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Maria Anna Collection

"Maria Anna: A Tale of Royalty and Influence" From the elegant Elisa, Grande-Duchesse de Toscanne, to the captivating Marie-Anne-Elisa Bonaparte

Background imageMaria Anna Collection: Entry into Madrid on March 23, 1623 of the Prince of Wales future King Charles I of England

Entry into Madrid on March 23, 1623 of the Prince of Wales future King Charles I of England (engraving)
6266326 Entry into Madrid on March 23, 1623 of the Prince of Wales future King Charles I of England (engraving); (add.info.: After a 17th century work)

Background imageMaria Anna Collection: Elisa. Grande-Duchesse de Toscanne, (1777-1820), c1830. Creator: Francois-Seraphin Delpech

Elisa. Grande-Duchesse de Toscanne, (1777-1820), c1830. Creator: Francois-Seraphin Delpech
Elisa. Grande-Duchesse de Toscanne, (1777-1820), c1830. Elisa Bonaparte (1777-1820) Italian princess and Grand Duchess of Tuscany (1809-1814) by appointment of her brother Napoleon Bonaparte

Background imageMaria Anna Collection: Marie-Anne-Elisa Bonaparte, c late 19th century, (1896). Artist: R. G. Tietze

Marie-Anne-Elisa Bonaparte, c late 19th century, (1896). Artist: R. G. Tietze
Marie-Anne-Elisa Bonaparte, wife of Felice Pasquale Bacciocchi; Princess of Lucca and Piombino, Grand Duchess of Tuscany, Countess of Compignano, c late 19th century, (1896)

Background imageMaria Anna Collection: Portrait of Maria Anna (1606-1646), Infanta of Spain, c. 1630. Artist: Velazquez, Diego (1599-1660)

Portrait of Maria Anna (1606-1646), Infanta of Spain, c. 1630. Artist: Velazquez, Diego (1599-1660)
Portrait of Maria Anna (1606-1646), Infanta of Spain, c.1630. Found in the collection of the Museo del Prado, Madrid

Background imageMaria Anna Collection: Maria Anna, Queen of Bohemia and Hungary, 17th century (1894). Artist: Simon de Passe

Maria Anna, Queen of Bohemia and Hungary, 17th century (1894). Artist: Simon de Passe
Maria Anna, Queen of Bohemia and Hungary, 17th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageMaria Anna Collection: Emperor Joseph II at the piano with his sisters Maria Anna and Maria Elisabeth

Emperor Joseph II at the piano with his sisters Maria Anna and Maria Elisabeth. Artist: Hauzinger, Josef (1728-1786)
Emperor Joseph II at the piano with his sisters Maria Anna and Maria Elisabeth. Found in the collection of the Art History Museum, Vienne

Background imageMaria Anna Collection: Wolfgang Amadeus Mozart in 1759 (1906)

Wolfgang Amadeus Mozart in 1759 (1906). Mozarts (1756-1791) first attempt, at the age of three, to play the piano. In the doorway his sister Nannerl and his father Leopold look

Background imageMaria Anna Collection: The Mozart family in Paris in 1763. Artist: Louis de Carmontelle

The Mozart family in Paris in 1763. Artist: Louis de Carmontelle
The Mozart family in Paris in 1763. Leopold Mozart (1719-1787) is the violinist, the singer is his daughter Maria-Anna (Nannerl) (1751-1829)

Background imageMaria Anna Collection: The Mozart Family, 1780-1781. Artist: Johann Nepomuk Della Croce

The Mozart Family, 1780-1781. Artist: Johann Nepomuk Della Croce
The Mozart Family, 1780-1781. Leopold (1719-1787), leaning, holding his violin with his daughter Maria-Anna (Nannerl) (1751-1829) and son Wolfgang Amadaeus (1756-1791) at the keyboard

Background imageMaria Anna Collection: Entry into Madrid on March 23, 1623 of the Prince of Wales, future King Charles I of England

Entry into Madrid on March 23, 1623 of the Prince of Wales, future King Charles I of England. After a 17th century work. Charles had hoped to win the hand of the Spanish kings daughter

Background imageMaria Anna Collection: Frans Luycx Maria Anna 1635-1696 Archduchess

Frans Luycx Maria Anna 1635-1696 Archduchess
Frans Luycx, Maria Anna, Maria Anna (1635-1696), Archduchess of Austria, Daughter of Emperor Ferdinand III, Married to Philip IV of Spain, 1635-1696, painting, portrait, Mariana of Austria

Background imageMaria Anna Collection: Frans Luycx Maria Anna Maria Anna? 1606-1646

Frans Luycx Maria Anna Maria Anna? 1606-1646
Frans Luycx, Maria Anna, Maria Anna?, (1606-1646), Infanta of Spain, Consort to Emperor Ferdinand III, Princess of Spain, painting, portrait, Maria Anna of Spain, 17th century, oil on canvas, Height

Background imageMaria Anna Collection: Johann Heinrich Schmidt Princess Maria Anna Maria Anna

Johann Heinrich Schmidt Princess Maria Anna Maria Anna
Johann Heinrich Schmidt, Princess Maria Anna, Maria Anna, 1761-1829, Princess of Saxony, painting, 1776, Pasell on cardboard, Height, 28 cm (11 inches), Width, 22 cm (8.6 inches), Inscriptions

Background imageMaria Anna Collection: Reception Dutch ambassador Hieronymus van Beverningk

Reception Dutch ambassador Hieronymus van Beverningk
Reception of the Dutch ambassador Hieronymus van Beverningk by the Spanish queen-regent Maria-Anna of Austria, 2 March 1671, Hieronymus van Beverningk (1614-90), Dutch extraordinary ambassador

Background imageMaria Anna Collection: Portrait Maria Anna Spain Ferdinandus II III

Portrait Maria Anna Spain Ferdinandus II III
Portrait of Maria Anna of Spain Ferdinandus II [us] and III [us] Imperatorum Domus Austriacae (series title), Portrait of Maria Anna of Spain

Background imageMaria Anna Collection: The Consecration of the Emperor Napoleon I and the Coronation of Empress Josephine

The Consecration of the Emperor Napoleon I and the Coronation of Empress Josephine
XIR902658 The Consecration of the Emperor Napoleon I and the Coronation of Empress Josephine in Notre-Dame Cathedral, 2nd December 1804

Background imageMaria Anna Collection: Queen Maria Anna (1634-96) of Austria, 1652 (oil on canvas)

Queen Maria Anna (1634-96) of Austria, 1652 (oil on canvas)
XIR36744 Queen Maria Anna (1634-96) of Austria, 1652 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 231x131 cm; Prado, Madrid

Background imageMaria Anna Collection: Queen Mariana of Austria (oil on canvas)

Queen Mariana of Austria (oil on canvas)
XIR468196 Queen Mariana of Austria (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); Academia de San Fernando, Madrid; (add.info.: Marianne d Autriche)

Background imageMaria Anna Collection: Portrait of Maria Anna of Spain, Jacob Louys, Pieter Claesz. Soutman, Ferdinand III

Portrait of Maria Anna of Spain, Jacob Louys, Pieter Claesz. Soutman, Ferdinand III (Duits keizer), 1644 - 1650

Background imageMaria Anna Collection: The Mozart Family (1780-1781). Leopold (1719-1787) with his daughter Maria-Anna

The Mozart Family (1780-1781). Leopold (1719-1787) with his daughter Maria-Anna, Nannerl (1851-1829), and son Wolfgang Amadaeus (1756-1791) at the keyboard


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"Maria Anna: A Tale of Royalty and Influence" From the elegant Elisa, Grande-Duchesse de Toscanne, to the captivating Marie-Anne-Elisa Bonaparte, Maria Anna's legacy spans centuries. In this collection of portraits, we catch glimpses of her remarkable life. In a stunning depiction by Francois-Seraphin Delpech, Elisa exudes regality as she graces us with her presence. Her reign as Grand Duchess of Tuscany from 1777 to 1820 was marked by grace and sophistication. Moving forward in time, we encounter another Maria Anna - Marie-Anne-Elisa Bonaparte. The late 19th-century artwork by R. G. Tietze captures her allure and charm. As a member of the illustrious Bonaparte family, she left an indelible mark on history. Diego Velazquez brings forth the beauty of Infanta Maria Anna in his timeless portrait from the 17th century. With delicate brushstrokes, he immortalizes her elegance and poise. Simon de Passe's artistic prowess shines through in his portrayal as Queen of Bohemia and Hungary during the 17th century. Her strength and determination are palpable in every stroke. The bond between siblings is celebrated in Josef Hauzinger's masterpiece depicting Emperor Joseph II at the piano with his sisters Maria Anna and Maria Elisabeth. Their shared love for music echoes through time. Wolfgang Amadeus Mozart takes center stage in a photograph capturing him at age ten in 1759. Little did anyone know that this musical prodigy would forever change the world with his compositions. Louis de Carmontelle transports us back to Paris in 1763 where we find ourselves amidst The Mozart Family's journey towards greatness. Their united front symbolizes their unwavering support for one another.