Maxim, Paris. Jean Louis Forain (1852-1931). Oil on canvas

A Group Portrait of John Perceval, 1st Earl of Egmont (1683-1748
1765054 A Group Portrait of John Perceval, 1st Earl of Egmont (1683-1748) and his Wife Catherine (oil on canvas) by Alberry, J

Thirteen scholars in a garden setting, 1485 (hand-coloured woodcut)
985881 Thirteen scholars in a garden setting, 1485 (hand-coloured woodcut) by German School, (15th century); 30.2x21.5 cm; Private Collection; (add.info.: Thirteen scholars in a garden setting)

Illuminated frontispiece with title and a painted portrait of Robert Browning
985870 Illuminated frontispiece with title and a painted portrait of Robert Browning, 1912 (illuminated manuscript on vellum, gold and colours) by Sangorski

Saints Philip and James, c. 1400 (large historiated initial on antiphonal vellum)
985844 Saints Philip and James, c.1400 (large historiated initial on antiphonal vellum) by Bartolomeo, Martino de (1369-1434) (follower of); 18.2x17.5 cm; Private Collection; (add.info)

Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph)
985755 Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Okee-Makee-Quid, a Chippeway chief)

New York Crossing (oil on canvas)
985260 New York Crossing (oil on canvas) by Davis, Warren B. (1865-1928); 40.5x55.8 cm; Private Collection; (add.info.: New York Crossing. Warren Davis (1865-1928). Oil on canvas

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In the vast tapestry of history, there are those who embody the essence of a mature adult - individuals whose actions and presence leave an indelible mark on our collective memory. General Ulysses S. Grant, amidst his service during The American Civil War, stands as a symbol of resilience and strategic brilliance in times of turmoil. Across the Atlantic, in London's King George Military Hospital in 1915, staff cooks toiled tirelessly to nourish wounded soldiers with their culinary skills. Their dedication exemplified maturity through selfless service and compassion for those in need. A portrait of Chairman Mao at the Gate of Heavenly Peace (Tiananmen) captures a figure whose unwavering determination shaped an entire nation. His stoic gaze reflects the weighty responsibilities carried by mature adults who lead revolutions and forge new paths. Sigmund Freud's signed photograph from 1921 transports us into the realm of psychology, where his groundbreaking theories challenged societal norms. This sepia-toned image reminds us that maturity often comes hand-in-hand with intellectual curiosity and revolutionary ideas. Amidst towering Giant Sequoia trees on the Big Trees trail, a tourist finds solace and inspiration. Nature has its way of reminding us that maturity lies not only within humans but also in ancient giants that have weathered countless storms over centuries. Francisco Pizarro's illustration next to Inca Emperor Atahualpa showcases both conquest and tragedy intertwined within history's pages. It serves as a reminder that true maturity requires empathy towards others' cultures while acknowledging past mistakes. Florence Nightingale walks with her lamp among injured soldiers; her black-and-white illustration immortalizes her tireless efforts during wartime nursing. Her compassionate spirit epitomizes how they can bring light even amidst darkness. An elderly man playing sitar by the Ganges River evokes tranquility amid chaos—a testament to finding peace within oneself as years pass by.