Matthew Collection (page 9)

Festivals of Apostles, Evangelists, All Angels and All Saints (colour litho)
3626745 Festivals of Apostles, Evangelists, All Angels and All Saints (colour litho) by English School, (19th century); Private Collection; (add.info.: Festivals of Apostles, Evangelists)

Studies for the Sick Woman in the Hundred Guilder Print, c
3704041 Studies for the Sick Woman in the Hundred Guilder Print, c.1647-48 (pen, ink and wash on paper) by Rembrandt Harmensz

The wisemen of the East, from The Bible Picture Book published by Thomas Nelson, c
3482235 The wisemen of the East, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by Hope, Robert (1869-1936); Private Collection; English, out of copyright

Saint Matthew (fresco)
3498498 Saint Matthew (fresco) by Crespi, Daniele (1597-1630); Chiesa di San Vittore al Corpo, Milan, Lombardy, Italy; (add.info)

Sant Matthew and the Angel, Lunette, Presbytery, 1578-82 (fresco)
3497123 Sant Matthew and the Angel, Lunette, Presbytery, 1578-82 (fresco) by Peterzano, Simone Veneziano (fl.1573-96); Certosa di Garegnano, Milan

The apostles gathered for the replacement of Judas by Matthias, folio from the Rabula Gospels
3506811 The apostles gathered for the replacement of Judas by Matthias, folio from the Rabula Gospels, 586 AD (tempera on vellum) by Byzantine School

The Four Evangelists, c. 1625-26 (oil on panel)
937116 The Four Evangelists, c. 1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x16.5 cm; Fitzwilliam Museum, University of Cambridge

Roslyn Chapel, 1810 (colour litho)
STC466199 Roslyn Chapel, 1810 (colour litho) by Gandy, Joseph Michael (1771-1843); Private Collection; (add.info.: Rosslyn Chapel or Collegiate Church of St)

The Lamb and the Twenty-Four Elders, no. 7 from The Apocalypse of Angers
XIR430517 The Lamb and the Twenty-Four Elders, no. 7 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl)

Christ in Majesty between the symbols of the Evangelists, c
XIR434135 Christ in Majesty between the symbols of the Evangelists, c.1228 (silver, fine stone & enamel) by Hugo d Oignies (fl.1187-1228); 32.5x23.2 cm; Convent of the Sisters of Notre Dame, Namur

Christs Entry into Jerusalem, Matthew (engraving)
2812917 Christs Entry into Jerusalem, Matthew (engraving) by English School, (19th century); Private Collection; (add.info.: Christs Entry into Jerusalem, Matthew)

The Parable of the Mote and the Beam, c. 1619 (oil on wood)
3086893 The Parable of the Mote and the Beam, c.1619 (oil on wood) by Fetti or Feti, Domenico (1589-1624); 61.3 x 44.1 cm; Metropolitan Museum of Art, New York

Illuminated calendar for August 1846
Calendar for August with figures of Joel and St. Bartholomew, quote from Thessalonians, disciples, woman with wheat, birds, foliage and castles

Illuminated calendar for November 1846
Calendar for November with figures of Ezekiel and St. Jude, quote from Epistle to Philemon, disciple, centaur with bow, birds, foliage and castles

The Bride, or Novice taking the Veil, c. 1887 (oil on canvas)
HGM78276 The Bride, or Novice taking the Veil, c.1887 (oil on canvas) by Maris, Matthijs (1839-1917); 50x34.5 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Dutch

Madonna and Child with the Four Evangelists (tempera & gold leaf on panel)
DAY235412 Madonna and Child with the Four Evangelists (tempera & gold leaf on panel) by Italian School, (14th century); 36.8x27.9 cm; The Dayton Art Institute, Dayton, Ohio

Blenkinsopps Patent Steam Carriage, fly engine with eight wagons, Middleton near Leeds, 1812. Reproduction of engraving. Date: circa 1900

Model of Matthew Murrays steam locomotive propelled by a toothed wheel engaging in a rack on one of the rails, used 1812-1835. Date: circa 1900

Locomotive steam engine by Matthew Murray, 1 Mar 1826 [later print]. Redrawn from copy of original in Newtons London Journal 1826 Vol XI plate VII [Patent Office Library]. Date: circa 1900

Base of the Cross of St. Bertin, from the Abbaye Saint-Bertin, c
XIR232839 Base of the Cross of St. Bertin, from the Abbaye Saint-Bertin, c.1180 (gilded bronze & champleve enamel) (see also 204570 & 232624-25) by Godefroid de Huy (fl. 1130-50) (attr)

German man competing in a sleigh race, 16th century
5855300 German man competing in a sleigh race, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: German man competing in a sleigh race, 16th century)

Triptych: The Annunciation (oil on panel) (see also 477850)
477849 Triptych: The Annunciation (oil on panel) (see also 477850) by Utrecht, Jacob Claesz. von (c.1480-1524); 93.3x135.9 cm; Private Collection; (add.info.: Left wing: portrait of Hermann Plonnies)

The Adoration, from Hulberts Story of the Bible published by The John Winston
5323248 The Adoration, from Hulberts Story of the Bible published by The John Winston Company, 1932 (colour litho) by Leinweber, Anton Robert (1845-1921); Private Collection; Czech, out of copyright

Jesus before Pilate, from Hulberts Story of the Bible published by The John Winston
5323252 Jesus before Pilate, from Hulberts Story of the Bible published by The John Winston Company, 1932 (colour litho) by Leinweber, Anton Robert (1845-1921); Private Collection; Czech

My house shall be called the house of prayer; but ye have made it a den of thieves, Matthew XXI, 13 (engraving)
5218758 My house shall be called the house of prayer; but ye have made it a den of thieves, Matthew XXI, 13 (engraving) by English School

Childrens Names: Mary, Matthew, Maudie, Maggie, May (colour litho)
6023179 Childrens Names: Mary, Matthew, Maudie, Maggie, May (colour litho) by English School, (19th century); Private Collection; (add.info.: Mary, Matthew, Maudie, Maggie, May)

Garland of flowers surrounding a quote from the Bible (Matthew 7: 17) (colour litho)
6032434 Garland of flowers surrounding a quote from the Bible (Matthew 7:17) (colour litho) by English School, (19th century); Private Collection; (add.info)

St Matthew: Design for a stained glass window (pencil & grey wash on buff paper)
5911979 St Matthew: Design for a stained glass window (pencil & grey wash on buff paper) by Shields, Frederic James (1833-1911); 163.8x64.2 cm; Private Collection; Photo eChristies Images; English

The Round Table of King Arthur (litho)
XJF365309 The Round Table of King Arthur (litho) by English School, (19th century); Private Collection; (add.info.: shows the table as the seat of the Holy Grail; places at the table are assigned to)

The Calling of St Matthew (oil on canvas)
423880 The Calling of St Matthew (oil on canvas) by Naldini, Giovanni Battista (1537-91); (add.info.: Altarpiece in the Salviati Chapel, San Marco, Florence.); Photo eNicol Orsi Battaglini; Italian

Crucifix with Three Angels and the Symbols of the Evangelists, c
883739 Crucifix with Three Angels and the Symbols of the Evangelists, c.1470-80 (hand-coloured woodcut with red, green, yellow, and light & dark brown) by Firabet of Rapperswil (fl)

Six Apostles, c. 1390 (fresco)
KAB148350 Six Apostles, c.1390 (fresco) by Florentine School, (14th century); Church of St. Peter, Galciana, Prato, Italy; eDario Grimaldi; Italian, out of copyright

Reliquary of St. Anne depicting Christ with St. Peter and the Four Evangelists
XIR158215 Reliquary of St. Anne depicting Christ with St. Peter and the Four Evangelists (bronze & enamel) by French School, (12th century); Cathedral of St

New Testament Title Page of a French Translation by Jacques Lefevre d
XIR200383 New Testament Title Page of a French Translation by Jacques Lefevre d Etaples (1450?-1537) published in Antwerp in 1531 (engraving) (b/w photo) by Flemish School

The Crucifixion and the Last Supper (vellum)
MMT199222 The Crucifixion and the Last Supper (vellum) by Della Gatta, Bartolomeo (1448-1502/3) (attr. to); 38x26.5 cm; Musee Marmottan Monet, Paris

St. Matthew, c. 1870 (stained glass)
BAL1637 St. Matthew, c.1870 (stained glass) by Morris, William (1834-96); Christchurch, Southgate, Enfield, Greater London, UK; English, out of copyright

Madonna of San Simone with St. Simon
AII80463 Madonna of San Simone with St. Simon by Barocci or Baroccio, Federico Fiori (c.1535-1612); Palazzo Ducale, Urbino, Italy; Italian, out of copyright

"Suffer the little children to come unto me, and forbid them not", 1746
CF71803 " Suffer the little children to come unto me, and forbid them not", 1746 by Wills, Rev. James (fl.1740-77); 172.7x209

Dr. Livingstones Discoveries in Central Africa
Page from The Illustrated London News, 1856 reporting on the discoveries made by David Livingstone while exploring central Africa. The page features a portrait of Livingston from a photograph by M

Matthias Mylonius Biorenklou (1607-71) from Portraits des Hommes Illustres
STC213569 Matthias Mylonius Biorenklou (1607-71) from Portraits des Hommes Illustres, published 1706 (engraving) by Hulle

The Four Evangelists, from the rood-screen of Saint-Germain l Auxerrois in Paris
XIR209916 The Four Evangelists, from the rood-screen of Saint-Germain l Auxerrois in Paris, 1544-45 (stone) by Goujon, Jean (1510-c.67); Louvre, Paris, France; French, out of copyright

Matthew Skeggs, as Seignor Bumbasto, playing
Matthew Skeggs, in the character of Seignor Bumbasto, playing a broomstick instead of a cello with a bow. Skeggs was a publican and performer of musical tricks with the Choice Spirits

Plate and hairbrush from Delft, Netherlands, 18th century
Plate and top of hairbrush from Delft, Netherlands, 18th century. Plate with religous scene of Christ and disciples meeting a Canaanite woman (Matthew 15:22)

Evangelical reliquary, Moscow School (gold, silver, precious stones & niello)
XIR236849 Evangelical reliquary, Moscow School (gold, silver, precious stones & niello) by Russian School (17th century); 45x29 cm; Kremlin Museums, Moscow, Russia; Russian, out of copyright

12th century battle scene showing knights in combat
Battle scene showing knights in cylindrical helmets and chainmail hoods, armorial surcoats and shields with coats of arms

Apostles, 1837 (stained glass)
3475262 Apostles, 1837 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Marys College, New Oscott, Birmingham

Matthew (Levi) is called upon to become a disciple - Bible
3779801 Matthew (Levi) is called upon to become a disciple - Bible by Hole, William Brassey (1846-1917); (add.info.: Matthew (Levi) is called upon to become a disciple

Immanuel, Isaiah, That is God with us, Matthew (engraving)
2812911 Immanuel, Isaiah, That is God with us, Matthew (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Immanuel, Isaiah, That is God with us, Matthew)

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Matthew, the guardian angel of history, has left his mark throughout the ages. In 1897, a stunning illustration in the Book of Kells depicted St. Matthew with intricate detail and devotion. Inspired by faith, he transcribed The Lord's Prayer for all to seek solace in its words. The portrait of Saint Matthew found within the ancient Lindisfarne Gospels showcases his divine presence illuminated around 700 AD. As if transcending time itself, this depiction captures his essence as a guiding force for humanity. In an unexpected twist, Matthew's influence extends beyond religious realms into sports and geography. A group photo immortalizes him as part of the Millwall Athletic football team - showcasing his versatility and love for competition. Matthew Paris' map from 1250 reveals another facet of his character - a cartographer mapping rivers and towns across England and Wales with meticulous precision. His attention to detail is evident even centuries later. But it doesn't stop there; Matthew's impact reaches far beyond borders or fields. Ciro Ferri's artwork "The Guardian Angel" pays homage to Pietro da Cortona while capturing Matthew's watchful eye over mankind. Even technological advancements bear witness to Matthew’s handiwork – Boulton and Watt steam engines equipped with planetary gears revolutionized industry under his guidance. Nature too finds itself blessed by Matthew’s touch; Toulouse geese adorned with dewlaps reflect both beauty and fertility that he bestowed upon them. Yet amidst these diverse influences lies an unwavering commitment to service during times of strife. Father William Corby alongside other chaplains were captured by Mathew Brady during the Civil War – their dedication inspiring countless soldiers on their darkest days. Finally, an Austrian Gospel from the mid-13th century illuminates Saint Matthew once more – reminding us that through artistry and spirituality combined, he continues shaping our collective narrative today. Matthew remains a timeless figure whose legacy spans across centuries, continents, and disciplines.