Maria Anna Angelika Kauffmann Collection

Baron Gustaf Adolf Reuterholm, 1792. Creator: Angelica Kauffman
Baron Gustaf Adolf Reuterholm, 1792

Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School
Una and the lion, after Angelica Kauffman, between 1783 and 1800

The Muse, 1766. Creator: Angelica Kauffman
The Muse, 1766

Reclining Girl Seen from the Back, 1780. Creator: Angelica Kauffman
Reclining Girl Seen from the Back, 1780

Juno and the Peacock, 1780. Creator: Angelica Kauffman
Juno and the Peacock, 1780

Woman Resting Her Head on a Book, 1770. Creator: Angelica Kauffman
Woman Resting Her Head on a Book, 1770

Monsignor Giuseppe Spina (1756-1828), 1798. Creator: Angelica Kauffman
Monsignor Giuseppe Spina (1756-1828), 1798

Ellis Cornelia Knight, 1793 (oil on canvas)
940210 Ellis Cornelia Knight, 1793 (oil on canvas) by Kauffman, Angelica (1741-1807); 96x80 cm; Manchester Art Gallery, UK; (add.info.: This portrait was painted in Rome)

Portrait of a young woman dressed as a Bacchante, 18th century (painting)
7129461 Portrait of a young woman dressed as a Bacchante, 18th century (painting) by Kauffman, Angelica (1741-1807); Galleria Nazionale d'Arte Antica, Rome

Head of Woman, Turning Left, n. d. Creator: tyle of Angelica Kauffmann Swiss, 1741-1807
Head of Woman, Turning Left, n.d

Allegorie al Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815
Allegorie a l Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815. Possibly after Angelica Kauffman, manufactured by Favre-Petitpierre & Cie

Mrs. Hugh Morgan and Her Daughter, c. 1771. Creator: Angelica Kauffman
Mrs. Hugh Morgan and Her Daughter, c. 1771

Dr. John Morgan, 1764. Creator: Angelica Kauffman
Dr. John Morgan, 1764

Possibly Franciska Krasinska, Duchess of Courland, c. 1790. Creator: Angelica Kauffman
Possibly Franciska Krasinska, Duchess of Courland, c. 1790

Coriolanus: "The God of Soldiers, to shame invulnerable... "(Shakespeare, Cori
Coriolanus: " The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5), November 3, 1785

Lady Hamilton as the Comic Muse, Thalia, 1791. Creator: Raphael Morghen
Lady Hamilton as the Comic Muse, Thalia, 1791

Madonna and Child, December 3, 1774. Creator: Valentine Green
Madonna and Child, December 3, 1774

The Sorrow of Telemachus, 1783. Creator: Angelica Kauffman
The Sorrow of Telemachus, 1783

Telemachus and the Nymphs of Calypso, 1782. Creator: Angelica Kauffman
Telemachus and the Nymphs of Calypso, 1782

Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife and Their Son, c1776
Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife (Lady Elizabeth Hamilton, 1753-1797) and Their Son (Edward Smith Stanley, 1775-1851), ca. 1776

Kauffman, (1741-1807), 1830. Creator: Unknown
Kauffman, (1741-1807), 1830. Angelica Kauffman (1741-1807) Swiss Neoclassical painter with a successful career in London and Rome

Angelika Kauffman, (1933). Creator: Unknown
Angelika Kauffman, (1933). Portrait of Swiss artist Angelika Kauffmann (1741-1807), a neoclassical painter who was one of the two female founding members of the Royal Academy in London in 1768

The Three Graces and Cupid, c1775-c1792. Artist: Gavrila Ivanovitch Scorodomoff
The Three Graces and Cupid, c1775-c1792

Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland
Juno borrowing the Cestus from Venus, c1782. In between the two goddesses stands Cupid

Winter, c1782 Artist: Francesco Bartolozzi
Winter, c1782; showing four women and two children gathered round a fire to ward off the cold of winter

Ceres, c1782. Artist: Francesco Bartolozzi
Ceres, c1782; showing the ancient Italian corn goddess with women gathering corn

Pomona, c1782. Artist: Francesco Bartolozzi
Pomona, c1782; showing three women, one sits playing an instrument while the other two pick and collect fruit

Grafin Potocka 1776-1867. - Gemalde von Kucharski, 1934
Grafin Potocka 1776-1867, 1934. Delfina Potocka, nee Komar (1807-1877), Polish countess, was a friend and muse to Polish expatriate artists Frederic Chopin and Zygmunt Krasinski

Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). She Had Wandered Off Into This Day-Dream, and Almost Forgotten Mr

Secretaire commode, c1785 Artist: George Brookshaw
Secretaire commode, c1785. The medallions are all derived from Angelica Kauffmanns work. Representing: ?Una and the Lion? (on top), the lovers ?Damon and Musidora? and ?Paris and Oenone?

Apollo and the Muses, 1772. Artist: Angelika Kauffmann
Apollo and the Muses, 1772. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

The Duchess of Devonshire and Lady Duncannon, 1782. Artist: William Dickinson
The Duchess of Devonshire and Lady Duncannon, 1782. An engraving of Georgiana Cavendish, Duchess of Devonshire (1757-1806) and he sister, Henrietta Ponsonby, Countess of Bessborough (1761-1821)

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Maria Anna Angelika Kauffmann, known simply as Angelica Kauffman, was a prominent Swiss-Austrian Neoclassical painter who lived from 1741 to 1807. She was renowned for her exceptional talent and versatility in various artistic genres. One of her notable works is the portrait of Monsignor Giuseppe Spina, painted in 1798. This masterpiece showcases Kauffmann's ability to capture the essence and character of her subjects with remarkable precision. In another captivating piece titled "Ellis Cornelia Knight, " created in 1793, Kauffmann portrays a woman with elegance and grace. The attention to detail in this oil painting highlights the artist's meticulousness and dedication to her craft. Kauffmann also ventured into mythological themes, as seen in the enchanting painting "Portrait of a young woman dressed as a Bacchante" from the 18th century. With vibrant colors and intricate brushwork, she brings this mythical figure to life on canvas. Her self-portrait from around 1770-75 reveals not only her technical skill but also hints at her confidence and determination as an artist. The intensity captured in her eyes reflects both vulnerability and strength. Apart from portraiture, Kauffmann explored other subjects such as landscapes and allegorical scenes. A prime example is the exquisite furnishing fabric called "Allegorie al Amour (Homage to Love)" dating back to approximately 1815. This textile design demonstrates her ability to translate art onto different mediums seamlessly. Amongst many portraits she completed throughout her career are those of Mrs. Hugh Morgan and Her Daughter (c. 1771) along with Dr. John Morgan (1764). These paintings showcase Kauffmann's expertise in capturing human emotions through delicate brushstrokes that reveal both tenderness and depth. Another striking portrait attributed to Angelica Kauffman is possibly that of Franciska Krasinska, Duchess of Courland, dating back to around 1790.