Matrona Collection

Justice, 1792 (plaster)
6343142 Justice, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Giustizia, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Hope, 1792 (plaster)
6343140 Hope, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Speranza, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Marie Louise of Hapsburg as Concordia, 1810 (plaster)
6342996 Marie Louise of Hapsburg as Concordia, 1810 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Maria Luigia d Austra in veste di Concordia)

Model of the Monument to Vittorio Alfieri, 1806 (plaster)
6342995 Model of the Monument to Vittorio Alfieri, 1806 (plaster) by Canova, Antonio (1757-1822); Accademia di Belle Arti, Carrara, Tuscny, Italy; (add.info.: Above a high oval base)

Statue of a Woman. About 170 AD. Glytothek. Munich. Germany

Statue of a woman, holding ears of corn and poppis. About 11
Roman art. Statue of a woman, holding ears of corn and poppis. About 110 AD. Glyptothek. Munich. Germany

Roman Art. The Mater Familias or Matrona. Statue. Ny Carlsberg Glyptotek. Copenhagen. Denmark

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"Matrona: A Symbol of Justice, Charity, and Hope" In the realm of art, the depiction of women has often served as a powerful symbol. The sculptures and statues throughout history have immortalized their strength, grace, and virtues. Among these iconic representations stands Matrona - a figure that embodies justice, charity, and hope. Dating back to 170 AD in ancient Rome, the statue known as "Statue of a Woman" showcases the essence of Matrona. Holding ears of corn and poppies in her hands, she represents abundance and fertility - qualities associated with nurturing and caring for others. Fast forward to 1792 when plaster sculptures were created to depict Justice and Charity. These pieces capture Matrona's unwavering commitment to fairness and compassion towards all members of society. With each stroke on plaster canvas by skilled artists from that era comes an everlasting reminder that justice must prevail while kindness should be extended without boundaries. Hope takes center stage in another masterpiece from 1792 - also crafted in plaster. This sculpture portrays Matrona as a beacon amidst darkness; her presence offers solace during challenging times. It serves as a reminder that even in our darkest moments, hope can guide us towards brighter days. The year 1810 witnessed Marie Louise of Hapsburg transformed into Concordia through yet another remarkable plaster sculpture. As Concordia symbolizes harmony among nations or groups with differing interests or opinions so does this portrayal exemplify how Matrona seeks unity within communities by bridging gaps between individuals. A model made out of plaster dating back to 1806 depicts Vittorio Alfieri's monument envisioned by an artist who understood the significance behind commemorating great figures like him - those who fought for justice tirelessly throughout their lives. This model reminds us that Matrona stands alongside those who champion noble causes. Even beyond Roman artistry lies Wenceslaus Hollar's etching from 1649 titled "Matrona Tiguriensis.